Elliot Finley's Jus' Plain Ole Daisy

Elliot Finley's Jus' Plain Ole Daisy

Author: Pamela M. Herbert

Publisher: Oak Court Press, LLC

Published: 2005-04

Total Pages: 174

ISBN-13: 9780976769606

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Elliot Finley's life is a mess! She is not doing well in school, she is the favorite target of the campus bully, and to top it off, her mother disappears without a trace. Just when things couldn't get any worse, Elliot gets a drawing book that magically transforms her world. With just a few strokes of her pen, Elliot is catapulted into an ancient rainforest where she meets a dragon named Daisy and a mysterious shaman, who follow Elliot back into her real world, turning her life upside down as strange and inexplicable events begin to occur. It seems the Shaman is out to get Elliot because he suspects her of stealing his most secret potion. However, he has an even more sinister reason for going after her. Soon, Elliot and her friend Murray join forces with Daisy the Dragon to thwart the diabolical plans of the Shaman, and learn the secret of Elliot's missing mother.


Professional Joomla!

Professional Joomla!

Author: Dan Rahmel

Publisher: John Wiley & Sons

Published: 2007-10

Total Pages: 482

ISBN-13: 0470133945

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Provides informaton on using the open source content management system used to manage data on the World Wide Web, covering such topics as creating Joomla! expressions, using Ajax technology, and adopting design patterns, and incorporating source code control.


Open Access

Open Access

Author: Peter Suber

Publisher: MIT Press

Published: 2012-07-20

Total Pages: 255

ISBN-13: 0262517639

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A concise introduction to the basics of open access, describing what it is (and isn't) and showing that it is easy, fast, inexpensive, legal, and beneficial. The Internet lets us share perfect copies of our work with a worldwide audience at virtually no cost. We take advantage of this revolutionary opportunity when we make our work “open access”: digital, online, free of charge, and free of most copyright and licensing restrictions. Open access is made possible by the Internet and copyright-holder consent, and many authors, musicians, filmmakers, and other creators who depend on royalties are understandably unwilling to give their consent. But for 350 years, scholars have written peer-reviewed journal articles for impact, not for money, and are free to consent to open access without losing revenue. In this concise introduction, Peter Suber tells us what open access is and isn't, how it benefits authors and readers of research, how we pay for it, how it avoids copyright problems, how it has moved from the periphery to the mainstream, and what its future may hold. Distilling a decade of Suber's influential writing and thinking about open access, this is the indispensable book on the subject for researchers, librarians, administrators, funders, publishers, and policy makers.


Corcoran Gallery of Art

Corcoran Gallery of Art

Author: Corcoran Gallery of Art

Publisher: Lucia Marquand

Published: 2011

Total Pages: 0

ISBN-13: 9781555953614

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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.


Who Cares

Who Cares

Author: Anne Pasternak

Publisher: Creative Time

Published: 2006

Total Pages: 0

ISBN-13: 9781928570028

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Foreword and essay by Doug Ashford. Introduction by Anne Pasternak.


The Art of Fiction

The Art of Fiction

Author: James Salter

Publisher: University of Virginia Press

Published: 2016-04-11

Total Pages: 73

ISBN-13: 0813939062

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James Salter’s exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature’s master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Céline, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. Kapnick Foundation Distinguished Writer-in-Residence Lectures