In this fresh and controversial account of Britain's end of empire, Grob-Fitzgibbon reveals that the British government developed a successful strategy of decolonization following the Second World War based on devolving power to indigenous peoples within the Commonwealth.
'An outstanding history ... one of the best writers on the First World War' Simon Sebag Montefiore Shortlisted for the Duke of Westminster Medal for Military Literature The Ottoman Endgame is the first, and definitive, single-volume history of the Ottoman empire's agonising war for survival. Beginning with Italy's invasion of Ottoman Tripoli in September 1911, the Empire was in a permanent state of emergency, with hardly a frontier not under direct threat. Assailed by enemies on all sides, the Empire-which had for generations been assumed to be a rotten shell-proved to be strikingly resilient, beating off major attacks at Gallipoli and in Mesopotamia before finally being brought down in the general ruin of the Central Powers in 1918. As the Europeans planned to partition all its lands between them and with even Istanbul seemingly helpless in the face of the triumphant Entente, an absolutely unexpected entity emerged: modern Turkey. Under the startling genius of Mustafa Kemal Atatürk, a powerful new state emerged from the Empire's fragments. This is the first time an author has woven the entire epic together from start to finish - and it will cause many readers to fundamentally re-evaluate their understanding of the conflict. The consequences, well into the 21st century, could not have been more momentous - with countries as various as Serbia, Greece, Libya, Armenia, Iraq and Syria still living with them.
The recent American invasion of Iraq represents the endgame of America's decades-old effort to impose its vision of globalization-a system dominated by multinational firms and buttressed by the liberalism of John Locke and Adam Smith. Whereas the war surely ended Saddam Hussein's regime, the storm of countervailing forces it unleashed points to another end: that of America's latest global project. This is not the first time that the US has tried to reshape the world in its own liberal image, but the third. The first effort stretched from the late nineteenth century to 1920, ending when America rejected entry into the League of Nations. The FDR administration engineered the second attempt in the 1940s, but it withered in the Cold War. The third moment-the era of globalization-began in the late 1960s, when the US transformed the Bretton Woods financial institutions and used its own economic power to enforce a worldwide neoliberal orthodoxy tied to an ideal of liberal democracy. But the effort is failing for the same reasons the preceding attempts failed. As Neil Smith shows, the Lockean liberalism that animates American globalism has always been undercut by a crippling nationalism that exposes the contradictions built into the ideal. In each instance, a hard-edged nationalism-evident in the rejection of the League of Nations, in the policies of the Cold War, and in the current Iraq war-always surfaces and drives US actions despite America's self-perception as a champion of benign universal values. Moreover, it always generates opposition. Attuned to history, political economy, and geography, The Endgame of Globalization is a sweeping and powerful account of America's century-long quest for global dominance and the nationalism within that invariably unravels the dream.
Video games are a global phenomenon, international in their scope and democratic in their appeal. This is the first volume dedicated to the subject of apocalyptic video games. Its two dozen papers engage the subject comprehensively, from game design to player experience, and from the perspectives of content, theme, sound, ludic textures, and social function. The volume offers scholars, students, and general readers a thorough overview of this unique expression of the apocalyptic imagination in popular culture, and novel insights into an important facet of contemporary digital society.
Alisa Marchenko has reunited with her daughter, and even though she hasn’t figured out how to get Jelena to accept Leonidas yet, she dreams of the three of them starting a new life together. They can return the Star Nomad to its original purpose of running freight and staying out of trouble (mostly). Before that can happen, Alisa must fulfill the promise she made to Jelena: that she and her crew will retrieve young Prince Thorian, the boy who has become Jelena’s best friend. But Thorian was kidnapped by the rogue Starseer Tymoteusz, the man who wants to use the Staff of Lore to take over the entire system—and the man who may have the power to do it. Alisa doesn’t know why he kidnapped Thorian, but Tymoteusz once promised to kill the prince, so she fears they don’t have much time. Unfortunately, Tymoteusz hasn’t left a trail of breadcrumbs. Finding him will be difficult, and even if they’re successful, facing him could be suicidal. To have a chance of surviving, Alisa will have to come up with her greatest scheme yet. Fallen Empire Reading Order Book 1: Star Nomad Book 2: Honor’s Flight Book 3: Starseers Book 4: Relic of Sorrows Book 5: Cleon Moon Book 6: Arkadian Skies Book 7: Perilous Hunt Book 8: End Game Cyborg Legacy
Featuring specially commissioned chapters from experts in the field of media and communications law, this book provides an authoritative survey of media law from a comparative perspective. The handbook does not simply offer a synopsis of the state of affairs in media law jurisprudence, rather itprovides a better understanding of the forces that generate media rules, norms, and standardsagainst the background of major transformations in the way information is mediated as a result of democratization, economic development, cultural change, globalization and technological innovation. The book addresses a range of issues including: Media Law and Evolving Concepts of Democracy Network neutrality and traffic management Public Service Broadcasting in Europe Interception of Communication and Surveillance in Russia State secrets, leaks and the media A variety of rule-making institutions are considered, including administrative, and judicial entities within and outside government, but also entities such as associations and corporations that generate binding rules. The book assesses the emerging role of supranational economic and political groupings as well asnon-Western models, such as China and India, where cultural attitudes toward media freedoms are often very different. Monroe E. Price is Director of the Center for Global Communication Studies at the Annenberg School for the University of Pennsylvania and Joseph and Sadie Danciger Professor of Law and Director of the Howard M. Squadron Program in Law, Media and Society at the Cardozo School of Law. Stefaan Verhulst is Chief of Research at the Markle Foundation. Previously he was the co-founder and co-director, with Professor Monroe Price, of the Programme in Comparative Media Law and Policy (PCMLP) at Oxford University, as well as senior research fellow at the Centre for Socio Legal Studies. Libby Morgan is the Associate Director of the Center for Global Communication Studies at the Annenberg School for the University of Pennsylvania.