This is the definitive reference for microphones and loudspeakers, your one-stop reference covering in great detail all you could want and need to know about electroacoustics devises (microphones and loudspeakers). Covering both the technology and the practical set up and placement this guide explores and bridges the link between experience and the technology, giving you a better understanding of the tools to use and why, leading to greatly improved results.
This is the definitive reference for microphones and loudspeakers, your one-stop reference covering in great detail all you could want and need to know about electroacoustics devises (microphones and loudspeakers). Covering both the technology and the practical set up and placement this guide explores and bridges the link between experience and the technology, giving you a better understanding of the tools to use and why, leading to greatly improved results.
The concept of acoustic wave is a pervasive one, which emerges in any type of medium, from solids to plasmas, at length and time scales ranging from sub-micrometric layers in microdevices to seismic waves in the Sun's interior. This book presents several aspects of the active research ongoing in this field. Theoretical efforts are leading to a deeper understanding of phenomena, also in complicated environments like the solar surface boundary. Acoustic waves are a flexible probe to investigate the properties of very different systems, from thin inorganic layers to ripening cheese to biological systems. Acoustic waves are also a tool to manipulate matter, from the delicate evaporation of biomolecules to be analysed, to the phase transitions induced by intense shock waves. And a whole class of widespread microdevices, including filters and sensors, is based on the behaviour of acoustic waves propagating in thin layers. The search for better performances is driving to new materials for these devices, and to more refined tools for their analysis.
Electroacoustic devices such as microphones and loudspeakers are used everywhere from cars and mobile phones to homes, places of worship, and sports arenas. They are a key part of the modern communication society, helping to transmit information to our ears. A contemporary introduction to the subject, Electroacoustics explains the scientific and engineering principles behind the design of these sound transducers. It also examines the compromises that are necessary when designing transducers for use in the real world. Learn about Ultrasonic Transducers, Loudspeaker Enclosure Design, and More This accessible textbook book is based on the author’s extensive experience teaching electroacoustics to advanced graduate and graduate students. He uses the concept of electrical circuit analogies to help readers quickly grasp the fundamentals of acoustical and mechanical systems. The book covers both traditional electrodynamic audio and ultrasonic transducers and includes up-to-date material on arrays, planar transducers, loudspeaker enclosure design, and more. To meet the needs of a broad range of readers, the book also includes background material on room acoustics, electrical circuits, and electrical filters. Electroacoustic theory is explained in an easy-to-read style without resorting to matrix theory. Throughout, a wealth of illustrations and exercises make the ideas more concrete. Get a Solid Foundation in Electroacoustic Engineering Principles The book emphasizes multidisciplinary engineering principles, preparing students for the broad range of applications they may encounter in their research as well as later in their careers. The modern treatment of transducers also makes this a valuable reference for transducer designers, acoustical consultants, hobbyists, and anyone involved in electroacoustic design.
Electroacoustic devices such as microphones and loudspeakers are used everywhere from cars and mobile phones to homes, places of worship, and sports arenas. They are a key part of the modern communication society, helping to transmit information to our ears. A contemporary introduction to the subject, Electroacoustics explains the scientific and en
Passive components and discrete devices form the bedrocks on which all modern electronic circuits are built. This Pocket Book is a single volume applications guide to the most popular and useful of these devices, containing 670 diagrams, tables and carefully selected practical circuits. Throughout the Pocket Book great emphasis is placed on practical user information and circuitry. All of the active devices used are modestly priced and readily available.The book is split into twenty chapters. The first three explain important practical features of the ranges of modern passive electrical components, including relays, meters, motors, sensors and transducers. Chapters 4 to 6 deal with the design ofpractical attenuators, filters, and 'bridge' circuits. The remaining fourteen chapters deal with specific types of discrete semiconductor device, including various types of diode, transistors, JFETs, MOSFETs, VMOS devices, UJTs, SCRs, TRIACs, and various optoelectronic devices. This easy-to-read, concise, highly practical and largely non-mathematical volume is aimed directly at engineers, technicians, students and competent experimenters who can build a design directly from a circuit diagram, and if necessary modify it to suit individual needs. Ray Marston is the author of the multi-volume series of Newnes Circuits Manuals. His magazine articles on circuit design appear regularly in a wide range of publications worldwide.
