Without Fidel
Without Fidel

Author: Ann Louise Bardach

Publisher: Simon and Schuster

Published: 2009-10-06

Total Pages: 354

ISBN-13: 1416580077

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From the award-winning reporter and go-to source on Cuban-Miami politics Ann Louise Bardach comes a riveting, eye-opening account of the last chapter in the life of Fidel Castro: his near death and marathon finale, his enemies and their fifty-year failed battle to eliminate him, and the carefully planned succession and early reign of his brother Raúl. Ann Louise Bardach offers a spellbinding chronicle of the Havana-Washington political showdown, drawing on nearly two decades of reporting and countless interviews with everyone from the Comandante himself, his co-ruler and brother Raúl, and other family members, to ordinary Cubans as well as officials and politicos in Miami, Havana, and Washington. The result is an unforgettable dual portrait of Fidel and Raúl Castro -- arguably the most successful and enduring political brother team in history. Since 1959, Fidel Castro has been the supreme leader of Cuba, deftly checkmating his foes, both from within and abroad; confronting eleven American presidents; and outfoxing dozens of assassination attempts, vanquished only by collapsing health. As night descends on Castro's extraordinary fifty-year reign, Miami, Havana, and Washington are abuzz with anxious questions: What led to the lightning-bolt purge of key Cuban officials in March 2009? Who will be Raúl's heir? Will the U.S. embargo end now? Bardach offers profound and surprising answers to these questions as she meticulously chronicles Castro's protracted farewell and assesses his transformative impact on the world stage and the complex legacy that will long outlive him. She reports from three distinct vantage points: In Miami, where more than one million Cubans have fled, she interviews scores of exiles including Castro's would-be assassins Orlando Bosch and Luis Posada Carriles; in Washington, DC, she reports on the Obama administration's struggle to formulate a post-Castro strategy; in Havanah she permeates the bubble around the fiercely private and officially retired Castro to ascertain the extent of his undisclosed medical condition. Bardach delivers a compelling meditation on one of the most controversial, combative, and charismatic rulers in history. Without Fidel includes never-before-published reporting on Castro, his family, and his half-century grip on the largest country in the Caribbean while assessing how his departure will forever transform politics and policy in the Western Hemisphere -- and the world.

The Cuba Wars
The Cuba Wars

Author: Daniel P. Erikson

Publisher: Bloomsbury Publishing USA

Published: 2010-07-01

Total Pages: 385

ISBN-13: 1608192415

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There are few international relationships as intimate, as passionate-and as dysfunctional-as that of the United States and Cuba. In The Cuba Wars, Cuba expert Daniel Erikson draws on extensive visits and conversations with both Cuban government officials and opposition leaders-plus key players in Washington and Florida-to offer an unmatched portrait of a small country with outsized importance to Americans and American policy.

Cuban Flute Style
Cuban Flute Style

Author: Sue Miller

Publisher: Scarecrow Press

Published: 2013-10-30

Total Pages: 355

ISBN-13: 0810884429

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Richard Egües and José Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachachá. Despite the commercial success of their recordings with Orquesta Aragón and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists. In Cuban Flute Style: Interpretation and Improvisation, Sue Miller—music historian, charanga flute player, and former student of Richard Egües—examines the early-twentieth-century decorative style of flute playing in the Cuban danzón and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egües. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egües, Joaquín Oliveros, Polo Tamayo, Eddy Zervigón, and other renowned players. Miller also covers techniques for flutists seeking to learn the style—including altissimo fingerings for the Boehm flute and fingerings for the five-key charanga flute—as well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.

Improvising Sabor
Improvising Sabor

Author: Sue Miller

Publisher: Univ. Press of Mississippi

Published: 2021-02-01

Total Pages: 316

ISBN-13: 1496832191

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Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as José Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigón dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachachá and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalú’s development in the late 1960s with little mention of the chachachá and pachanga’s popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.

Dwellers of Memory
Dwellers of Memory

Author: Pilar Riano-Alcala

Publisher: Routledge

Published: 2017-07-12

Total Pages: 260

ISBN-13: 1351521497

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Dwellers of Memory is an ethnographic study of how urban youth in Colombia came to be at the intersection of multiple forms of political, drug-related, and territorial violence in a country undergoing forty years of internal armed conflict. It examines the ways in which youth in the city of Medellin reconfigure their lives and, cultural worlds in the face of widespread violence. This violence has transgressed familiar boundaries and destroyed basic social supports and networks of trust. This volume attempts to map and understand its patterns and flows. The author explores how Medellin's youth locate themselves and make, sense of violence through contradictory and shifting memory practices. The violence has not completely taken over their cultural worlds or their subjectivities. Practices of remembering and forgetting are key methods by which these youth rework their identities and make sense of the impact of violence on their lives. While the experience of violence is rooted in urban space and urban youth, the memory dwellers use a sense of place, oral histories of death, and narratives of fear as survival strategies for inhabiting violent neighborhoods. The book also examines fissures in memory, the contradictory constructions of young people's subjective selves, and practices of gendered violence and terror. All have and continue to pose risks to the historical memory and cultural survival of the residents of Medellin. Dwellers of Memory offers an alternative ethnographic approach to the study of memory and violence, one that calls into question whether the, role of the ethnographer of violence is to be a mere witness of terror, or to oppose it by writing against it. It will be of interest to sociologists, anthropologists, and students of, ethnography.