The exploits of Kane and his manservant are both comic and thrilling in this Dickensian murder mystery set in Victorian Edinburgh Scotland, 1850. The penalty for murder is death by hanging. Why then employ a young defense lawyer with no trial experience who is surely destined to fail? And why does his client refuse to tell him what happened on the night the crime took place? Edward Kane and the Parlour Maid Murderer follows the young Advocate, Edward Kane, and his manservant, Mr. Horse from the great houses of Edinburgh to the taverns and alleyways of the Old Town in search of answers - and defense. The novel evokes the sights and sounds of Victorian Scotland, introducing a rich cast of characters.
Studying Scots Law provides a highly readable account of the educational and training requirements for entry into the Scottish legal profession and provides essential information on law courses throughout Scotland as well as giving useful advice on study skills. Studying Scots Law provides law students with an invaluable source of reference throughout their studies. The new edition provides invaluable information on how the approach to teaching and studying has changed during Covid restrictions and the facilities universities have put in place to support students during this time. As well as a general background it also provides guidance on: - The nature and forms of legal education and what to expect from a study of the law - Advice on applying to university, studying, essay writing and exams - Treatment of electronic sources for study and research - Information on education funding
In 1857, Harriet Small is given her father's True Narrative of his life - his escape from slavery in America and his journey into the heart of revolutionary Ireland. The story of Tony Small and Lord Edward Fitzgerald, Words to Shape My Name is about hope, failure, resilience, and narrative - an adventure of great intelligence and awareness.
This is a story about hope overcoming evil, written with satisfying moral complexity. Ruth's devastation breaks apart time. She sees that her hopes and dreams are a visceral halo of rainbow colours spinning to white... and that evil dream thieves are severing these halos from sleeping victims, many of whom she knows. Those disturbing dreams of black snow lead Ruth to a perilous discovery: one dream thief is connected to her grandfather and the candle-maker's bou Jude from long ago.
Bellwether Prize winner Hillary Jordan’s provocative new novel, When She Woke, tells the story of a stigmatized woman struggling to navigate an America of a not-too-distant future, where the line between church and state has been eradicated and convicted felons are no longer imprisoned and rehabilitated but chromed—their skin color is genetically altered to match the class of their crimes—and then released back into the population to survive as best they can. Hannah is a Red; her crime is murder. In seeking a path to safety in an alien and hostile world, Hannah unknowingly embarks on a path of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith.
The first volume highlights communities and history of numerous villages, cities and townships of Kane County. The second volume contains biographies of many Kane County residents.
The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.
Colin MacFarlane was born in the Gorbals in the 1950s, 20 years after the publication of No Mean City, the classic novel about pre-war life in what was once Glasgow's most deprived district. He lived in the same street as its fictional 'razor king', Johnnie Stark, and subsequently realised that a lot of the old characters represented in the book were still around as late as the 1960s. Men still wore bunnets and played pitch and toss; women still treated the steamie as their social club. The razor gangs were running amok once again, and filth, violence, crime, rats, poverty and drunkenness abounded, just like they did in No Mean City. MacFarlane witnessed the last days of the old Gorbals as a major regeneration programme, begun in 1961, was implemented, and, as a street boy, he had a unique insight into a once great community in rapid decline. In this engrossing book, MacFarlane reveals what it was really like to live in the old Gorbals.
