This magnificent design treasury reproduces over 400 historic designs that embellish objects, manuscripts, monuments and buildings created in Britain from the 5th to the 14th centuries. Ranging from simple to sophisticated, the designs have been meticulously translated into highly decorative copyright-free line drawings by illustrator Eva Wilson. Artists and craftspeople will find this book a fertile source of design inspiration from a decorative-arts tradition of dazzling virtuosity, reflecting the rich intermingling of Roman, Anglo-Saxon, Celtic, Germanic, Viking and other early aesthetic influences. Drawn chiefly from artifacts in the collections of various British museums and libraries, the selection includes: A gold buckle from the royal burial site at Sutton Hoo in Suffolk, Spiral scroll patterns from the Lindisfarne Gospels, Decorated letters from 7th-century manuscripts, Borders from the Book of Durrow, Designs from stone sculpture of the Viking Age, Embroidered designs from the Bayeux Tapestry, Chessmen from the Isle of Lewis, 13th- and 14th-century patterned floor tiles, ... and much more. This important, extensively researched sourcebook explores the historical background of the designs, and presents the patterns and motifs arranged thematically, demonstrating in detail how similar elements combine to produce a design as intricate as a decorated initial or as simple as a filled square or ornamental border. Here, then, is a comprehensive treasury of authentic, ready-to-use motifs that will lend medieval flair and flavor to almost any art or crafts project.
Beautifully rendered from book illustrations, pottery, metalwork, carvings, and other sources, these 280 black-and-white designs include geometrics, florals, and animal and human figures in circular, hexagonal, rectangular, and other shapes.
Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
The decorative arts of the Middle Ages — richly ornate, filled with religious and mythic symbolism — were especially remarkable for the complexities of their design and their inspired craftsmanship. This fascinating volume presents nearly 1,000 illustrations of medieval ornament, consisting mostly of architectural elements from German Romanesque and Gothic churches and other buildings. Originally compiled by the German architect, painter, and engraver Karl Alexander von Heldeloff (1788–1865) as a source of study and inspiration for practicing artists and architects, this grand pictorial archive has been exactingly reproduced from a rare original edition, complete with new English translations of the German captions. The book is filled with precisely detailed engravings of doors, windows, decorative stonework, columns, pedestals, and more. It remains a richly varied resource of authentic images of medieval ornament, ideal for students of architecture and the decorative arts and essential for graphic artists and designers in search of royalty-free illustrations.