Elements of Courtly Love in Geoffrey Chaucer's 'Miller's Tale'

Elements of Courtly Love in Geoffrey Chaucer's 'Miller's Tale'

Author: Fritz Hubertus Vaziri

Publisher: GRIN Verlag

Published: 2008-08

Total Pages: 38

ISBN-13: 3640138708

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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin (Institut für Englische Philologie), course: Geoffrey Chaucer's Canterbury Tales, 15 entries in the bibliography, language: English, abstract: When approaching an investigation on the elements of courtly love in a piece of literature as for instance Geoffrey Chaucer's Miller's Tale, it seems more than reasonable to first of all clarify what the term actually means, i.e. what the focus of study is to be. Consequently, such a clarification constitutes the beginning and also the basis of the examination developed in the course of this paper. It might not be a clarification, however, but at least to a certain extent rather an illustration of the scholarly controversy connected with amour courtois and its English equivalent. Still, ample characteristics of the concept behind the term will be found which are suited to be analyzed in the light of their application in the Miller's Tale. A preceding brief observation of Chaucer's Knight's Tale in the context of this issue is inserted for the purpose of gaining a more differentiated view onto the appearance of elements of courtly love in the second of the Canterbury Tales. A final conclusion will sum up central findings. Since its introduction in the nineteenth century a lot of controversy has surrounded the term amour courtois, as far as its use and necessity are concerned. What are the reasons for such difficulties in finding consent here and what are the various connotations involved in the idea of courtly love? It is by no means possible to thoroughly illustrate all conflicting positions in detail on the following pages, but some significant arguments will be outlined hereafter. A brief look at the development of the notion of courtly love might be helpful in reaching a better understanding of the issue at hand. Where does the term actually come from? When was it developed and by wh


Elements of courtly love in Geoffrey Chaucer’s 'Miller’s Tale'

Elements of courtly love in Geoffrey Chaucer’s 'Miller’s Tale'

Author: Fritz Hubertus Vaziri

Publisher: GRIN Verlag

Published: 2008-08-14

Total Pages: 17

ISBN-13: 364013852X

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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin (Institut für Englische Philologie), course: Geoffrey Chaucer's Canterbury Tales , language: English, abstract: When approaching an investigation on the elements of courtly love in a piece of literature as for instance Geoffrey Chaucer’s Miller’s Tale, it seems more than reasonable to first of all clarify what the term actually means, i.e. what the focus of study is to be. Consequently, such a clarification constitutes the beginning and also the basis of the examination developed in the course of this paper. It might not be a clarification, however, but at least to a certain extent rather an illustration of the scholarly controversy connected with amour courtois and its English equivalent. Still, ample characteristics of the concept behind the term will be found which are suited to be analyzed in the light of their application in the Miller’s Tale. A preceding brief observation of Chaucer’s Knight’s Tale in the context of this issue is inserted for the purpose of gaining a more differentiated view onto the appearance of elements of courtly love in the second of the Canterbury Tales. A final conclusion will sum up central findings. Since its introduction in the nineteenth century a lot of controversy has surrounded the term amour courtois, as far as its use and necessity are concerned. What are the reasons for such difficulties in finding consent here and what are the various connotations involved in the idea of courtly love? It is by no means possible to thoroughly illustrate all conflicting positions in detail on the following pages, but some significant arguments will be outlined hereafter. A brief look at the development of the notion of courtly love might be helpful in reaching a better understanding of the issue at hand. Where does the term actually come from? When was it developed and by whom? BOASE states that the “term amour courtois was coined by Gaston Paris [...] in 1883.” He adds that it is disputed amongst scholars, whether the idea of courtly love is an invention of the Middle Ages.” LEWIS believes that courtly love appeared “quite suddenly at the end of the eleventh century in Languedoc”. He continues that it was introduced by Provençal Troubadours and served as an influential factor in European literature up to the nineteenth century.


The Miller's Prologue and Tale

The Miller's Prologue and Tale

Author: Geoffrey Chaucer

Publisher: Cambridge University Press

Published: 2016-06-02

Total Pages: 97

ISBN-13: 1316615499

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Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Miller's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.


The Art of Courtly Love

The Art of Courtly Love

Author: Andreas (Capellanus.)

Publisher: Columbia University Press

Published: 1990

Total Pages: 232

ISBN-13: 9780231073059

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The social system of 'courtly love' soon spread after becoming popularized by the troubadours of southern France in the twelfth century. This book codifies life at Queen Eleanor's court at Poitiers between 1170 and 1174 into "one of those capital works which reflect the thought of a great epoch, which explain the secret of a civilization."


Legend of Good Women

Legend of Good Women

Author: Geoffrey Chaucer

Publisher: ReadHowYouWant.com

Published: 2006-10

Total Pages: 246

ISBN-13: 1425032362

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An outstanding poem and a consummate example of employing the dream vision technique. It is one of the longest works of Chaucer. The poet unfolds ten stories of virtuous women in nine sections. It is one of the first mock-heroic works in English Literature. Inspirational!...


The Merchant's Prologue and Tale

The Merchant's Prologue and Tale

Author: Geoffrey Chaucer

Publisher: Cambridge University Press

Published: 2016-06-02

Total Pages: 113

ISBN-13: 1316615472

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Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Merchant's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.


The Selected Canterbury Tales: A New Verse Translation

The Selected Canterbury Tales: A New Verse Translation

Author: Geoffrey Chaucer

Publisher: W. W. Norton & Company

Published: 2012-03-27

Total Pages: 439

ISBN-13: 039334178X

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Fisher's work is a vivid, lively, and readable translation of the most famous work of England's premier medieval poet. Preserving Chaucer's rhyme and meter and faithfully articulating his poetic voice, Fisher makes Chaucer's tales accessible to a contemporary ear.


The Fabliaux

The Fabliaux

Author:

Publisher: W. W. Norton & Company

Published: 2013-06-10

Total Pages: 1017

ISBN-13: 0871406926

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Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.