A parody of a literary biography starring a 10-year-old novelist who is mysteriously dead at 11—from the Pulitzer Prize-winning author of Martin Dressler. As a memorial, Edwin Mullhouse's best friend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.
From the Pulitzer Prize–winning author of Martin Dressler—hailed by The New Yorker as “a virtuoso of waking dreams”—comes a dazzling collection of darkly comic stories united by their obsession with obsession. "Remarkable ... Not just brilliant but prescient." —The New York Times Book Review In Dangerous Laughter, Steven Millhauser transports us to unknown universes that uncannily resemble our own. The collection is divided into three parts that fit seamlessly together as a whole. It opens with a bang, as “Cat ’n’ Mouse” reimagines the deadly ritual between cartoon rivals in a comedy of dynamite and anvils—a masterly prologue that sets the stage for the alluring, very grown-up twists that follow. Part one, “Vanishing Acts,” features stories of risk and escape: a lonely woman disappears without a trace; a high school boy becomes entangled with his best friend’s troubled sister; and a group of teenagers play a treacherous game that pushes them deep into “the kingdom of forbidden things.” Excess reigns in the vivid, haunting places of Part two’s “Impossible Architectures,” where domes enclose whole cities, and a king’s master miniaturist creates objects so tiny that soon his entire world is invisible. Finally, “Heretical Histories” presents startling alternatives to the remembered past. “A Precursor of the Cinema” proposes a new, enigmatic form of illusion. And in the astonishing “The Wizard of West Orange” a famous inventor sets out to simulate the sense of touch—but success brings disturbing consequences. Sensual, mysterious, Dangerous Laughter is a mesmerizing journey through brilliantly realized labyrinths of mortal pleasures that stretch the boundaries of the ordinary world to their limits—and occasionally beyond.
PULITZER PRIZE WINNER • NATIONAL BOOK AWARD FINALIST • The author of Voices in the Night reveals the mesmerizing journey of an American dreamer as he walks a haunted line between fantasy and reality, madness and ambition, art and industry. “This wonderful, wonder-full book is a fable and phantasmagoria of the sources of our century.” —The New York Times Book Review Young Martin Dressler begins his career as an industrious helper in his father's cigar store. In the course of his restless young manhood, he makes a swift and eventful rise to the top, accompanied by two sisters--one a dreamlike shadow, the other a worldly business partner. As the eponymous Martin's vision becomes bolder and bolder, a sense of doom builds piece-by-hypnotic piece until this mesmerizing journey reaches its bitter-sweet conclusion.
A founding member of The Beach Boys traces his half-century career, discussing the inspirations for his pop classic lyrics, his struggles with self-destructive habits, his spiritual life, and his partnerships with his cousins Brian, Dennis, and Carl Wilson.
A parody of a literary biography starring a 10-year-old novelist who is mysteriously dead at 11—from the Pulitzer Prize-winning author of Martin Dressler. As a memorial, Edwin Mullhouse's best friend, Jeffrey Cartwright, decides that the life of this great American writer must be told. He follows Edwin's development from his preverbal first noises through his love for comic books to the fulfillment of his literary genius in the remarkable novel, Cartoons.
Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude," an imaginary crime that defies definition. Cincinnatus spends his last days in an absurd jail, where he is visited by chimerical jailers, an executioner who masquerades as a fellow prisoner, and by his in-laws, who lug their furniture with them into his cell. When Cincinnatus is led out to be executed, he simply wills his executioners out of existence: they disappear, along with the whole world they inhabit.
The Pulitzer Prize-winning author of Martin Dressler delivers an inventive collection of three novellas that are a magical companion to his acclaimed longer fictions. • "Millhauser makes our world turn amazing!" —The New York Times Book Review Cartoons that draw their creator into another world; demonic paintings that exert a sinister influence on our own. Fairy tales that express the secret losses and anxieties of their tellers. These are the elements that Steven Millhauser employs to such marvelous—and often disquieting—effect in Little Kingdoms. In "The Little Kingdom of J. Franklin Payne," a gentle eccentric constructs an elaborate alternate universe that is all the more appealing for being transparently unreal. "The Princess, the Dwarf, and the Dungeon" is at once a gothic tale of nightmarish jealousy and a meditation on the human need for exaltation and horror. And "Catalogue of the Exhibition" introduces us to the oeuvre of Edmund Moorash, a Romantic painter who might have been imagined by Nabokov or Poe. Exuberantly inventive, as mysterious as dreams, these novellas will delight, mesmerize, and transport anyone who reads them.
When a tsunami sends a massive island made entirely of trash crashing into the Taiwanese coast, two very different people—an outcast from a mythical island and a woman on the verge of suicide—are united in ways they never could have imagined. Here is the English-language debut of a new and exciting award-winning voice from Taiwan, who has written an “astonishing” novel (The Independent) that is at once fantasy, reality, and dystopian environmental saga. Fifteen-year-old Atile’i—a native of Wayo Wayo, an island somewhere in the Pacific—has come of age. Following the custom of his people, he is set adrift as a sacrifice to the Sea God but, unlike those who have gone before him, Atile’i is determined to defy precedent and survive. His chances seem slim, but just as it appears that hope is lost, Atile’i comes across a sprawling trash vortex floating in the ocean and climbs onto it. Meanwhile, on the east coast of Taiwan, Alice, a college professor, is overcome with grief. Her husband and son are missing, having disappeared while hiking in the mountains near their home. Alice is so distraught that she decides to end her own life. But her plans are interrupted by a violent storm that causes the trash vortex to collide with the Taiwanese coast, bringing Atile’i along with it. Alice and Atile’i subsequently form an unlikely friendship that helps each of them come to terms with what they have lost. Together they set out to uncover the mystery of Alice’s lost family, following their footsteps into the mountains. Intertwined with Alice and Atile’i’s story are the lives of others affected by the tsunami, from environmentalists to Taiwan’s indigenous peoples—and, of course, the mysterious man with the compound eyes. A work of lyrical beauty that combines magical realism and environmental fable, The Man with the Compound Eyes is an incredible story about the bonds of family, the meaning of love, and the lasting effects of human destruction.
Designed as a companion to The Columbia Literary History of the United States, this compilation of 31 major essays covers the American novel from the 1700s to the present, although the majority deal with the 20th century. Within each era, themes, genres, and topics such as realism, gender, romance, and technology are discussed in depth, as well as modern Canadian, Caribbean, and Latin American fiction. Each essayist selects only the authors who best illustrate the topic, thus subtly skewing the view of the literary scene at that time. The volume also covers women, minorities, popular fiction, and the book marketplace. ISBN 0-231-07360-7: $59.95.
