As 'n seuntjie het ek aandagtig geluister na al die romantiese verhale van die olifantjagters, en van die waagmoed en dapperheid van die jagters op die spore van die ivoordraers...( stories soos myne) met die dood wat telkemale oor jou hare stryk. In drome het ek myself gesien in woude en woestyne, op die spore van die ivoordraers... agter die alleenloper buffel aan... gedroom van ongelooflike avonture. Het ek maar geweet hoe waar al my drome eendag sou word.
In this age of increased fundamental and applied research on biodiversity, no single volume was as yet devoted to the various temporal and spatial aspects of aquatic biodiversity. The present book is published in honour of Professor Henri Dumont (Ghent, Belgium) at the occasion of his retirement as Editor-in-Chief of Hydrobiologia. The volume presents a selection of contributions on aquatic biodiversity, written by colleagues from the editorial board, fellow editors of aquatic journals and former students and collaborators. Contributions deal with a wide spectrum of topics related to aquatic biodiversity and cover fields such as actual- and palaeolimnology, taxonomy, and fundamental and applied limnology. Even reconnaissance chapters on management and cultural impact of water bodies are included. The book combines state-of-the-art contributions in aquatic sciences.
Grové was arguably the first composer to incorporate Black African elements into the fabric of his music, venturing far beyond mere couleur locale to forge a creative synthesis of the indigenous and the "Western". His vast oeuvre encompasses every genre, from opera and ballet to chamber music, orchestral works and song. But he is also a fine essayist, and his short fiction has received praise from André P. Brink. This is the first study of its kind to be devoted to a South African composer.
It's easy to teach yourself Afrikaans! Complete Afrikaans: A Teach Yourself Guide provides you with a clear and comprehensive approach to Afrikaans, so you can progress quickly from the basics to understanding, speaking, and writing Afrikaans with confidence. Within each of the 24 thematic chapters, important language structures are introduced through life-like dialogues. You'll learn grammar in a gradual manner so you won't be overwhelmed by this tricky subject. Exercises accompany the texts and reinforce learning in listening, speaking, reading, and writing. This program also features current cultural information boxes that reflect recent changes in society. Features: One and five-minute introductions to key principles to get you started Lots of instant help with common problems and quick tips for success, based on the author's many years of experience Tests in the book and online to keep track of your progress Extra online articles at www.teachyourself.com to give you a richer understanding of the basics of the language
"They say that the eldest of the chief's daughters..." So begins a tale from the Basotho, unfolded by the meager light of a dung fire that burns smokily behind the reed screen sheltering the entrance of the hut. The old ones of the tribe wait until dark before telling their stories, for everyone knows horns will grow from the head of one who tells a story during daylight hours. Tales from the Basotho abounds with elements familiar to folk narrative. The heroes and heroines are the chiefs and their wives, their sons and their daughters. Fantastic creatures frequent the narratives. exhibiting their awful powers. Rustic peace and beauty pervade the stories, as Minnie Postma amply demonstrates in her versions of the tales. Something fearful may be occurring—the dreaded Koeoko pulling the only son of the chief under water—but, at the same time, girls with babies tied to their backs are searching for edible bulbs in the veld, and an old woman dreams in the gentle sunlight in front of the huts. These tales from the Basotho are for entertainment only. There is a tabu against telling tales while the sun shines, because daylight hours must be saved for work. The telling itself is the· reason the story exists, for the audience is already aware of the outcome of each tale. As Wm. Hugh Jansen emphasizes in his foreword, "text" and "context" are often easily interpreted and made accessible in a translation, but Tales from the Basotho is ultimately successful for its rendering of "texture." And texture is doubly hard to convey when the telling itself is of primary importance. Minnie Postma and Susie McDermid have transferred the art of the Basotho raconteur onto the printed page. All the simple, understandable formulas, exclamations, and repetitions used so skillfully by the native storyteller are present. Rhythm is an important element in the tales, and a word, a phrase, even a whole paragraph will be repeated until the rhythm satisfies the storyteller, in tum increasing the appreciation of the listeners.
