"This complete self-study course in modern Wicca is a treasured classic - an essential and trusted guide that belongs in every witch's library."---Back cover
Englishman Robert Livermore jumped ship in Southern California in 1822, yet just 15 years later became the respected owner of the 40,000-acre Las Positas land grant. Here he built his new Californio wife an adobe house in 1839. The wealth that flowed into California during the gold rush allowed Livermore to import a two-story house around the Horn, but entrepreneurs and squatters flowed in as well. Nathaniel Patterson opened the first hotel in the old Livermore adobe, frequented by miners on their way from the South Bay to the Sierra gold mines. Laddsville, a village built where the roads to Stockton and Dublin met, was also a going concern until the Central Pacific pushed over the Altamont Pass. On this line grew the town founded by William Mendenhall in 1869, named for pioneer Livermore, who had died more than a decade earlier. Soon Livermore became the valley's commercial center for hay, wheat, barley, wine grapes, and ranching.
Together with the Olympics, world's fairs are one of the few regular international events of sufficient scale to showcase a spectrum of sights, wonders, learning opportunities, technological advances, and new (or renewed) urban districts, and to present them all to a mass audience. Meet Me at the Fair: A World's Fair Reader breaks new ground in scholarship on world's fairs by incorporating a number of short new texts that investigate world's fairs in their multiple aspects: political, urban/architectural, anthropological/ sociological, technological, commercial, popular, and representational. Contributors come from eight different countries and represent affiliations in academia, museums and libraries, professional and architectural firms, non-profit organizations, and government regulatory agencies. In taking the measure of both the material artifacts and the larger cultural production of world's fairs, the volume presents its own phantasmagoria of disciplinary perspectives, historical periods, geographical locales, media, and messages, mirroring the microcosmic form of the world's fair itself.
Try your hand at a beautiful, classic and modern style of writing! A basic, how-to book for beginners featuring 5 popular fonts or hands, Italic, Uncial, Foundational, Gothic, and Casual Pointed Pen, shown in step-by-step detail. The author, an experienced teacher of calligraphy, builds the letters, numbers, and punctuation, giving over 300 photos for each style, so beginners can see the strokes, how the pen is held, and how the characters take form. Pens, papers, inks—all the tools are covered along with necessary techniques, so beginners can use this workbook approach to build mastery of a full range of hands—from the oldest, most traditional to contemporary—quickly and confidently.
THE STORY: No men are onstage, but their presence is felt everywhere in this office comedy for the new millennium. Two generations of women, career secretaries in their forties and entry-level assistants in their twenties, gather in the break room
The experience of detention from the perspective of the immigrant, drawing on the fields of art, design, and criminology. Drawing on original documents, photographs, and detainee artwork, Bordered Lives offers a unique insight into the experience of immigration detention in the United Kingdom. With interdisciplinary backgrounds in art, design, and criminology, the authors present views of everyday life under this form of border control. In offering a glimpse within these hidden sites, they explore fundamental questions about coercion, censorship, and control, as well as belonging and resistance. This book introduces the Immigration Detention Archive and reflects on the conditions under which art is supposed to be produced (and is undermined) in institutional spaces. Mixing shadow puppetry, photographic slides, video, architectural models, and spoken word, Khadija von Zinnenburg Carroll's performance Men in Waiting presents the effects of indeterminate detention, bureaucratic indifference, and banality on the subjectivity of the incarcerated.