Emily Dickinson and the Problem of Others

Emily Dickinson and the Problem of Others

Author: Christopher E. G. Benfey

Publisher: Univ of Massachusetts Press

Published: 1984

Total Pages: 152

ISBN-13:

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The vivid story of a tightly knit group of travelers--connoisseurs, collectors, scientists--who dedicated themselves to exploring and preserving what they referred to as Old Japan and Old Japan's lasting influence on the culture of Gilded Age America. After the Civil War, the United States--as cultural historian and critic Christopher Benfey argues--lost its philosophical moorings and looked eastward, to Old Japan and its seemingly untouched indigenous culture, for balance and perspective. Japan, meanwhile, was trying to reinvent itself as a more cosmopolitan, modern state, transforming in the space of twenty-five years from a feudal backwater to an international power. It was the parallel rise of these two young nations that initiated some of the major power struggles--both military and economic--of the twentieth century. This great wave of historical and cultural reciprocity brought with it some larger-than-life personalities, and this is their story as well. The lure of unknown foreign cultures played out on both sides of the Pacific, in the lives of Herman Melville, Theodore Roosevelt, Henry Adams, John La Farge, Kakuzo Okakura (the author of The Book of Tea), Isabelle Gardner, and Lafcadio Hearn, among others. The Great Wave is a beautifully rendered meditation on the subject of cultural identity and on the consequences--both good and bad--of cultural cross-pollonation. Above all, like Louis Menand's The Metaphysical Club, it proves that what important history does at its best is transform our worldview.


Reading the Fascicles of Emily Dickinson

Reading the Fascicles of Emily Dickinson

Author: Eleanor Elson Heginbotham

Publisher: Ohio State University Press

Published: 2003

Total Pages: 208

ISBN-13: 9780814209226

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Heginbotham's book focuses on Emily Dickinson's work as a deliberate writer and editor. The fascicles were forty small portfolios of her poems written between 1856 and 1864, composed on four to seven stationery sheets, folded, stacked, and sewn together with twine. What revelations might come from reading her poems in her own context? Are they simply "scrapbooks," as some claim, or are they evidence of conscious, canny editing? Read in their original places, each lyric becomes different-and more interesting-than when read in isolation. We cannot know why Dickinson compiled the books or what she thought of them, but we can observe what she left in them. What she left is visible only by noting the way the poem answers in a dialogue across the pages, the way lines spilling onto a second page introduce the next poem, the way openings suggest image clusters so that each book has its own network of concerns and language-not a story or philosophical preachment but an aesthetic wholeness. This book is the first to demonstrate that Dickinson's poetic and philosophical creativity is most startling when the reader observes the individual lyric in the poet's own, and only, context for them. For teacher, student, scholar, and poetry lover, Heginbotham creates an important new framework for understanding one of the most complex, clever, and profound U.S. poets.


Emily Dickinson and the Art of Belief

Emily Dickinson and the Art of Belief

Author: Roger Lundin

Publisher: Wm. B. Eerdmans Publishing

Published: 2004-02-03

Total Pages: 340

ISBN-13: 9780802821270

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Paying special attention to her experience of faith, Lundin relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. --From publisher description.


Dickinson

Dickinson

Author: Emily Dickinson

Publisher: Harvard University Press

Published: 2010-09-07

Total Pages: 552

ISBN-13: 0674048679

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Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.


New Definitions of Lyric

New Definitions of Lyric

Author: Mark Jeffreys

Publisher: Taylor & Francis

Published: 1998

Total Pages: 288

ISBN-13: 9780815318781

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This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.


My Emily Dickinson

My Emily Dickinson

Author: Susan Howe

Publisher: New Directions Publishing

Published: 2007-11-15

Total Pages: 160

ISBN-13: 0811223345

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"Starts off as a manifesto but becomes richer and more suggestive as it develops."—The New York Sun For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading. Giving close attention to the well-known poem, "My Life had stood—a Loaded Gun," Howe tracks Dickens, Browning, Emily Brontë, Shakespeare, and Spenser, as well as local Connecticut River Valley histories, Puritan sermons, captivity narratives, and the popular culture of the day. "Dickinson's life was language and a lexicon her landscape. Forcing, abbreviating, pushing, padding, subtracting, riddling, interrogating, re-writing, she pulled text from text...."


I'm Nobody! Who Are You?

I'm Nobody! Who Are You?

Author: Emily Dickinson

Publisher: Scholastic

Published: 2002

Total Pages: 105

ISBN-13: 9780439295765

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A collection of the author's greatest poetry--from the wistful to the unsettling, the wonders of nature to the foibles of human nature--is an ideal introduction for first-time readers. Original.


Open Me Carefully

Open Me Carefully

Author: Emily Dickinson

Publisher: Wesleyan University Press

Published: 1998-10-01

Total Pages: 372

ISBN-13: 081950033X

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The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review