The transformation of acoustics into electro-acoustics, a field at the intersection of science and technology, guided by electrical engineering, industry, and the military. At the end of the nineteenth century, acoustics was a science of musical sounds; the musically trained ear was the ultimate reference. Just a few decades into the twentieth century, acoustics had undergone a transformation from a scientific field based on the understanding of classical music to one guided by electrical engineering, with industrial and military applications. In this book, Roland Wittje traces this transition, from the late nineteenth-century work of Hermann Helmholtz to the militarized research of World War I and media technology in the 1930s. Wittje shows that physics in the early twentieth century was not only about relativity and atomic structure but encompassed a range of experimental, applied, and industrial research fields. The emergence of technical acoustics and electroacoustics illustrates a scientific field at the intersection of science and technology. Wittje starts with Helmholtz's and Rayleigh's work and its intersection with telegraphy and early wireless, and continues with the industrialization of acoustics during World War I, when sound measurement was automated and electrical engineering and radio took over the concept of noise. Researchers no longer appealed to the musically trained ear to understand sound but to the thinking and practices of electrical engineering. Finally, Wittje covers the demilitarization of acoustics during the Weimar Republic and its remilitarization at the beginning of the Third Reich. He shows how technical acoustics fit well with the Nazi dismissal of pure science, representing everything that “German Physics” under National Socialism should be: experimental, applied, and relevant to the military.
Humans have always been fascinated by marine life, from extremely small diatoms to the largest mammal that inhabits our planet, the blue whale. However, studying marine life in the ocean is an extremely difficult propo- tion because an ocean environment is not only vast but also opaque to most instruments and can be a hostile environment in which to perform expe- ments and research. The use of acoustics is one way to effectively study animal life in the ocean. Acoustic energy propagates in water more efficiently than almost any form of energy and can be utilized by animals for a variety of purposes and also by scientists interested in studying their behavior and natural history. However, underwater acoustics have traditionally been in the domain of physicists, engineers and mathematicians. Studying the natural history of animals is in the domain of biologists and physiologists. Und- standing behavior of animals has traditionally involved psychologists and zoologists. In short, marine bioacoustics is and will continue to be a diverse discipline involving investigators from a variety of backgrounds, with very different knowledge and skill sets. The inherent inter-disciplinary nature of marine bioacoustics presents a large challenge in writing a single text that would be meaningful to various investigators and students interested in this field. Yet we have embarked on this challenge to produce a volume that would be helpful to not only beginning investigators but to seasoned researchers.
Sensory Evaluation of Sound provides a detailed review of the latest sensory evaluation techniques, specifically applied to the evaluation of sound and audio. This three-part book commences with an introduction to the fundamental role of sound and hearing, which is followed by an overview of sensory evaluation methods and associated univariate and multivariate statistical analysis techniques. The final part of the book provides several chapters with concrete real-world applications of sensory evaluation ranging from telecommunications, hearing aids design and binaural sound, via the latest research in concert hall acoustics through to audio-visual interaction. Aimed at the engineer, researcher, university student or manager the book gives insight into the advanced methods for the sensory evaluation with many application examples. Introduces the fundamental of hearing and the value of sound Provides a firm theoretical basis for advanced techniques in sensory evaluation of sound that are then illustrated with concrete examples from university research through to industrial product development Includes chapters on sensory evaluation practices and methods as well as univariate and multivariate statistical analysis Six application chapters covering a wide range of concrete sensory evaluation study examples including insight into audio-visual assessment Includes data analysis with several associated downloadable datasets Provides extensive references to the existing research literature, text books and standards
In communication acoustics, the communication channel consists of a sound source, a channel (acoustic and/or electric) and finally the receiver: the human auditory system, a complex and intricate system that shapes the way sound is heard. Thus, when developing techniques in communication acoustics, such as in speech, audio and aided hearing, it is important to understand the time–frequency–space resolution of hearing. This book facilitates the reader’s understanding and development of speech and audio techniques based on our knowledge of the auditory perceptual mechanisms by introducing the physical, signal-processing and psychophysical background to communication acoustics. It then provides a detailed explanation of sound technologies where a human listener is involved, including audio and speech techniques, sound quality measurement, hearing aids and audiology. Key features: Explains perceptually-based audio: the authors take a detailed but accessible engineering perspective on sound and hearing with a focus on the human place in the audio communications signal chain, from psychoacoustics and audiology to optimizing digital signal processing for human listening. Presents a wide overview of speech, from the human production of speech sounds and basics of phonetics to major speech technologies, recognition and synthesis of speech and methods for speech quality evaluation. Includes MATLAB examples that serve as an excellent basis for the reader’s own investigations into communication acoustics interaction schemes which intuitively combine touch, vision and voice for lifelike interactions.
