Eight Symphonic Masterworks of the Twentieth Century
Eight Symphonic Masterworks of the Twentieth Century

Author: Leonard Slatkin

Publisher: Rowman & Littlefield

Published: 2024-02-27

Total Pages: 205

ISBN-13: 1538186810

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Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the twentieth century: Claude Debussy’s La Mer Dmitri Shostakovich’s Symphony No. 5 Béla Bartók’s Concerto for Orchestra Igor Stravinsky’s Le Sacre du printemps (The Rite of Spring) George Gershwin’s An American in Paris Aaron Copland’s Appalachian Spring Suite Samuel Barber’s Adagio for Strings Benjamin Britten’s The Young Person’s Guide to the Orchestra Slatkin tackles problems conductors face before stepping onto the podium and highlights the many decisions they make during the study process, as well as in rehearsal and performance, to bring a score to life. He also shares tricks of the trade for leading efficient rehearsals and recounts engaging anecdotes from a lifetime of music making. This book will open the world of score study to conductors, other musicians, and students interested in expanding their knowledge of this essential repertoire.

Eight Symphonic Masterworks of the Nineteenth Century
Eight Symphonic Masterworks of the Nineteenth Century

Author: Leonard Slatkin

Publisher: Rowman & Littlefield

Published: 2024-10-12

Total Pages: 233

ISBN-13: 1538187205

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Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the nineteenth century: · Ludwig van Beethoven’s Symphony No. 3, “Eroica” · Modest Mussorgsky’s Pictures at an Exhibition (orch. Maurice Ravel) · Hector Berlioz’s Symphonie Fantastique · Johannes Brahms’s Symphony No. 1 · Antonín Dvořák’s Symphony No. 9, “From the New World” · Jean Sibelius’s Symphony No. 2 · Nikolai Rimsky-Korsakov’s Scheherazade · Pyotr Ilyich Tchaikovsky’s Symphony No. 6, “Pathétique” Slatkin tackles problems conductors face before stepping onto the podium and highlights the many decisions they make during the study process, as well as in rehearsal and performance, to bring a score to life. He also shares tricks of the trade for leading efficient rehearsals and recounts engaging anecdotes from a lifetime of music making. This book will open the world of score study to conductors, other musicians, and students interested in expanding their knowledge of this essential repertoire.

Classical Crossroads: The Path Forward for Music in the 21st Century
Classical Crossroads: The Path Forward for Music in the 21st Century

Author: Leonard Slatkin

Publisher: Amadeus

Published: 2021-09-15

Total Pages: 240

ISBN-13: 9781538152225

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As the new millennium poses even greater challenges to the relevance of the art form, legendary maestro Leonard Slatkin reflects on the modern evolution of classical music and offers his ideas to solve pressing issues faced by both music lovers and musicians alike. If there was ever a time for change in the industry, it is now.

Structurally Sound
Structurally Sound

Author: Eric Wen

Publisher: Courier Dover Publications

Published: 2017-05-17

Total Pages: 321

ISBN-13: 0486821455

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"A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject." — Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio — Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.

The Masterwork in Music: Volume II, 1926
The Masterwork in Music: Volume II, 1926

Author: Heinrich Schenker

Publisher: Courier Corporation

Published: 2014-11-19

Total Pages: 162

ISBN-13: 0486780031

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The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz (Free Composition). This new publication of the long-awaited English translation, which first appeared in the distinguished Cambridge University Press edition, provides a valuable resource for scholars. Editorial annotations and elucidations by Dr. William Drabkin and his translators offer additional insights. This volume features a major essay on Mozart's Symphony No. 40 in G minor; studies of Bach keyboard and solo cello pieces; works by Haydn and Reger; theoretical writings on sonata form and fugue; and many examples of Schenkerian theory. Volume One includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven, and Handel and solo violin music by Bach, along with studies of other works. Volume Three's contents include Schenker's celebrated analysis of Beethoven's "Eroica" Symphony and other works.

The Masterwork in Music: Volume I, 1925
The Masterwork in Music: Volume I, 1925

Author: Heinrich Schenker

Publisher: Courier Corporation

Published: 2014-10-13

Total Pages: 164

ISBN-13: 0486799352

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Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.

A Conductor's Interpretive Analysis of Masterworks for Band
A Conductor's Interpretive Analysis of Masterworks for Band

Author: Frederick Fennell

Publisher: Hal Leonard Corporation

Published: 2008

Total Pages: 68

ISBN-13: 9781574630947

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(Meredith Music Resource). Frederick Fennell, widely acknowledged as the "dean of American band conductors," has freely shared what he called "long-distilled thoughts" about the world's greatest music for band. In this collection, he covers original scores by Persichetti, Hanson, Schuman and Chance, as well as classic works by Wagner and Holst. Fennell's clear and to-the-point analysis/interpretations are based on a lifetime of careful research, rehearsals, and professional performances. In this informative work, you will find inspiration for a truly superior presentation of these masterworks for band. Includes: Divertimento for Band (Persichetti) * Symphony for Band (Persichetti) * Elsa's Procession to the Cathedral (Wagner) * Chorale and Alleluia (Hanson) * George Washington Bridge (W. Schuman) * A Moorside Suite (Holst) * Variations on a Korean Folk Song (Chance) * I Really Do Love Marches! (Fennell).

Conducting Business
Conducting Business

Author: Leonard Slatkin

Publisher: Amadeus Press

Published: 2012-07-01

Total Pages: 375

ISBN-13: 1476821321

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(Amadeus). Conducting an orchestra is something that is seen as well as heard, but it is quite misunderstood when it comes to knowing what this person actually does for a living. This most mysterious of jobs is brought to life for the music lover as well as for the aspiring maestro in a book by Leonard Slatkin. Drawing on his own experiences on and off the podium, Slatkin brings us into the world of the baton. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe. Mr. Slatkin recounts his controversial appearance at the Metropolitan Opera, his creation and direction of summer music festivals, and a shattering concert experience that took place four days following 9/11. Life in the recording studio and on the road as well as health issues confronting the conductor provide an insider's glimpse into the private world of public figures. Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession.

American Orchestras in the Nineteenth Century
American Orchestras in the Nineteenth Century

Author: John Spitzer

Publisher: University of Chicago Press

Published: 2012-04-09

Total Pages: 504

ISBN-13: 0226769763

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Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.

Twentieth-century piano classics
Twentieth-century piano classics

Author: Igor Stravinsky

Publisher: Courier Corporation

Published: 1999-01-01

Total Pages: 178

ISBN-13: 0486406237

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Includes Stravinsky's 3 Movements from Petrushka, Rag Time, Piano-Rag-Music, more; Schoenberg's Symphony, Op. 9, 3 Piano Pieces, Op. 11, more; and Hindemith's 1922: Suite for Piano, Op. 26. Authoritative editions.