Nine-year-old Estella Garcia dreams of being a movie star when she grows up, but she is nervous about attending her very first sleepover party at the home of the new fourth-grader, Brittany, especially as the theme is "art," which is not really her thing--so she turns to her three best friends, The Worry Warriors, to help her overcome her anxiety.
Nellie is looking forward to the first day of school. But her heart drops when she learns she won't be with her friends, but with her worst enemy--and a teacher who is new to the school.
I Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Imagine if J.D. Salinger had a sense of humour ... this intelligent, off-beat novel is fast-paced, wicked, dark and extremely funny. My publishers are trying to convince me that books are like albums and sell better when they are released posthumously. Seeing the point, I ask if I can at least fake my own death, but it seems that is fundamentally dishonest and they flatly refuse to be involved in any such fraud. So just in case I've croaked by the time you read this (and everyone but me is filthy rich), here is my story: one day I'm trying to get into the pants of the most beautiful girl in the world, Nina Pennington, and the next day I'm in the back of a limo on the road to rock'n'roll superstardom opening up for Bowie. But we hit a bump or two -- a few dead Mafia hitmen here, a nyphomaniac next door there, not to mention a few dying Latin teachers, narcoleptic nuns, inept policemen, unscupulous laywers, buffoon reporters, huckster televangelists and greedy relatives -- and now for some unknown reason a lot of people don't want to talk to me anymore. When sixteen-year-old Ric Thibault's story opens with his mother's attempted suicide note: While I'm dead... feed the dog and h
Angelina Ballerina hosts her first sleepover in this tutu-rrific Level 1 Ready-to-Read that’s perfect for little ones getting ready to stay over at someone else’s house for the first time! Angelina is hosting her very first sleepover for her friends Flora and Felicity! Join the mouselings as they play games, perform a ballet in the garden, make yummy cheddarburgers, and more. This paperback edition comes with two sheets of stickers!
Rose decides to have a sleepover party for her birthday. What she thought was a great idea turns into a nightmare when the two most popular girls in the class declare they won't attend if Rose insists on inviting her best friend, Stacy.
