El Muerto Disimulado

El Muerto Disimulado

Author: Angela de Azevedo

Publisher: Aris and Phillips Hispanic Cla

Published: 2018

Total Pages: 337

ISBN-13: 178694071X

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"The book contains a comprehensive introduction that describes Spanish theater in its Golden Age, what is known of the author’s life and times, contemporary stagings, and an extensive analysis of the text. The story unfolds as a cross between a jilted-lover scenario and a whodunit murder mystery. A woman laments her departed lover, a sister cross-dresses to avenge her murdered brother, a man duels with his cousin over lost honor, and before long, the dead man turns up as a ghost, or a bar maid, or a female peddler. Questions about identity abound in the witty El muerto disimulado / Presumed Dead. The transnational nature of this clever comedy complicates meanings, often producing bilingual wordplay that underscores the self-conscious, gender-bending, ludic character of the play and of theater in general."--


Women's Acts

Women's Acts

Author: Teresa Scott Soufas

Publisher: University Press of Kentucky

Published: 1997-01-01

Total Pages: 348

ISBN-13: 9780813108896

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Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renaissance stage in other European countries. Yet this Golden Age traditionally has been represented in print almost entirely by male playwrights. With Women's Acts, Teresa Scott Soufas makes available eight plays by five long-neglected women dramatists: Angela de Azevedo, Ana Caro Mallen de Soto, Leonor de la Cueva y Silva, Feliciana Enriquez de Guzman, and Maria de Zayas y Sotomayor. In her introduction, Soufas reviews the development of sixteenth- and seventeenth-century Spanish drama while focusing on the position of women during this period, the significance of these plays, and the issues the playwrights address. Each dramatist's section opens with an overview of the author's life and professional activity, a synopsis of her work(s), and a selected bibliography.


A Companion to Golden Age Theatre

A Companion to Golden Age Theatre

Author: Jonathan Thacker

Publisher: Boydell & Brewer Ltd

Published: 2007

Total Pages: 248

ISBN-13: 9781855661400

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As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.


Dramas of Distinction

Dramas of Distinction

Author: Teresa Scott Soufas

Publisher: University Press of Kentucky

Published: 1997

Total Pages: 220

ISBN-13: 9780813132938

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Renaissance Europe was the scene of flourishing and innovative dramatic art, and seventeenth-century Spain enjoyed its own Golden Age of the stage. According to traditional studies of this period, however, men seemed to be the only participants. Now in Dramas of Distinction, Teresa Scott Soufas offers the first book-length critical study of five important women playwrights: Angela de Azevedo, Ana Caro Mallen de Soto, Leonor de la Cueva y Silva, Feliciana Enriquez de Guzman, and Marfa de Zayas y Sotomayor. By locating the plays within their period, Soufas avoids universalizing women without reg.


Cognitive Approaches to Early Modern Spanish Literature

Cognitive Approaches to Early Modern Spanish Literature

Author: Isabel Jaén

Publisher: Oxford University Press

Published: 2016

Total Pages: 253

ISBN-13: 0190256559

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Cognitive Approaches to Early Modern Spanish Literature is the first anthology exploring human cognition and literature in the context of early modern Spanish culture. It includes the leading voices in the field, along with the main themes and directions that this important area of study has been producing. The book begins with an overview of the cognitive literary studies research that has been taking place within early modern Spanish studies over the last fifteen years. Next, it traces the creation of self in the context of the novel, focusing on Cervantes's Don Quixote in relation to the notions of embodiment and autopoiesis as well as the faculties of memory and imagination as understood in early modernity. It continues to explore the concept of embodiment, showing its relevance to delve into the mechanics of the interaction between actors and audience both in the jongleuresque and the comedia traditions. It then centers on cognitive theories of perception, the psychology of immersion in fictional worlds, and early modern and modern-day notions of intentionality to discuss the role of perceiving and understanding others in performance, Don Quixote, and courtly conduct manuals. The last section focuses on the affective dimension of audience-performer interactions in the theatrical space of the Spanish corrales and how emotion and empathy can inform new approaches to presenting Las Casas's work in the literature classroom. The volume closes with an afterword offering strategies to design a course on mind and literature in early modernity.


Knowing Subjects

Knowing Subjects

Author: Barbara Simerka

Publisher: Purdue University Press

Published: 2013

Total Pages: 274

ISBN-13: 1557536449

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In Knowing Subjects, Barbara Simerka uses an emergent field of literary study" cognitive cultural studies"to delineate new ways of looking at early modern Spanish literature and to analyze cognition and social identity in Spain at the time. Simerka analyzes works by Cervantes and Grac -an, as well as picaresque novels and comedias. Employing an interdisciplinary approach, she brings together several strands of cognitive theory and details the synergies among neurological, anthropological, and psychological discoveries that provide new insights into human cognition.Her analysis draws on Theory of Mind, the cognitive activity that enables humans to predict what others will do, feel, think, and believe. Theory of Mind looks at how primates, including humans, conceptualize the thoughts and rationales behind other people's actions and use those insights to negotiate social relationships. This capacity is a necessary precursor to a wide variety of human interactions"both positive and negative"from projecting and empathizing to lying and cheating.Simerka applies this theory to texts involving courtship or social advancement, activities in which deception is most prevalent"and productive. In the process, she uncovers new insights into the comedia (especially the courtship drama) and several other genres of literature (including the honor narrative, the picaresque novel, and the courtesy manual). She studies the construction of gendered identity and patriarchal norms of cognition"contrasting the perspectives of canonical male writers with those of recently recovered female authors such as Mar -a de Zayas and Ana Caro. She examines the construction of social class, intellect, and honesty, and in a chapter on Don Quixote, cultural norms for leisure reading at the time. She shows how early modern Spanish literary forms reveal the relationship between an urbanizing culture, unstable subject positions and hierarchies, and social anxieties about cognition and cultural transformation.


Friendship betrayed

Friendship betrayed

Author: María de Zayas y Sotomayor

Publisher:

Published: 1999

Total Pages: 208

ISBN-13:

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La traición en la amistad, es la única comedia de Zayas, escrita en verso. Se trata de una historia de amor y engaño; los personajes principales son: Fenisa, Marcia, Belisa, Laura, Gerardo, Juan y Liseo. La complicidad entre los personajes femeninos es uno de los ejes de la trama y, entre ellos, Fenisa es la principal catalizadora de los conflictos. La obra ironiza con la condición de la mujer y reflexiona sobre las relaciones entre sexos. Además de teatro, Zayas escribió dos libros de relatos breves (1637, 1647) inspirados en el Decameron, de Boccaccio. En ellos las historias son contadas por mujeres y se refieren a éstas desde una perspectiva femenina. Zayas denuncia los abusos perpetrados contra las mujeres en la sociedad de la España del siglo XVII.