Remaking Race and History

Remaking Race and History

Author: RenŽe Ater

Publisher: Univ of California Press

Published: 2011-11-22

Total Pages: 211

ISBN-13: 0520262123

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"The George Gund Foundation imprint in African American studies."


Art History and Its Institutions

Art History and Its Institutions

Author: Elizabeth Mansfield

Publisher: Psychology Press

Published: 2002

Total Pages: 360

ISBN-13: 9780415228688

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Art History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.


Emancipation

Emancipation

Author: Maggie Adler

Publisher: Univ of California Press

Published: 2023-03-14

Total Pages: 140

ISBN-13: 0520393309

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"Emancipation critically interrogates the impact of sculpture in public life, centering around ideas of agency and emancipation in historical and contemporary expression. The fulcrum of the book will be the Amon Carter Museum of American Art's copy of John Quincy Adams Ward's bronze sculpture The Freedman (1863). Unlike conventional depictions of enslaved African Americans at this time, which showed them as powerless, this heroic figure has broken his chains. The catalogue begins with an introduction to Civil War-era works contextualizing The Freedman, then examines the work of six contemporary Black artists whose respective practices engage the mediums of sculpture and installation connected to themes of freedom or imprisonment, the long legacy of the Civil War in the United States, body, and personhood. Featuring the work of Sadie Barnette, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, as well as a reprinted short story by N.K. Jemisin, Emancipation brings contemporary issues of racial inequities, the legacy of war and conflict, and issues of freedom-or lack thereof-for Black Americans to the fore"--


Standing Soldiers, Kneeling Slaves

Standing Soldiers, Kneeling Slaves

Author: Kirk Savage

Publisher: Princeton University Press

Published: 2018-07-31

Total Pages: 291

ISBN-13: 0691184526

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A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid struggles over race, gender, and collective memory. Standing Soldiers, Kneeling Slaves probes a host of fascinating questions and remains the only sustained investigation of post-Civil War monument building as a process of national and racial definition. Featuring a new preface by the author that reflects on recent events surrounding the meaning of these monuments, and new photography and illustrations throughout, this new and expanded edition reveals how monuments exposed the myth of a "united" people, and have only become more controversial with the passage of time.


The Civil War and American Art

The Civil War and American Art

Author: Eleanor Jones Harvey

Publisher: Yale University Press

Published: 2012-12-03

Total Pages: 353

ISBN-13: 0300187335

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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.


I Freed Myself

I Freed Myself

Author: David Williams

Publisher: Cambridge University Press

Published: 2014-04-21

Total Pages: 277

ISBN-13: 1107016495

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This book examines the many ways in which African Americans made the Civil War about ending slavery. Abraham Lincoln's primary goal was to save the Union rather than to absolve the institution of slavery, yet slaves who escaped to Union lines refused to fight for the Union while remaining enslaved, ultimately forcing Lincoln to disband the institution.


Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered

Fictions of Emancipation: Carpeaux's Why Born Enslaved! Reconsidered

Author: Elyse Nelson

Publisher: Metropolitan Museum of Art

Published: 2022-03-07

Total Pages: 175

ISBN-13: 1588397440

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A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.


Illusions of Emancipation

Illusions of Emancipation

Author: Joseph P. Reidy

Publisher: UNC Press Books

Published: 2019-01-15

Total Pages: 519

ISBN-13: 1469648377

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As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly. In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P. Reidy employs the lenses of time, space, and individuals' sense of personal and social belonging to understand how participants and witnesses coped with drastic change, its erratic pace, and its unforeseeable consequences. Emancipation disrupted everyday habits, causing sensations of disorientation that sometimes intensified the experience of reality and sometimes muddled it. While these illusions of emancipation often mixed disappointment with hope, through periods of even intense frustration they sustained the promise that the struggle for freedom would result in victory.


The Shape of Power

The Shape of Power

Author: Karen Lemmey

Publisher: Princeton University Press

Published: 2024-11-12

Total Pages: 292

ISBN-13: 0691261490

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"This catalogue accompanies an exhibition of the same name that will open at the Smithsonian American Art Museum in November 2024. Through offerings from ten scholars focusing on a selection of some eighty sculptures made between 1793 and 2023 in a wide range of media, The Shape of Power is a portal into nuanced and complex ideas about the enduring power of sculpture as a potent tool in the making and unmaking of race in the United States"--