Pilgrimage as Transformative Process

Pilgrimage as Transformative Process

Author: Heather A. Warfield

Publisher: BRILL

Published: 2018-11-26

Total Pages: 179

ISBN-13: 9004381228

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The construct of transformation has emerged as a prominent theme in academic discourse. Based on the accepted notion that processes and living organisms are in an ongoing state of development, it is unsurprising that this concept of transformation would find resonance within literature on the pilgrimage phenomenon. Examples of transformational processes intersecting with pilgrimage are the movement from sickness to wellness, from grief to closure and from fractured to integrated. That the pilgrimage journey itself can be construed as a transformational quest was noted by Winkleman and Dubisch (2005), who stated “Life-transforming experiences are at the core of both ‘traditional’ and more contemporary forms of pilgrimage”. In the current volume, Warfield and Hetherington examine the transformational process of pilgrimage journeys. Contributors are Sharenda Holland Barlar, Anne M. Blankenship, Valentina Bold, Shirley du Plooy, Alexandria M. Egler, Miguel Tain Guzman, Kate Hetherington, Scott Libson, Chadwick Co Sy Su, Kip Redick, Roy Tamashiro and Heather A. Warfield.


The Science of Nature in the Seventeenth Century

The Science of Nature in the Seventeenth Century

Author: Peter R. Anstey

Publisher: Springer Science & Business Media

Published: 2006-06-28

Total Pages: 251

ISBN-13: 1402037031

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One of the hallmarks of the modern world has been the stunning rise of the natural sciences. The exponential expansion of scientific knowledge and the accompanying technology that so impact on our daily lives are truly remarkable. But what is often taken for granted is the enviable epistemic-credit rating of scientific knowledge: science is authoritative, science inspires confidence, science is right. Yet it has not always been so. In the seventeenth century the situation was markedly different: competing sources of authority, shifting disciplinary boundaries, emerging modes of experimental practice and methodological reflection were some of the constituents in a quite different mélange in which knowledge of nature was by no means p- eminent. It was the desire to probe the underlying causes of the shift from the early modern ‘nature-knowledge’ to modern science that was one of the stimuli for the ‘Origins of Modernity: Early Modern Thought 1543–1789’ conference held in Sydney in July 2002. How and why did modern science emerge from its early modern roots to the dominant position which it enjoys in today’s post-modern world? Under the auspices of the International Society for Intellectual History, The University of New South Wales and The University of Sydney, a group of historians and philosophers of science gathered to discuss this issue. However, it soon became clear that a prior question needed to be settled first: the question as to the precise nature of the quest for knowledge of the natural realm in the seventeenth century.


Theater Technology

Theater Technology

Author: George C. Izenour

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 602

ISBN-13: 0300067666

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George C. Izenour ties detailed information on construction, lighting, acoustical structures, electro-mechanical-hydraulic systems, and stage controls to a rich-history of technological developments from the invention of the proscenium stage in late Renaissance Italy to the contributions of our own time. All the drawings are produced on the same scale for plan, transverse section, and perspective section.


Building the New Man

Building the New Man

Author: Francesco Cassata

Publisher: Central European University Press

Published: 2011-01-01

Total Pages: 439

ISBN-13: 9639776831

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Based on previously unexplored archival documentation, this book offers the first general overview of the history of Italian eugenics, not limited to the decades of Fascist regime, but instead ranging from the beginning of the 1900s to the first half of the 1970s. The Author discusses several fundamental themes of the comparative history of eugenics: the importance of the Latin eugenic model; the relationship between eugenics and fascism; the influence of Catholicism on the eugenic discourse and the complex links between genetics and eugenics. It examines the Liberal pre-fascist period and the post-WW2 transition from fascist and racial eugenics to medical and human genetics. As far as fascist eugenics is concerned, the book provides a refreshing analysis, considering Italian eugenics as the most important case-study in order to define Latin eugenics as an alternative model to its Anglo-American, German and Scandinavian counterparts. Analyses in detail the nature-nurture debate during the State racist campaign in fascist Italy (1938–1943) as a boundary tool in the contraposition between the different institutional, political and ideological currents of fascist racism.


Salvator Rosa in French Literature

Salvator Rosa in French Literature

Author: James Patty

Publisher: University Press of Kentucky

Published: 2005-01-31

Total Pages: 282

ISBN-13: 0813171938

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" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.


Dosso's Fate

Dosso's Fate

Author: Dosso Dossi

Publisher: Getty Publications

Published: 1998

Total Pages: 436

ISBN-13: 9780892365050

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Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.