The Elizabethan Theatre and The Book of Sir Thomas More

The Elizabethan Theatre and The Book of Sir Thomas More

Author: Scott McMillin

Publisher:

Published: 1987

Total Pages: 184

ISBN-13:

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"Pursued across the globe by ruthless National Security Agency operatives, David and Rachel struggle to piece together the truth behind Project Trinity and the enormous power it could unleash upon the world. As constant danger deepens their intimacy, Rachel realizes the key to Trinity lies buried in David's disturbed mind. But Trinity's clock is ticking ..." "Mankind is being held hostage by a machine that cannot be destroyed. Its only hope - a terrifying chess game between David and the Trinity computer, with the cities of the world as pawns. But what are the rules? How human is the machine? Can one man and woman change the course of history? Man's future hangs in the balance, and the price of failure is extinction."--BOOK JACKET.


A History of the Elizabethan Theater

A History of the Elizabethan Theater

Author: Adam Woog

Publisher:

Published: 2003

Total Pages: 120

ISBN-13:

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Discusses the development of the English theater during the Elizabethan era, including the origins of Elizabethan theater and dramas, the influence of the queen and the church, and the impact of various playwrights and actors.


Elizabethan Theatre History: An Annotated Bibliography of Scholarship, 1664-1979

Elizabethan Theatre History: An Annotated Bibliography of Scholarship, 1664-1979

Author: David Stevens

Publisher: Lulu.com

Published: 2011-11

Total Pages: 319

ISBN-13: 1105175219

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Formerly published as "English Renaissance Theatre History: A Reference Guide" by G. K. Hall in 1982, this annotated bibliography of scholarship in the field of Elizabethan theatre history has been out of print for almost 30 years. Most academic libraries have a copy in their reference departments, and this classic is now available for the personal libraries of students and scholars in the field. It has never been easier to review the academic literature in such areas as reconstructions of Shakespeare's Globe Playhouse, and other public and private playhouses of Shakespeare's London; the court masques; Inigo Jones; Richard Burbage and other actors of the time; the Lord Mayor's Shows; Puritan opposition to the stage; and other such topics. The terminal date of 1979 reflects the date of original production, but with this tool it is a simple matter for the scholar to update his or her review of the literature. The comprehensive Index is invaluable, and Stevens also provides a preface and introduction.


The Purpose of Playing

The Purpose of Playing

Author: Louis Montrose

Publisher: University of Chicago Press

Published: 1996-06

Total Pages: 246

ISBN-13: 9780226534831

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Examines the role of Elizabethan drama in the shape of cultural belief, values, and understanding of political authority.


Life in War-torn Bosnia

Life in War-torn Bosnia

Author: Diane Yancey

Publisher: Greenhaven Press, Incorporated

Published: 1996

Total Pages: 0

ISBN-13: 9781560063261

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Examines life in Bosnia before communism, under Tito's rule, and under present conditions of war.


Aliens and Englishness in Elizabethan Drama

Aliens and Englishness in Elizabethan Drama

Author: Lloyd Edward Kermode

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 215

ISBN-13: 0521899532

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Examines a variety of plays between 1550-1600 to demonstrate how they asserted ideas and ideals of 'Englishness' for audiences.


The Elizabethan Theatre and "The Book of Sir Thomas More''

The Elizabethan Theatre and

Author: Scott McMillin

Publisher: Cornell University Press

Published: 2019-06-30

Total Pages: 179

ISBN-13: 1501742647

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The manuscript of the Elizabethan play Sir Thomas More has intrigued scholars for over a century because three of its pages may have been written by Shakespeare. The Elizabethan Theatre and "The Book of Sir Thomas More" sets aside the timeworn question of authorship and considers the play in a new framework, one which by focusing on questions of the theatre attempts to free Elizabethan theatre history from the grip of its most famous author. Bringing to bear on the manuscript the perspective of a theatre historian and the resources of textual scholarship, Scott McMillin departs from most critical accounts, which have judged Sir Thomas More unfinished. Rather, McMillin addresses the manuscript as a coherent and finished work that achieves its intended purpose: to serve as a prompt book in the Elizabethan playhouse. His systematic analysis of the Sir Thomas More manuscript shows that the company for which it was written was unusually large, that it had a lead actor of outstanding capability, and that in its staging of the play it probably made use of visual repetition as an ironic device. He concludes that the theatre company of the period that most closely matched this description was Lord Strange's men, a company, incidentally, for which Shakespeare himself was known to have written in the early 1590s. Textual scholars, theatre historians, and students and scholars of Elizabethan drama will welcome The Elizabethan Theatre and "The Book of Sir Thomas More."