Musical Authorship from Schütz to Bach

Musical Authorship from Schütz to Bach

Author: Stephen Rose

Publisher: Cambridge University Press

Published: 2019-05-30

Total Pages: 261

ISBN-13: 1108421075

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Explores the meanings of the term 'author' for seventeenth-century German musicians, examining how compositions were made and used.


The Early Music Revival

The Early Music Revival

Author: Harry Haskell

Publisher: Courier Corporation

Published: 1996-01-01

Total Pages: 242

ISBN-13: 9780486291628

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First comprehensive historical study, going back to 18th century. Influence of Schola Cantorum; instrument builders; performers such as Wanda Landowska, Alfred Deller, others. Includes 46 illustrations. "Well informed" -- Christopher Hogwood.


A Treasury of Early Music

A Treasury of Early Music

Author: Carl Parrish

Publisher: Courier Corporation

Published: 2012-12-06

Total Pages: 354

ISBN-13: 0486171450

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Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.


The Requiem of Tomás Luis de Victoria (1603)

The Requiem of Tomás Luis de Victoria (1603)

Author: Owen Rees

Publisher: Cambridge University Press

Published: 2019-03-28

Total Pages: 277

ISBN-13: 1107054427

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The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.


The Cambridge History of Fifteenth-Century Music

The Cambridge History of Fifteenth-Century Music

Author: Anna Maria Busse Berger

Publisher: Cambridge University Press

Published: 2015-07-16

Total Pages: 1058

ISBN-13: 1316298299

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Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.


The Cambridge History of Sixteenth-Century Music

The Cambridge History of Sixteenth-Century Music

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2019-01-24

Total Pages: 732

ISBN-13: 1108671276

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Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.


Early Music History

Early Music History

Author: Iain Fenlon

Publisher: Cambridge University Press

Published: 2009-03-19

Total Pages: 274

ISBN-13: 9780521746540

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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seven include: Music, ritual and patronage at the Church of Our Lady, Antwerp; Instrumental music in urban centres of Renaissance Germany; and the fourth-century origin of the gradual.


The Cambridge History of Medieval Music

The Cambridge History of Medieval Music

Author: Mark Everist

Publisher: Cambridge University Press

Published: 2018-08-09

Total Pages:

ISBN-13: 1108577075

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.