The poems that are written in this book cover a myriad of subjects and emotions. Some of the subjects covered are very lighthearted, others might make you want to cry. Some poems are humerous, while others have a brash, "go for the throat" quality. A few of the poems have a dark brooding edge to them, while others are full of hope and joy. All of these poems will take you on a journey into your own soul, a trip we all should take once in awhile.
A radical reassessment of the role of movement, emotion, and the viewing experience in Gothic sculpture Gothic cathedrals in northern Europe dazzle visitors with arrays of sculpted saints, angels, and noble patrons adorning their portals and interiors. In this highly original and erudite volume, Jacqueline E. Jung explores how medieval sculptors used a form of bodily poetics—involving facial expression, gesture, stance, and torsion—to create meanings beyond conventional iconography and to subtly manipulate spatial dynamics, forging connections between the sculptures and beholders. Filled with more than 500 images that capture the suppleness and dynamism of cathedral sculpture, often through multiple angles, Eloquent Bodies demonstrates how viewers confronted and, in turn, were addressed by sculptures at major cathedrals in France and Germany, from Chartres and Reims to Strasbourg, Bamberg, Magdeburg, and Naumburg. Shedding new light on the charismatic and kinetic qualities of Gothic sculpture, this book also illuminates the ways artistic ingenuity and technical skill converged to enliven sacred spaces.
In the conventional dichotomy of chaste, pure Madonna and libidinous whore, the former has usually been viewed as the ideal form of femininity. However, there is a modern religious movement in which the negative stereotype of the harlot is inverted and exalted. The Eloquent Blood focuses on the changing construction of femininity and feminine sexuality in interpretations of the goddess Babalon. A central deity in Thelema, the religion founded by the notorious British occultist Aleister Crowley (1875-1947), Babalon is based on Crowley's favorable reinterpretation of the biblical Whore of Babylon, and is associated with liberated female sexuality and the spiritual ideal of passionate union with existence. Analyzing historical and contemporary written sources, qualitative interviews, and ethnographic fieldwork in the Anglo-American esoteric milieu, the study traces interpretations of Babalon from the works of Crowley and some of his key disciples--including the rocket scientist John "Jack" Whiteside Parsons, and the enigmatic British occultist Kenneth Grant--until the present. From the 1990s onwards, this study shows, female and LGBTQ esotericists have challenged historical interpretations of Babalon, drawing on feminist and queer thought and conceptualizing femininity in new ways. Tracing the trajectory of a particular gendered symbol from the fin-de-siècle until today, Manon Hedenborg White explores the changing role of women in Western esotericism, and shows how evolving constructions of gender have shaped the development of esotericism. Combining research on historical and contemporary Western esotericism with feminist and queer theory, the book sheds new light on the ways in which esoteric movements and systems of thought have developed over time in relation to political movements.
Eloquent Spaces adopts the twin analytic of meaning and community to write a fresh history of building in early India. It presents a new perspective on the principles and practices of early Indian architecture. Defining it broadly over a range of space uses, the book argues for architecture as a form of cultural production as well as public consumption. Ten chapters by leading archaeologists, architects, historians and philosophers, examining different architectural sites and landscapes, including Sanchi, Moodabidri, Srinagar, Chidambaram, Patan, Konark, Basgo and Puri, demonstrate the need to look beyond the built form to its spirit, beyond aesthetics to cognition, and thereby to integrating architecture with its myriad living contexts. The volume captures some of the semantic diversity inherent in premodern Indian traditions of civic building, both sacred and secular, which were, however, unified in their insistence on enacting meaning and a transcendent validity over and above utility and beauty of form. The book is a quest for a culturally rooted architecture as an alternative to the growing crisis of disembededness that informs modern praxis. This volume will be of interest to scholars and practitioners of architecture, ancient Indian history, philosophy, art history and cultural studies.
A Concordance to the Poems of Emily Dickinson is the third volume in the distinguished series "Cornell Concordances." Like the others, it was programmed on an IBM 704 electronic computer and provides an alphabetical list of all significant words—each word given in context. In order to provide variants, it was based on Thomas H. Johnson's three-volume edition of all the known texts of Emily Dickinson's poems. Included are an analytical preface by the editor and an index of words in the order of frequency.
