Berlin, November 1941. Targeted by enemies and abandoned by allies, agent Ryan Lemmon has a serious problem. His American handler hopes he will fail. The Gestapo has posted his image across the Reich. And the Criminal Police have already picked up his scent. His hands are tied and his options few. Then, from a tram on crowded Alexanderplatz he spots a ghost from his past. Faced with a chance to acquire valuable intelligence, he joins a criminal enterprise rife with danger where his failure could undermine the entire British was effort. A sequel to the Corridor of Darkness trilogy, Echoes of Silence evokes the menace of Nazi Germany at the moment its conquest of Europe appears both imminent and certain.
1930's Berlin--unrestrained, sexually decadent, torn by political and social strife--and dashing reporter Ryan Lemmon haunts the dark underbelly of the city. Then the violent death of a close friend brings the American face-to-face with the growing menace. As Hitler's stranglehold grips the nation, Ryan takes a secret assignment for the State Department, only to become enmeshed in dangerous intrigue when a former flame, now married to a sadistic Gestapo leader, offers stolen intelligence with the potential to save millions of lives, but likely to cost them their own.
The silence surrounding the Holocaust continues to prevent healing - whether of the victims, Nazis, or the generations that followed them. The telling of the stories surrounding the Holocaust - all the stories - is essential if we are to understand what happened, recognize the part of human nature that allows such atrocities to occur, and realize the hope that we can prevent it from happening again. Seeking to shed light on the collective silence surrounding the Holocaust in Germany, the contributors offer compelling accounts, histories, and experiences that illuminate the ways in which contemporary Germans continue to grapple with the consequences of the Holocaust. Denial in the older generations, as well as anger and confusion in the younger ones, comes vividly to the surface in these evocative stories of coping and healing. Told from the vantage points both of therapists and of patients, these stories encompass the psychological plight of all those facing the legacy of genocide - from the daughter of a high-ranking Nazi official to the children of Jewish immigrants, from those raised in the Hitler Youth Movement to those born well after the war.
How is it possible for people who were born in a time of relative peace and prosperity to suddenly discover war as a determining influence on their lives? For decades to speak openly of German suffering during World War II—to claim victimhood in a country that had victimized millions—was unthinkable. But in the past few years, growing numbers of Germans in their 40s and 50s calling themselves Kriegsenkel, or Grandchildren of the War, have begun to explore the fundamental impact of the war on their present lives and mental health. Their parents and grandparents experienced bombardment, death, forced displacement, and the shame of the Nazi war crimes. The Kriegsenkel feel their own psychological struggles—from depression, anxiety disorders, and burnout to broken marriages and career problems—are the direct consequences of unresolved war experiences passed down through their families. Drawing on interviews, participant observation, and a broad range of scholarship, Lina Jakob considers how the Kriegsenkel movement emerged at the nexus between public and familial silences about World War II, and critically discusses how this new collective identity is constructed and addressed within the framework of psychology and Western therapeutic culture.
The spellbinding and revealing chronicle of Nazi-occupied Paris. On June 14, 1940, German tanks entered a silent and nearly deserted Paris. Eight days later, France accepted a humiliating defeat and foreign occupation. Subsequently, an eerie sense of normalcy settled over the City of Light. Many Parisians keenly adapted themselves to the situation-even allied themselves with their Nazi overlords. At the same time, amidst this darkening gloom of German ruthlessness, shortages, and curfews, a resistance arose. Parisians of all stripes -- Jews, immigrants, adolescents, communists, rightists, cultural icons such as Colette, de Beauvoir, Camus and Sartre, as well as police officers, teachers, students, and store owners -- rallied around a little known French military officer, Charles de Gaulle. When Paris Went Dark evokes with stunning precision the detail of daily life in a city under occupation, and the brave people who fought against the darkness. Relying on a range of resources -- memoirs, diaries, letters, archives, interviews, personal histories, flyers and posters, fiction, photographs, film and historical studies -- Rosbottom has forged a groundbreaking book that will forever influence how we understand those dark years in the City of Light.
This book introduces the importance of echoism as a clinical entity and a theoretical concept. In Ovid's version of the myth of Echo and Narcissus, the character Echo receives equal attention to her counterpart, Narcissus, yet she has been completely marginalised in the pervasive literatures on narcissism. The author draws upon her work with patients who have experienced relationships with narcissistic partners or parents, and have developed a particular configuration of object relations and ways of relating for which she uses the term echoism. She uses psychoanalytic theory and existential philosophical ideas to underpin her formulations and inform her clinical thinking. Donnna Savery explores the question 'Am I an Echoist?' and introduces the concept of Echoism in the following YouTube video: https://www.youtube.com/watch?v=EEyjolXL7lA
In this profound and disturbing exploration of the nature of guilt and vengeance and the power of evil, Israeli Nazi-hunters, 30 years after the end of World War II, find a silent old man deep in the Amazon jungle who turns out to be Adolf Hitler.
NAZI GERMANY - AUTUMN 1941 Europe lies in chains at Hitler's feet as midnight approaches in the dark heart of the Reich. Leaving his friends to fight the Nazis in Occupied France, Ryan Lemmon returns to Berlin. Deep in this ominous city of shadows, the American agent conspires with a powerful German spymaster to subvert Hitler's state. His personal goal: save the life of a loving friend. But threading his way through the menacing streets with a target on his back, Ryan suspects he may have to buy her release with his own death. Fulcrum of Malice is the final volume in the Corridor of Darkness trilogy. Praise for Corridor of Darkness: ..".an intriguing early WWII spy yarn set in a well-researched, authentic Germany." - Kirkus Reviews ..".A grand adventure set in Germany's darkest hours." - Compulsion Reads Praise for Beacon of Vengeance: "A resounding five stars...seamlessly melds his fictional characters with the events and real characters of the era." - Awesome Indies Reviews Corridor of Darkness, A Novel of Nazi Germany has received the AIA Gold Seal of Excellence, the B.R.A.G. Medallion, and a bronze medal in the international 2014 Independent Publisher Book Awards.
Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.
‘An immense work of love and anger, a book Bram Presser was born to write.’ Joan London They chose not to speak and now they are gone...What’s left to fill the silence is no longer theirs. This is my story, woven from the threads of rumour and legend. Jakub Rand flees his village for Prague, only to find himself trapped by the Nazi occupation. Deported to the Theresienstadt concentration camp, he is forced to sort through Jewish books for a so-called Museum of the Extinct Race. Hidden among the rare texts is a tattered prayer book, hollow inside, containing a small pile of dirt. Back in the city, Františka Roubíčková picks over the embers of her failed marriage, despairing of her conversion to Judaism. When the Nazis summon her two eldest daughters for transport, she must sacrifice everything to save the girls from certain death. Decades later, Bram Presser embarks on a quest to find the truth behind the stories his family built around these remarkable survivors. The Book of Dirt is a completely original novel about love, family secrets, and Jewish myths. And it is a heart-warming story about a grandson’s devotion to the power of storytelling and his family’s legacy. Bram Presser was born in Melbourne in 1976. His stories have appeared in Best Australian Stories, Award Winning Australian Writing, The Sleepers Almanac and Higher Arc. His 2017 debut novel, The Book of Dirt, won the 2018 Goldberg Prize for Debut Fiction in the US National Jewish Book Awards, the 2018 Voss Literary Prize and three awards in the 2018 NSW Premier’s Literary Awards: the Christina Stead Prize for Fiction, the UTS Glenda Adams Award for New Writing and The People’s Choice Award. ‘The lyrical, impassioned and culturally rich prose of The Book of Dirt, and its moral force, bears echoes of such great Jewish writers as Franz Kafka (Presser inherited his grandfather’s copy of The Trial), Elie Wiesel, Primo Levi, Isaac Bashevis Singer and Cynthia Ozick...It is a major book, and one for the times: while I was reading it, neo-Nazis in America brought fatal violence to Charlottesville, and, in Melbourne, neo-Nazis placed posters in schools calling for the killing of Jews to be legalised...The Book of Dirt is a courageous work, as necessary for us to read as it was for Presser to write.’ Saturday Paper ‘A beautiful literary mind.’ A.S. Patrić ‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’ Mireille Juchau ‘The Book of Dirt is a grandson’s tender act of devotion, the product of a quest to rescue family voices from the silence, to bear witness, drawing on legend, journey and history, and shaped by extraordinary storytelling.’ Arnold Zable ‘A remarkable tale of Holocaust survival, love and genealogical sleuthing...A beautiful tale that will stay with the reader long after the book’s end.’ Books+Publishing ‘It’s hard not to be captured from the opening epigraph...[A] magnificent ode to all that is lost.’ Longin to Be ‘It is difficult to convey the breadth and nuance of this extraordinary work. It is a book about how history is made—and about who is allowed the privilege to remake it. There are echoes here of Sebald’s biting honesty and Chabon’s long and rewarding vignettes. An absolute pleasure to read.’ Readings ‘As in Sebald’s prose narratives, Presser’s novel inhabits and the dynamic region between fiction and non-fiction.’ Australian Book Review ‘An impressive and captivating story of remembrance, a journey into the past for the sake of deciphering our present.’ Dasa Drndic ‘In The Book of Dirt the fractured lines of memory create a gripping story of survival and love.’ Leah Kaminsky ‘I found Bram Presser’s The Book of Dirt impossible to forget. Penetrating, soulful, and surprisingly welcoming, it reminded me of my own ancestors and how easy it is to sidestep the past.’ Barry Scott, Australian Book Review, 2017 Publisher Picks ‘Presser blurs the boundaries of fact and fiction in a compelling way...A wonderful and original book, told in rich, lyrically beautiful prose that is laden with history and cultural meaning.’ Good Reading ‘A combination of homage, mystery, family history and a sepia-toned love story...The Book of Dirt is magnificent.’ ANZ LitLovers ‘A heartfelt and original attempt to bridge the ever-growing gaps between history, memory and silence...Its heart beats so earnestly, and so loud...What Presser has produced is a meditation on the ethics of storytelling, of the duties we owe to the people whose stories we tell, and to the people whose stories we don’t.’ Australian ‘Always surprising and beautifully complex, and both deft and sensitive in its handling of its intertwined narratives and materials. It is an incredibly affecting book, one that lingers long after reading—and a remarkably assured debut.’ Age ‘A gripping tale of survival and an absorbing novelisation of his family’s extraordinary lives...Presser fills in the gaps in his grandfather’s story with vivid character studies; together with poignant black and white snapshots, he brings them evocatively to life. His poetic narrative is a perfect foil for the silences of his forbears.’ Toowoomba Chronicle ‘The Book of Dirt is both a loving, honest portrayal of lives that would have been erased, and an incorporation of the broader lessons of their experience into contemporary mythology. It keeps the discussion about trauma, memory, and intergenerational acts of transfer alive for those generations that follow, that risk forgetting. It is a potent achievement for a debut novel.’ Sydney Review of Books
