This volume presents a broad overview of the work of seven of Africa's leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism. The contributors believe that poets, rather than being exiles from their communities, are prophets, seers, and singers and have a place in everyday life. Most of the poems have been published previously. Several, however, are new, and their appearance in this volume along with an introductory essay written by each poet, makes this anthology important, original, and fresh.
An action-packed archaeological adventure from global bestseller Wilbur Smith “You should know of the legend. At a time when the rocks were soft and the air was misty, there was an abomination and an evil in this place which was put down by our ancestors. They placed a death curse upon these hills and commanded that this evil be cleaned from the earth and from the minds of men, forever.” A lost civilisation. A curse reborn. Dr Ben Kazin has only a blurred photograph and a gut instinct that there is a lost city to uncover somewhere beneath the Botswana cliffs. Soon, a whispered curse and a chance encounter with a local tribe lead him to discover much more than city foundations. The curse, it seems, is real, and will link Ben, his oldest friend, and the woman they both love with a forgotten leader from two thousand years ago, in a city of glory and honour that subsequently disappeared without a trace. But what happened to that ancient civilisation? And what is it that connects that lost empire to Ben, and the violent dangers he must face in the present day?
One of the most beloved and defining novels written by the master of adventure and global sensation, Wilbur Smith. 'Left me with a sense of corrosive envy. It is an absolute masterwork, as good a yarn as you'll ever read anywhere' - Conn Iggulden 'A master storyteller' - Sunday Times 'Wilbur Smith is one of those benchmarks against whom others are compared' - The Times 'No one does adventure quite like Smith' - Daily Mirror The discovery of a lifetime comes with a high price . . . For millennia an ancient civilisation has been hidden, deep in the Botswana cliffs. Dr Ben Kazin has only a blurred photograph to prove it, but with the backing of his old friend, Louren Sturvesant, he is determined to uncover the archaeological find of a lifetime. But a whispered curse and a chance encounter with a local tribe lead him to discover much more than city foundations. The curse, it seems, is real, and will link Ben, his oldest friend, and the woman they both love with a forgotten leader from two thousand years ago, in a city of glory and honour that subsequently disappeared without a trace. What happened to that ancient civilisation? And what is it that connects that lost empire to Ben, and the violent dangers he must face in the present day?
Thousands of African men, women, and children worked on European-owned tobacco farms in colonial Zimbabwe from 1890 to 1945. Contrary to some commonly held notions, these people were not mere bystanders as European capitalism penetrated into Zimbabwe, but helped to shape the work and the living conditions they encountered as they entered wage employment. Steven Rubert's fine study draws on a rich variety of sources to illuminate the lives of these workers. The central focus of the study is the organization of workers' compounds, the social relationships there, and the labor of women and children, paid and unpaid. Rubert's findings indicate the beginnings of a moral economy on the tobacco farms prior to 1945.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is a collection of essays and speeches by Mário Pinto de Andrade, the Angolan literary critic, cultural theorist and political activist and one of Africa’s most important 20th century intellectuals. His writings think through the task of intellectual emancipation of colonized people, which he saw as predicated on the necessary project of political decolonization. As anti-colonial movements got underway, Andrade wrote extensively about the urgent necessity for Africans to turn away from European cultural and political models, arguing that communities emerging from colonization should focus on voices from within the designated communities, on self-representation, and on horizontal relationships among Black, African, and decolonizing peoples. Andrade played a key role in theorizing the international reach of the revolutionary 20th century poetry and literature, Black cultural vindication, and African liberation. In his ethical commitment to moving away from focusing solely on the relationship between the colonial occupier and the colonized, he instead promoted ideas and actions that would construct mutual understanding among decolonizing communities. Andrade’s work offers models to rethink race and nation as analytic categories and is particularly relevant not only to scholars of African decolonization movements but to anyone engaged in contemporary conversations about race, belonging, and political community.
Wide-ranging and engaging, Selves in Question considers the various ways in which auto/biographical accounts situate and question the self in contemporary southern Africa.The twenty-seven interviews presented here consider both the ontological status and the representation of the self. They remind us that the self is constantly under construction in webs of interlocution and that its status and representation are always in question. The contributors, therefore, look at ways in which auto/biographical practices contribute to placing, understanding, and troubling the self and selves in postcolonies in the current global constellation. They examine topics such as the contexts conducive to production processes; the contents and forms of auto/biographical accounts; and finally, their impact on the producers and the audience. In doing so they map out a multitude of variables--including the specific historical juncture, geo-political locations, social positions, cultures, languages, generations, and genders--in their relations to auto/biographical practices. Those interviewed include the famous and the hardly known, women and men, writers and performers who communicate in a variety of languages: Afrikaans, English, Xhosa, isiZulu, Sesotho, and Yiddish. An extensive introduction offers a general framework on the contestation of self through auto/biography, a historical overview of auto/biographical representation in South Africa up to the present time, an outline of theoretical and thematic issues at stake in southern Africa auto/biography, and extensive primary and secondary biographies. Interviewees: Breyten Breytenbach, Dennis Brutus, Valentine Cascarino, Vanitha Chetty, Wilfred Cibane, Greig Coetzee, J. M. Coetzee, Paul Faber, David Goldblatt, Stephen Gray, Dorian Haarhoff, Rayda Jacobs, Elsa Joubert, K. Limakatso Kendall, Ester Lee, Doris Lessing, Sindiwe Magona, Margaret McCord, N. Chabani Manganyi, Zolani Mkiva, Jonathan Morgan, Es’kia Mphahlele, Rob Nixon, Mpho Nthunya, Robert Scott, Gillian Slovo, Alex J. Thembela, Pieter-Dirk Uys, Johan van Wyk, Wilhelm Verwoerd, David Wolpe, D. L. P.Yali Manisi.
