Relates one of the most remarkable lives in the tumultuous English Reformation Thomas Cranmer (1489–1556) was the first Anglican Archbishop of Canterbury, the author of the Book of Common Prayer, and a central figure in the English Protestant Reformation. Few theologians have led such an eventful life: Cranmer helped Henry VIII break with the pope, pressed his vision of the Reformation through the reign of Edward VI, was forced to recant under Queen Mary, and then dramatically withdrew his recantations before being burned alive. This lively biography by Leslie Williams narrates Cranmer's life from the beginning, through his education and history with the monarchy, to his ecclesiastical trials and eventual martyrdom. Williams portrays Cranmer's ongoing struggle to reconcile his two central loyalties—allegiance to the crown and fidelity to the Reformation faith—as she tells his fascinating life story.
Emblems of Empire: Selections from the Mactaggart Art Collection publishes the textiles and paintings related to the Qing (1644-1911) imperial court, one of the unique strengths of the collection.
"Winner of the University of Delaware Press Award for the best manuscript in Shakespearean Studies, this study clarifies and revitalizes Shakespeare's Cymbeline for the modern reader through a rediscovery of the poet's artistic use of Renaissance myths, symbols, and emblematic topoi that give meaning to the play. Although mainly concerned with the rich classical and Christian iconography of Cymbeline, the book also rages widely over Shakespeare's dramatic and nondramatic works and beyond to the work of his contemporaries in Renaissance poetry, drama, art, theology, philosophy, emblems, and myths to show parallels between the mysteries of this tragicomedy and other examples of Renaissance thought and expression. It uncovers actual representations in the visual arts of parallels to the play's descriptive and theatrical moments. These iconographic parallels are lavishly illustrated in the book through photographs of Renaissance plaster work, embroidery, metalwork, oil paintings, and sculpture, but primarily through woodcuts and engravings from English and Continental emblem books of the period. The visual imagery is carefully related to an intellectual explanation of Cymbeline's complex Neoplatonic and Reformation themes." "The author begins with a extended definition of the genre of Renaissance tragicomedy, a form developed for Christian artistic purposes in Italy by Tasso and Guarini. Aside from the obviously similar characteristics of a happy ending and the presence of an oracle, Cymbeline shares nine other artistic aspects with the pioneer Italian tragicomedies Aminta and Il pastor fido, including the celebration of an Orphic ritual of death and resurrection. After a discussion of the Neoplatonic and Ovidian mythology embedded in the play, the book considers in detail the iconography of Imogen's elaborately decorated bedroom as a reconciliation of opposites, the iconography of primitivism and Wild Men versus courtier as a satire of the British court, and the iconography of birds, animals, vegetation, and minerals as evocative of the major themes of doubt, repentance, reformation, reunion, and regeneration in Cymbeline. The final objective of the dramatic conflict is mutual forgiveness and a happy marriage, all of which is achieved through temperance or the attainment of musical concord within the individual, the state, and the world. Although Shakespeare shows the five senses to be an inadequate means for his characters to recognize true virtue in a deceitful world, the sense of hearing is the most important in the play, since it allows participation in the four redemptive functions of sound, which ultimately leads to psychological harmony with the music of the spheres." "Simonds also demonstrates that because Cymbeline is essentially an Orphic tragicomedy designed to liberate the audience from melancholy, the play strives to bring delight through its theatrical reenactment of the initially painful Platonic journey from Eros to Anteros, from blindness to a vision of divinity, from discord to musical harmony, from spiritual confusion to joyful enlightenment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In more than nine decades of Girl Scouting, a vast popular and material culture has given rise to a wealth of Girl Scout history collections. More than an identification guide to uniforms, insignia, and other Girl Scout objects, this work also documents when changes occurred and why new items were introduced. Placing these objects in context, this essential guide provides a discerning look at the history and development of the Girl Scout Movement in the United States. Scholars and aficionados of Girl Scout history, costume history, women's studies, popular culture, and dress will welcome this indispensable and definitive resource. This new, expanded edition, with hundreds of illustrations, photographs, and tables, is indisputably the go-to source for information on all Girl Scout uniforms, insignia, awards, and handbooks, as well as dolls, postcards, posters, calendars, and more--from the founding of the Girl Scouts in 1912 through the present day. "An invaluable resource to Girl Scout councils managing a history collection. And, beyond that . . . an informative and intriguing glimpse . . . into the evolution of a Movement that . . . today is the world's preeminent organization dedicated solely to girls." --Cynthia B. Thompson, chair, National Board of Directors, and Kathy Cloninger, national chief executive officer, GSUSA "An indispensable reference for collectors; a fascinating resource for anyone interested in Girl Scouting, this comprehensive guide to Girl Scout memorabilia is firmly grounded in the history of the Girl Scouts of the United States. Mary Degenhardt and Judith Kirsch show us what Girl Scouts wore and read, and explain how changes in uniforms, insignia, and publications reflect the evolution of Girl Scout programs and the expansion of opportunities for American girls. Reading this book is like walking through a fine museum where material culture brings the past to life." --Anastatia Sims, author of Negotiating Boundaries of Southern Womanhood
Emblem books, which feature combinations of images and text with a moral lesson for the reader, grew out of the Renaissance and were most popular in the Netherlands. Enigmatic, erudite, and often pious, Dutch love emblems synthesized the traditions of European visual and literary arts--and in turn influenced architecture, painting, poetry, and interior design for centuries to come. Learned Love offers an introduction to this enthralling genre and celebrates the completion of Emblem Project Utrecht, an undertaking that digitized twenty-five of the most representative emblem books. This unprecedented volume explores the delicate network of visual motifs and textual mottos that characterize Dutch love emblems. Learned Love demonstrates how emblem books form a web of closely interrelated references, which the contributors liken to the Internet, and traces the cutting-edge digitization project from inception to finish. This book will interest anyone intrigued by the fruitful gray areas between image and text, scholarship and technology.
Three terms, Order, Legitimacy and Wealth, delineate a comparative approach to ancient civilizations initially developed by John Baines, Professor of Egyptology at the University of Oxford, and Norman Yoffee, Professor of Archaeology and Near Eastern Studies at the University of Michigan, in 1992. In an influential paper, they compared and contrasted the nature of social and political power in Egypt and Mesopotamia. This was the first analysis of the impact of wealth and high culture on the development of states. The contributors to the present book, first published in 2000, apply the classic Baines/Yoffee model to a range of ancient states around the world, providing documentary and archaeological evidence on the production and uses of 'high culture', literature and monumental architecture. There are chapters on Mesoamerica, the Andes, the Indus Valley, the Han Dynasty of China, and Greece during the Roman empire, while others expand on the original Egypt-Mesopotamia comparison.
