Early Irish Cinema

Early Irish Cinema

Author: Denis Condon

Publisher:

Published: 2008

Total Pages: 0

ISBN-13: 9780716529729

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This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, it provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-) visual form.


Irish Cinema in the Twenty-First Century

Irish Cinema in the Twenty-First Century

Author: Ruth Barton

Publisher:

Published: 2019-03-25

Total Pages: 248

ISBN-13: 9781526124449

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This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.


Emerald Illusions

Emerald Illusions

Author: Gary Don Rhodes

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780716531432

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This title provides a history of pre-cinema and the Irish in America and features over 100 previously unseen photographs. The book provides an account of the audiences for Irish-themed films as well as a history of the Irish-themed film production in America during the early cinema period.


Historical Dictionary of Irish Cinema

Historical Dictionary of Irish Cinema

Author: Roderick Flynn

Publisher: Scarecrow Press

Published: 2007-07-30

Total Pages: 435

ISBN-13: 0810864355

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In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.


A Companion to British and Irish Cinema

A Companion to British and Irish Cinema

Author: John Hill

Publisher: John Wiley & Sons

Published: 2019-07-18

Total Pages: 605

ISBN-13: 1118477510

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A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.


Men and Masculinities in Irish Cinema

Men and Masculinities in Irish Cinema

Author: D. Ging

Publisher: Springer

Published: 2012-12-03

Total Pages: 239

ISBN-13: 1137291931

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Spanning a broad trajectory, from the New Gaelic Man of post-independence Ireland to the slick urban gangsters of contemporary productions, this study traces a significant shift from idealistic images of Irish manhood to a much more diverse and gender-politically ambiguous range of male identities on the Irish screen.


The Last Bohemian

The Last Bohemian

Author: Lance Pettitt

Publisher: Syracuse University Press

Published: 2023-06-12

Total Pages: 360

ISBN-13: 0815655304

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The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.


Irish Film Censorship

Irish Film Censorship

Author: Kevin Rockett

Publisher: Four Courts Press

Published: 2004

Total Pages: 552

ISBN-13:

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This book maps the history of Irish film censorship from its origins in the 1910s, through to the all-encompassing Censorship of Films Act 1923, the more liberal implementation of screening policies from the late 1960s onwards, and present-day concerns about media proliferation and distribution. Its main focus is on the 1920-70 period, when Irish film censors banned 3,000 films and cut an additional 10,000. The role of political censorship and its effect on television and cinema is examined, as are the more contemporary issues of video classification and debates around the internet and child pornography. Through the examination of over 18,000 of the censors decisions, Kevin Rockett provides an invaluable insight into the cultural geography of Ireland. - Choice Outstanding Academic Title 2005


Irish Stereotype in American Cinema

Irish Stereotype in American Cinema

Author: Piotr Szczypa

Publisher: BRILL

Published: 2021-08-04

Total Pages: 285

ISBN-13: 9004467971

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From Levi and Cohen, Irish Comedians (1903) to The Irishman (2019), this book is a fascinating journey through the history of representations of the Irish in American cinema.


Irish cinema in the twenty-first century

Irish cinema in the twenty-first century

Author: Ruth Barton

Publisher: Manchester University Press

Published: 2019-03-25

Total Pages: 286

ISBN-13: 1526124459

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An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.