Early Lithographed Books
Early Lithographed Books

Author: Michael Twyman

Publisher: London : Farrand Press & Private Libraries Association ; Williamsburg, Va. : Distributed in the Western Hemisphere by the Book Press

Published: 1990

Total Pages: 380

ISBN-13:

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In the last few decades lithography has become the major book production process, but its versatility and potential for short-run, do it yourself publishing were first exploited early in the 19th century. The arrival of desk top publishing has stimulated an interest in this once neglected, but now very relevant, area of printing history, and Twyman's meticulous research presents the reader with a minute account of the subject. He describes the design and production of a wide range of publications, from a broad variety of sources, for whom lithography promised a flexibility unobtainable from letterpress. However, some of his most interesting accounts and demonstrations are of hopes disappointed and a return to letterpress.

The Music Trade in Georgian England
The Music Trade in Georgian England

Author: Michael Kassler

Publisher: Routledge

Published: 2017-07-05

Total Pages: 309

ISBN-13: 1351542168

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In contrast to today's music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm's two successors - Broderip & Wilkinson and Muzio Clementi's variously styled partnerships - who carried on after Longman & Broderip's assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler's endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

Sounds of the Metropolis
Sounds of the Metropolis

Author: Derek B. Scott

Publisher: Oxford University Press

Published: 2008-07-31

Total Pages: 320

ISBN-13: 0190294892

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The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.

Encyclopedia of Ephemera
Encyclopedia of Ephemera

Author: Michael Twyman

Publisher: Routledge

Published: 2018-10-24

Total Pages: 431

ISBN-13: 1136787798

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The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth certificates to lighthouse dues papers. Continuing a tradition that started in the Victorian era, when disposable paper items such as trade cards, die-cuts and greeting cards were accumulated to paste into scrap books, expert Maurice Rickards has compiled an enormous range of paper collectibles from the obscure to the commonplace. His artifacts come from around the world and include such throw-away items as cigarette packs and crate labels as well as the ubiquitous faxes, parking tickets, and phone cards of daily life. As this major new reference shows, simple slips of paper can speak volumes about status, taste, customs, and taboos, revealing the very roots of popular culture.

A.F.C. Kollmann's Quarterly Musical Register (1812)
A.F.C. Kollmann's Quarterly Musical Register (1812)

Author: Michael Kassler

Publisher: Ashgate Publishing, Ltd.

Published: 2008

Total Pages: 522

ISBN-13: 9780754660644

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A.F.C. Kollmann (1756-1829) was born in Germany and moved to London in 1782, where he was organist and schoolmaster of His Majesty's German Chapel. He was one of the most profound music theorists of his time, and a pioneer in introducing Bach's music to England. His most extensive effort to inform the public about developments in the whole field of music was The Quarterly Musical Register--the first number of which is dated 1 January 1812. The journal folded after its second number. Only eight copies of the first number and six of the second appear to be extant. This book reproduces in facsimile both numbers, and presents new information about Kollmann's life and works.

Handbook of Early American Sheet Music, 1768-1889
Handbook of Early American Sheet Music, 1768-1889

Author: Harry Dichter

Publisher:

Published: 1977

Total Pages: 394

ISBN-13:

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Following a rough chronological order, the authors list hundreds of first editions in such collectors' categories as "Music of the American Revolution," "War with Tripoli," "Early Indian Items," "Early Negro Songs," "Lafayette," "Ship Items," "Tobacco Items," "Temperance Items," "Railroad Items," "Early Cali-fornia Imprints," "College Songs," "Baseball Items," "Early Comic Songs," "Famous Songs," "Portraits on Music," and dozens of other classifications. There are also separate bibliographic sections on such important songs as "The Star Spangled Banner," "Yankee Doodle," "Home Sweet Home," etc. For each song the authors give composer, lyricist, publisher, place and year of publication, musical arrangement, a full description of the actual sheet music (dedication, number of pages, engraver, price, plate mark, extra verses, peculiarities, etc.), description of illustration and type of song. Part Two is a directory of every known early American music publisher.