The dramatic story of a mutiny aboard an eighteenth-century British ship and how its owners effectively rallied the power of the British Crown to protect their investment and expand their wealth and political power across multiple generations. In 1768, the British slave ship Black Prince, departed the port of Bristol, bound for West Africa. It never arrived. Before reaching Old Calabar, the crew mutinied, murdering the captain and his officers. The mutineers renamed the ship Liberty, elected new officers, and set out for Brazil. By the time the ship arrived there, the crew had disintegrated into a violent mob and fired into the port city. After the Black Prince wrecked off the coast of Hispaniola, the rebels fled to outposts around the Atlantic world. An eight-year manhunt ensued. This book follows the crew's turn to piracy and the merchant-owners' response to the uprising. At the very moment that the American Revolution unfolded in North America, the Black Prince's owners conducted a "shadow" revolution, mobilizing the power of the British Crown to seek justice and restitution on their behalf. These private merchants used state surveillance, policing, extradition, capital punishment, international diplomacy, and even warfare in order to protect their wealth. During an era of professed liberty and freedom, the privatization of state power was already emerging, replacing monarchies with corporate oligarchies, presaging a new kind of political power in the Atlantic world. The eighteenth-century Bristol slave merchants and subsequent generations of their families accrued great fortunes from the trade and invested it in early British banks, railroads, insurance companies, industrial manufacturing, and even the Anglican Church. Mutiny on the Black Prince narrates the dramatic story of the events onboard and the merchant owners' efforts to capture the rebels from around the Atlantic world, as well as the way that British slavery shaped the industrializing Atlantic economy and the evolution of the modern corporate state.
An Open Access edition will be available on publication. The murder of George Floyd in 2020, the renewed international take up of the cry Black Lives Matter and the subsequent toppling of a statue commemorating slave-merchant-turned-philanthropist Edward Colston in Bristol provoked urgent questions on memorialisation, white privilege, social justice and repair. Debates on how legacies of colonialism and empire in Britain should be addressed spilled out of the scholarly world into the public discourse. In the immediate wake of the statue toppling this book offers a unique, distinctive and timely contribution to those debates: a series of voices and experiences are offered as critical commentaries and accounts of recent interventions on an official heritage narrative. It sets out to break the ‘dead silence’, by bringing together diverse perspectives from academics, artists, activists, heritage professionals and tourist guides. The book offers fresh insights, referencing work attending to the impacts and legacies of colonisation primarily in Bath and Bristol, augmented with comparative contributions from Lancaster and Mexico offering significant and pertinent resonances. A range of strategies are explored towards enabling silenced voices to be heard and engage in conversations about how the past is represented, including Co-Creation, new agonistic museum practices, innovative creative and somatic approaches.
This riveting new history tells the story of Britain’s journey from imperial power to a nation divided—one that alternately welcomes and excludes former imperial subjects and has been utterly transformed by them. In the turbulent years since the outbreak of World War II, Britain has gone from an imperial power whose dominion extended over a quarter of the world’s population to an island nation divorced from Europe. After the war, as independence movements gained momentum, former imperial subjects started making their way to her soggy shores. Would these men and women of different races, cultures, and faiths be accepted as British, or would they forever be seen as outsiders? In this deeply intimate retelling of the United Kingdom’s transformation from empire to island nation, Charlotte Lydia Riley shows that empire haunts every aspect of life in modern Britain. From race riots to the Notting Hill Carnival, from the Suez Crisis to the wars in Iraq and Afghanistan, from the Monday Club and Enoch Powell’s defiant calls to protect England’s racial purity to Band Aid, the Spice Girls, and Brick Lane, the imperial mindset has dominated Britain’s relationship with itself and the world. The ghosts of empire are to be found, too, in anti-immigrant rhetoric and royal memorabilia, in the pitched battles over how history should be taught in schools—and, of course, in Brexit. Drawing on a mass of original research to capture the thoughts and feelings of ordinary British citizens, Imperial Island tells a story of people on the move and of people trapped in the past, of the end of empire and the birth of multiculturalism, a chronicle of violence and exclusion but also a testament to community. It is the story that best explains Britain today.