Popular Plays by Women in the Restoration and Eighteenth Century

Popular Plays by Women in the Restoration and Eighteenth Century

Author: Tanya M. Caldwell

Publisher: Broadview Press

Published: 2011-06-30

Total Pages: 300

ISBN-13: 1770482830

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This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.


Eighteenth-Century Women Dramatists

Eighteenth-Century Women Dramatists

Author: Mary Pix

Publisher: Oxford University Press

Published: 2008-11-13

Total Pages: 449

ISBN-13: 0192656511

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Mary Pix: The Innocent Mistress (1697) Susanna Centlivre: The Busy-Body (1709) Elizabeth Griffith: The Times (1779) Hannah Cowley: The Belle's Stratagem (1780) Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of signficant areas. A splendid and imaginative project' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.


Major Voices

Major Voices

Author: Michael Caines

Publisher:

Published: 2004

Total Pages: 574

ISBN-13:

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The first collection of a previously neglected, yet rich vein. Eighteen Century Britain saw some of the most brilliant, witty and popular stage productions, written by women, like Fanny Burney. Michael Caines introduces this outstanding collection.


Women in British Romantic Theatre

Women in British Romantic Theatre

Author: Catherine Burroughs

Publisher: Cambridge University Press

Published: 2000-11-16

Total Pages: 366

ISBN-13: 9780521662246

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First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.


A History of Women's Writing in France

A History of Women's Writing in France

Author: Sonya Stephens

Publisher: Cambridge University Press

Published: 2000-05-22

Total Pages: 332

ISBN-13: 9780521581677

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This volume was the first historical introduction to women's writing in France from the sixth century to the present day. Specially-commissioned essays by leading scholars provide an introduction in English to the wealth and diversity of French women writers, offering fascinating readings and perspectives. The volume as a whole offers a cohesive history of women's writing which has sometimes been obscured by the canonisation of a small feminine elite. Each chapter focuses on a given period and a range of writers, taking account of prevailing sexual ideologies and women's activities in, or their relation to, the social, political, economic and cultural surroundings. Complemented by an extensive bibliography of primary and secondary works and a biographical guide to more than one hundred and fifty women writers, it represents an invaluable resource for those wishing to discover or extend their knowledge of French literature written by women.


Getting Into the Act

Getting Into the Act

Author: Ellen Donkin

Publisher: Routledge

Published: 2005-08-03

Total Pages: 260

ISBN-13: 1134890850

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Getting Into the Act is a vigorous and refreshing account of seven female playwrights who, against all odds, enjoyed professional success in the late eighteenth and early nineteenth century. Ellen Donkin relates fascinating, disturbing tales about the male theatre managers to whom they were indebted, and the trials and prejudices they endured, ranging from accusations of plagiarism to sexual harassment. This scarred turbulent early history still resonates in the late twentieth-century. The current ratio of female to male playwrights is virtually unchanged. Old patterns of male control persist, and playwriting continues to be a hazardous occupation for women. But within these scarred earlier histories there are equally powerful narratives of self-revelation, endurance, and professional triumph that may point to a new way forward. Getting Into the Act is entertaining and informative reading for anyone, from scholar to general reader, who is interested in the history and gender politics of the stage.


Female Playwrights of the Restoration

Female Playwrights of the Restoration

Author: Paddy Lyons

Publisher: Phoenix

Published: 1991

Total Pages: 363

ISBN-13: 9780460870801

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Aphra Behn was the first woman to earn her living by writing for the theater, and was ranked by Defoe alongside Rochester and Milton as one of the 'great wits' of her century.


Early Women Dramatists, 1550-1800

Early Women Dramatists, 1550-1800

Author: Margarete Rubik

Publisher:

Published: 1998

Total Pages: 242

ISBN-13:

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This is a comprehensive survey of women's drama between the Renaissance and the end of the 18th century, assessing the plays' characteristic features and the ruptures in the text that indicate the writers' precarious social and artistic position and the ambiguous stances to their own creativity and sex. Chapters are devoted to individual writers as well as to general developments in specific periods. The most significant plays are analysed in detail and related to the male literary canon of the time in order to stress both their originality and the existence of an, albeit tentative, female literary canon.


A History of Eighteenth-Century British Literature

A History of Eighteenth-Century British Literature

Author: John Richetti

Publisher: John Wiley & Sons

Published: 2017-10-05

Total Pages: 429

ISBN-13: 1119082129

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A History of Eighteenth-Century British Literature is a lively exploration of one of the most diverse and innovative periods in literary history. Capturing the richness and excitement of the era, this book provides extensive coverage of major authors, poets, dramatists, and journalists of the period, such as Dryden, Pope and Swift, while also exploring the works of important writers who have received less attention by modern scholars, such as Matthew Prior and Charles Churchill. Uniquely, the book also discusses noncanonical, working-class writers and demotic works of the era. During the eighteenth-century, Britain experienced vast social, political, economic, and existential changes, greatly influencing the literary world. The major forms of verse, poetry, fiction and non-fiction, experimental works, drama, and political prose from writers such as Montagu, Finch, Johnson, Goldsmith and Cowper, are discussed here in relation to their historical context. A History of Eighteenth-Century British Literature is essential reading for advanced undergraduates and graduate students of English literature. Topics covered include: Verse in the early 18th century, from Pope, Gay, and Swift to Addison, Defoe, Montagu, and Finch Poetry from the mid- to late-century, highlighting the works of Johnson, Gray, Collins, Smart, Goldsmith, and Cowper among others, as well as women and working-class poets Prose Fiction in the early and 18th century, including Behn, Haywood, Defoe, Swift, Richardson, Fielding, and Smollett The novel past mid-century, including experimental works by Johnson, Sterne, Mackenzie, Walpole, Goldsmith, and Burney Non-fiction prose, including political and polemical prose 18th century drama