(Vocal Piano). Arguably the best female jazz singer ever, no one could out-swing or out-scat "The First Lady of Song." This fine book features authentic transcriptions in the original keys of 25 Fitzgerald classics in voice with piano accompaniment format: A-tisket, A-tasket * But Not for Me * Easy to Love * Embraceable You * The Lady Is a Tramp * Misty * Oh, Lady Be Good! * Satin Doll * Stompin' at the Savoy * Take the "A" Train * and more. Includes a biography and discography. A must for every jazz singer's library!
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.
Stuart Nicholson's biography of Ella Fitzgerald is considered a classic in jazz literature. Drawing on original documents, interviews, and new information, Nicholson draws a complete picture of Fitzgerald's professional and personal life. Fitzgerald rose from being a pop singer with chart-novelty hits in the late '30s to become a bandleader and then one of the greatest interpreters of American popular song. Along with Billie Holiday, she virtually defined the female voice in jazz, and countless others followed in her wake and acknowledged her enormous influence. Also includes two 8-page inse.
(Piano/Vocal/Guitar Artist Songbook). 2015 marks the 100th anniversary of the birth of Frank Sinatra and celebrations and concerts are planned for the whole year. This songbook gathers piano/vocal/guitar arrangements of 100 of Ol' Blue Eye's finest in a fitting tribute to one of the greatest entertainers of all time! Songs include: All the Way * Come Fly with Me * I Get a Kick Out of You * I've Got the World on a String * I've Got You Under My Skin * The Lady Is a Tramp * My Way * Night and Day * One for My Baby (And One More for the Road) * Strangers in the Night * Summer Wind * (Love Is) The Tender Trap * Witchcraft * Young at Heart * and more.
(Vocal Piano). The All Music Guide calls Vaughan "one of the most wondrous voices of the 20th century." This collection gathers 25 of her classics arranged in her original keys so today's singers can try and match her performances. Songs include: Black Coffee * But Not for Me * Cherokee (Indian Love Song) * Darn That Dream * East of the Sun (And West of the Moon) * If You Could See Me Now * It Might As Well Be Spring * Lullaby of Birdland * The Man I Love * My Funny Valentine * The Nearness of You * A Night in Tunisia * Perdido * September Song * Tenderly * and more.
Be a fly on the wall of sound: get the inside history and behind-the-scenes events in the making of a masterpiece. In this refreshing book – which focuses solely on Amy Winehouse's musical artistry, stylistic influences, and creative collaborations with great producers and musicians, instead of her personal problems – Donald Brackett explores pertinent questions about the importance of pop music in contemporary culture. In this incisive and fascinating study of Amy Winehouse's second, and last, album (released in 2006), Back to Black, he opens the door not only to the full experience of this great record but also explores the seductive sonic hook that pop artists always strive for and unearths what makes the record unique, influential, and unforgettable. He reveals the creative steps in its inception and production, the technical virtuosity that makes it special, and why it deserves to be considered a pop classic. In an album that continually strips down the branches of popular music to draw from its muscular trunk, Amy Winehouse (with significant help from producers Mark Ronson and Salaam Remi) used the deep longing of '60s girl-group pop, such as the Ronettes, to fuel the torch sound she perfected in her debut. Brackett fully considers Winehouse's legacy ten years after her multi-Grammy winning album – exploring the origins of a global cultural phenomenon by examining her roots as a storyteller; studying her swift arrival as a demonic pop diva; the crucially important creative role played by her gifted producers in the studio; the historical musical influences on her style; the soul magic of her superb backup band, the Dap-Kings; her live performance style onstage; and her magnetic public image as a video star. Back to Black is also explored song by song in an appreciation of its status as a true pop-art artifact. In the end, it's the songs that make up Back to Black which go far beyond our potentially prurient fascination with the unique singer's early demise five years ago and instead bring vibrantly to life the surprising pop majesty she personified.
Swing along with Ella Fitzgerald as she croons on eight classic jazz charts! With a voice and style like no other singer, Ella guides you into the world of some of the most classic standards! This book and CD is a comprehensive jazz education tool that includes notes, full demonstration tracks, and backing tracks as well as performance tips and hints. Titles include: Bewitched * Ev'ry Time We Say Goodbye * Johnny One Note * Makin' Whopee! * My Funny Valentine * Nice Work If You Can Get It * Oh, Lady Be Good * Slap That Bass.
"This fine book features authentic transcriptions in the original keys of 25 Fitzgerald classics in voice with piano accompaniment format."--Publisher website.
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This book takes you on a journey of music from past to present, from the Middle Ages to the Baroque Period to the 20th century and beyond!
Written by an experienced and diverse lineup of veteran jazz educators, Teaching School Jazz presents a comprehensive approach to teaching beginning through high school-level jazz. Thoroughly grounded in the latest research, chapters are supported by case studies woven into the narrative. The book therefore provides not only a wealth of school jazz teaching strategies but also the perspectives and principles from which they are derived. The book opens with a philosophical foundation to describe the current landscape of school jazz education. Readers are introduced to two expert school jazz educators who offer differing perspectives on the subject. The book concludes with an appendix of recommended audio, visual, digital, and written resources for teaching jazz. Accompanied by a website of playing exercises and audio examples, the book is invaluable resource for pre- and in-service music educators with no prior jazz experience, as well as those who wish to expand their knowledge of jazz performance practice and pedagogy.
