If there is one thing that Manto has always wanted to understand, but never has, is this: why is that singles—men not interested in getting married, ever—are so unnaturally obsessed with empty bottles and cans. Be it his fifty-year-old relative, his friend who is a reader at the high court, or the retired Colonel Sahib, all of them have one thing in common: a collection of empty bottles and cans spread all over their homes. Manto wishes to make sense of this fascination, but it isn't something that can be explained easily in psychological terms. Until, one day, he meets Ram Saroop, the superstar, who is not just single but has an entire room full of empty rum bottles and cigarette packs in his small flat by the sea at Shivaji Park. Will Ram Saroop finally help Manto solve this bizarre mystery? One of the lighter stories from Manto's repertoire of short fiction, Empty Bottles, Empty Cans is an interesting take on the concept of emptiness and a generation of single men experiencing it.
What are you hiding behind your smile? If those empty bottles that line the walls of your room could speak, what tales would they spill? So much of your truth is buried beneath the lies you tell yourself. There’s a need to scream to the moon; there’s this urge to go out into the darkness of the night to purge. There are so many stories living inside your soul, you just want the opportunity to tell them. And when you can’t find the will to express what lives within your heart, these words will give you peace. These words will set you free.
"Like a modern day vagabonding beat poet, the possible love-child of Patti Smith and Charles Bukowski - Eriksson is a rare soul in today's society. Carefully balancing between wanting to defy the world, and wanting nothing more than to be a part of it." At 18 years old she left her home in Sweden and took off on her own to embark on the long journey of creating a life for herself. A life she could be proud of. A life that made her excited to wake up every morning. With nothing but a guitar, her stories and a dream, she spent a year wandering in England, sleeping at train stations, airports and helpful fans' couches. Singing for whoever was willing to listen and collecting stories. Her first book Empty Roads & Broken Bottles; in search for The Great Perhaps, is Charlotte's own journey of fighting for her dream, living rootless, learning solitude, the difference between having a home and feeling at home and how she finally found a home in herself, in her music, in her words.An ordinary girl created a community, now with thousands of fans following her journey. Aspiring to inspire others to follow their hearts and go against the tide, showing that you can achieve and become exactly who you want to be, if you just want it bad enough. "She seems to have such a deep love for life and experience, both the good and the bad, this book made me want to go out and live my life to the fullest. I want to feel all of this too." This book is filled with philosophical explorations, inspiring stories of facing fear and doubts, words on love and loss, hurting and healing. The second part of the book is Charlotte's own journals, written during her wandering year in England. Bold and honest, raw from stream-of-consciousness. She doesn't cover up how hard life can really be, how deep love can cut, or how mesmerising a simple conversation can be. Now, a few years later, Charlotte has become a prolific songwriter and author. She's released 3 critically acclaimed albums, published 3 books, and had excerpts from her books shared on large platforms such as Thought Catalog, Bella Grace Magazine, Berlin ArtParasites and Word Porn. She's taken on the challenge of writing comforting words on mental illness, depression, wanting more, heartbreak, chasing a dream and losing people. But this, is where it all started. "I wanted to turn my life into art, my very existence into a poem. This is my story. It might not always be easy, but it will always be beautiful." ************************* "Instant coffee and a tip from the sound-guy. I'm learning sounds, lying wide awake on different sofas every night. I know the difference between a well built wall and broken strength. I'm learning mindfulness, reading about gurus and poets every day on different trains to nowhere. I don't know what I'm learning but I hope I will understand one day. I'm selling my heart with each album and a silent prayer that they'll be gentle with it, gentle with me. And then the concerned looks they throw when I point at my worn out bag and broken guitar case as the answer to where I live. Sure I could spend a year or two selling my days and time for money, and I could buy all these things people want to have without never really needing it. It's just that when I'm on that stage every night, it all just seems so stupid. My guitar, my voice, my words, my story. That's all I want, that's what makes my heart beat. What am I supposed to do with belongings and material stuff when all I want is this. The open road and a new beginning every day."
Making a Green Machine examines the development of the Scandinavian beverage container deposit-refund system, which has the highest return rates in the world, from 1970 to present. Finn Arne Jorgensen's comparative framework charts the complex network of business and political actors involved in the development of the reverse vending machine (RVM) and bottle deposit legislation to better understand the different historical trajectories empty beverage containers have taken across markets, including the U.S. The RVM began simply as a tool for grocers who had to handle empty refillable glass bottles, but has become a green machine to redeem the empty beverage container, helping both business and consumers participate in environmental actions.
“This ambitious, adventurous writer . . . recalls Anton Chekhov with his amused appreciation of human foibles.”—Wendy Smith, Chicago Tribune The sky is falling for the Caspers, a family of cowards. When the parents decide to separate, this family is forced to appreciate the cloudiness of this modern age.
