This book chronicles the life and times of tribal leader Mujāhid Ḥaydar, scion of a prominent local dynasty, and his agency in highland Yemen’s political conflicts from the 1970s to the early 2000s. When the political elites of the Ṣāliḥ regime murder his father and his elder brothers, he is forced to exact revenge and lead his tribe through dramatic vicissitudes that culminate in the catastrophe of the Ḥūthī wars. Mujāhid’s life is a story of ongoing strife, heroism, resistance, commitment to the defence of honour, loss, and exile. His biography offers nuanced and original insights into how tribal politics in Yemen influence the domain of the state and are often intertwined with it – such that neither can be comprehended independently from the other.
Set four hundred years in the future, Frederick Turner's epic poem, The New World, celebrates American culture in A.D. 2376. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"Lively… points out that the conflict between the worship of many gods and the worship of one true god never disappeared." —Publishers Weekly "Jonathan Kirsch has written another blockbuster about the Bible and its world." —David Noel Freedman, Editor-in-Chief of the Anchor Bible Project "Kirsch tackles the central issue bedeviling the world today - religious intolerance… A timely book, well-written and researched." —Leonard Shlain, author of The Alphabet and the Goddess and Sex, Time and Power "An intriguing read." —The Jerusalem Report "A timely tale about the importance of religious tolerance in today’s world." —San Francisco Chronicle "Kirsch is a fine storyteller with a flair for rendering ancient tales relevant and appealing." —The Washington Post
In the real world, many women are still struggling for equality, but science fiction and fantasy provide a stage for the portrayal of women who have come fully into their own. Here, a talented group of writers has taken up the challenge of creating strong, well-rounded female protagonists, more than able to defend themselves and take the helm--whether in space, on distant worlds, in our own future, or in fantasy realms where a civilization's fate hangs in the balance.
We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and design do these ordinary experiences appear. This, Dark Writing argues, is a serious omission because they are designs on the world: architects and colonizers use their lines to construct the places where we will live. But the rectilinear streets, squares, and public spaces produced in this way leave out people and the entire environmental history of their coming together. How, this book asks, can we explain the omission of bodies from maps and plans? And how can we redraw the lines maps and plans use so that the qualitative world of shadows, footprints, comings and goings, and occasions—all essential qualities of places that incubate sociality—can be registered? In short, Dark Writing asks why we represent the world as static when our experience of it is mobile. It traces this bias in Enlightenment cartography, in inductive logic, and in contemporary place design. This is the negative critique. Its positive argument is that, when we look closely at these designs on the world, we find traces of a repressed movement form. Even the ideal lines of geometrical figures turn out to contain traces of earlier passages; and there are many forms of graphic design that do engage with the dark environment that surrounds the light of reason. How can this "dark writing"—so important to reconfiguring our world as a place of meeting, of co-existence and sustaining diversity—be represented? And how, therefore, can our representations of the world embody more sensuously the mobile histories that have produced it? Dark Writing answers these questions using case studies: the exemplary case of the beginnings of the now world-famous Papunya Tula Painting Movement (Central Australia) and three high-profile public place-making initiatives in which the author was involved as artist and thinker. These case studies are nested inside historical chapters and philosophical discussions of the line and linear thinking that make Dark Writing both a highly personal book and a narrative with wide general appeal.
