Emma has a secret—and not the good kind. She can hear people's thoughts. When Sara Davis, an adversarial school newspaper editor, convinces her to be the focus of the Senior Feature, Emma doesn’t realize what she’s getting herself into. Lacking Emma’s cooperation, Sara writes the story anyway, setting off gossip and speculation. Worse yet, the article comes dangerously close to exposing Emma’s secret and threatens her crush on the new boy at school, Nick Knight. Keeping her “talent” from derailing her social life becomes more and more difficult as classmates begin to suspect Sara was right about Emma.
In collaboration with the American Diabetes Association Caillou is confused when Emma is allowed to have extra snacks at preschool. He's even more confused when Miss Martin explains that Emma has type 1 diabetes. Caillou is worried about his friend and becomes very protective of her. But when Emma outruns Caillou in a race, he soon realizes Emma's diabetes isn't like a cold or flu. It's something Emma has to live with every day, and she's doing a pretty good job of it.
'I wonder what will become of her!' So speculate the friends and neighbours of Emma Woodhouse, the lovely, lively, wilful,and fallible heroine of Jane Austen's fourth published novel. Confident that she knows best, Emma schemes to find a suitable husband for her pliant friend Harriet, only to discover that she understands the feelings of others as little as she does her own heart. As Emma puzzles and blunders her way through the mysteries of her social world, Austen evokes for her readers a cast of unforgettable characters and a detailed portrait of a small town undergoing historical transition. Written with matchless wit and irony, judged by many to be her finest novel, Emma has been adapted many times for film and television. This new edition emphasises the novel's extraordinary technical audacity. While apparently conservative in its choice of setting and range of characters, it was - and is - a formally revolutionary work.
In a world no longer blessed with virtue, there remains a place among the moving icebergs, cradled between the twilight of dreams, yet hidden from the nightmare of man. It is a sanctuary that has miraculously clung to its innocence, a faraway place, a place called SEALSSONG. A dying girl is about to find out that there are more things in life to fear than death itself. Born with gifts beyond that of natural reasoning, young Emma finds herself spirited away by an evil relative desperately seeking out her angelic powers in order to fulfill a most diabolical prophecy. Her aunt Decara, a tear-stealing villainess on a dastardly quest to find a sacred teardrop housed inside a purple stone, possessing enormous powers, will first have to find one orphaned baby seal named Miracle, who must learn to survive in a fantastic world confronting deadly seal hunters and the bloodshed they bring. For it is he who now inherits the powerful, tear, and it is he whom Emma soon comes to realize—that she must kill!
In November 1814, Jane Austen's niece Fanny Knight wrote Austen a letter secretly requesting advice. Fanny wanted urgently to know whether she should continue encouraging her most ardent suitor, what the future would hold were she to marry him, and whether she, Fanny, was in love with him. Fanny evidently wished to turn over her love life to Austen's creative direction, and Austen's letters of response cooperate with this desire. Today, many readers address to Austen's novels their deepest uncertainties about their love lives. Consulting Austen-themed divination toys for news about the future or applying to their own circumstances the generalizations they have gleaned from Austen's narrator, characters, or plots, they look to Austen not for anonymous instruction but for the custom-tailored guidance-and magical intervention-of an advisor who knows them well. This book argues that Austen, inspired by her niece to embrace the most scandalous possibilities of the novel genre, sought in her three last-published novels to match her readers with real-world lovers. The fictions that Austen wrote or revised after beginning the advisory correspondence address themselves to Fanny Knight. They imagine granting Fanny a happy love life through the thaumaturgic power of literary language even as they retract Austen's epistolary advice and rewrite its results. But they also pass along the role of Fanny Knight to Austen's readers, who get a chance to be shaped by Austen's creative effort, to benefit from Austen's matchmaking prowess, and to develop nothing less than a complex love relation with Austen herself.
Meeting Dr. Roele van Dyke was a blessing for Emma Dawson. He always seemed to go out of his way to make her happy, and she couldn’t imagine life without him…. When the time came for Roele to return to Amsterdam permanently, he knew he couldn’t leave Emma behind. So he offered her a job at his surgery. Emma was in love and simply couldn’t refuse. But did Roele want Emma to be his secretary or his wife?
A stripper. That's what tough lawyer Tina Henderson needs. A wild night with "The Bandit" stripper will make her forget all about smooth attorney Tyler Walden. The fling with Tyler was incredibly satisfying, but becoming way too cozy. And Tina doesn't do relationships. So she'll do The Bandit instead. Tyler knows it's crazy to pose as the masked bandit stripper at Tina's best friend's bachelorette party. But Tyler always gets what he wants—in the courtroom and the bedroom. And he wants strong, sexy Tina. She obviously wants The Bandit, too, because she invites him to give her a private performance. But will Tina be angry that Tyler tricked her? Or pleased to see this particular lawyer again—without his briefs?
Supplement any reading program with short, entertaining stories. Accompanying activities reinforce skills in vocabulary, fluency, and comprehension. The easy-to-use format is ideal for use in classroom settings, for tutoring, and at home.
