British traders and Ojibwe hunters. Cree women and their metis daughters. Explorers and anthropologists and Aboriginal guides and informants. These people, their relationships, and their complex identities were not featured in histories until the 1970s, when scholars from multiple disciplines brought new perspectives and approaches to bear on the past. Gathering Places presents some of the most innovative and interdisciplinary approaches to metis, fur trade, and First Nations history being practised today. Whether they are discussing dietary practices on the Plateau, the meanings of totemic signatures, or issues of representation in public history, the authors present novel explorations of evidence that extend beyond earlier histories centred on the archive. By drawing on archaeological, material, oral, and ethnographic evidence and by exploring personal approaches to history and scholarship, these essays mark a significant departure from the old paradigm of history writing and will serve as models for recovering Aboriginal and cross-cultural experiences and perspectives.
Cary Miller's Ogimaag: Anishinaabeg Leadership, 17601845 reexamines Ojibwe leadership practices and processes in the late eighteenth and early nineteenth centuries. At the end of the nineteenth century, anthropologists who had studied Ojibwe leadership practices developed theories about human societies and cultures derived from the perceived Ojibwe model. Scholars believed that the Ojibwes typified an anthropological "type" of Native society, one characterized by weak social structures and political institutions. Miller counters those assumptions by looking at the historical record and examining how leadership was distributed and enacted long before scholars arrived on the scene. Miller uses research produced by Ojibwes themselves, American and British officials, and individuals who dealt with the Ojibwes, both in official and unofficial capacities. By examining the hereditary position of leaders who served as civil authorities over land and resources and handled relations with outsiders, the warriors, and the respected religious leaders of the Midewiwin society, Miller provides an important new perspective on Ojibwe history.
A volume of four plays for solo performance: THE END OF THE GOLDEN WEATHER/ TO RUSSIA, WITH LOVE/ NOT CHRISTMAS, BUT GUY FAWKES/ COURTING BLACKBIRD. Of his five solo pieces, only Le silence de la mer is not included here.