It’s Halloween 1793 and a teenaged prostitute is found murdered, her body horribly mutilated. A new type of killer is stalking the muddy streets of Leeds and the authorities are perplexed. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Helvetica; color: #515151; -webkit-text-stroke: #515151} span.s1 {font-kerning: none} Worried about the loss of trade, the town corporation hires John Eagle to investigate. But other murders soon follow, each preceded by a cryptic note. The killer is clever and resourceful, challenging John to find him and break the chain of deaths. A battle of wits ensues in this captivating dark tale, in which the stakes for the young attorney have never been higher.
The surprising true story of Mexico’s hunt, arrest, and conviction of its first female serial killer For three years, amid widespread public outrage, police in Mexico City struggled to uncover the identity of the killer responsible for the ghastly deaths of forty elderly women, many of whom had been strangled in their homes with a stethoscope by someone posing as a government nurse. When Juana Barraza Samperio, a female professional wrestler known as la Dama del Silencio (the Lady of Silence), was arrested—and eventually sentenced to 759 years in prison—for her crimes as the Mataviejitas (the little old lady killer), her case disrupted traditional narratives about gender, criminality, and victimhood in the popular and criminological imagination. Marshaling ten years of research, and one of the only interviews that Juana Barraza Samperio has given while in prison, Susana Vargas Cervantes deconstructs this uniquely provocative story. She focuses, in particular, on the complex, gendered aspects of the case, asking: Who is a killer? Barraza—with her “manly” features and strength, her career as a masked wrestler in lucha libre, and her violent crimes—is presented, here, as a study in gender deviance, a disruption of what scholars call mexicanidad, or the masculine notion of what it means to be Mexican. Cervantes also challenges our conception of victimhood—specifically, who “counts” as a victim. The Little Old Lady Killer presents a fascinating analysis of what serial killing—often considered “killing for the pleasure of killing”—represents to us.
Blake Hansford, second son of the Duke of Warwick is widely known as one of London’s notoriously popular rakes. Unbeknownst to the family, however, save the duke himself, his son Blake—code name Eagle—is actually a secret agent for the Home Office, and a liaison with the Bow Street Runners. When a family friend is found to have committed suicide, the Duke is suspicious and enlists Blake’s help in investigating what transpired. Blake quickly recognizes there are too many inconsistencies surrounding his manner of death and concludes the suicide was staged to cover up something far more sinister. Emily Johnston, still reeling from the shock and despair of her father’s suicide, is convinced he must have left some type of farewell letter to her with a reason for his bewildering actions. She decides it must be hidden in his desk in the secret compartment they frequently used when she was a child to share lighthearted confidences. When Emily slips back into the house to search for what she hopes is a message from her father, she is stunned to find the desk has vanished and she is not the only one with an interest in its whereabouts as she interrupts Blake along with a band of thieves all intent on finding the missing fixture...and what may be inside it. Blake’s confrontation with the thugs convinces him that he is dealing with someone prepared to destroy anybody standing in his way and knows he must do whatever he can to keep Emily safe from harm. But how does an apparent happy-go-lucky womanizer justify his actions while executing an investigation into an obvious murder without revealing his true purpose? Blake has no other choice but to enlist Emily’s help. Together they search for answers only to find themselves scrambling one step behind a cunning individual clearly willing to do anything, even kill, to keep his secret hidden.
THE EAGLES EYE by COURTNEY RYLEY COOPER is a thrilling adventure novel filled with intrigue and suspense. Following the trail of a secret society, the protagonist must navigate danger and deception to uncover the truth.
A dizzying tale of lust, mystery, and murder—from a beloved Japanese crime fiction author and LGBT icon The Lady Killer leads a double life in Tokyo's shadowy underworld. By day, he is a devoted husband and hard worker; by night, he cruises cabaret bars and nightclubs in search of lonely single women to seduce. But now the hunter is being hunted, and in his wake lies a trail of gruesome murders. Who is the culprit? The answer lies tangled in a web of clues—and to find it, he must accept that nothing is what it seems. The Lady Killer pulls from author Masako Togawa’s vibrant personal life as a cabaret performer for Tokyo’s gay nightclub scene during the ‘50s and ‘60s. Throughout her writing career, Togawa continued to champion the LGBT community as a queer woman—sealing her reputation as one of Japan’s most prominent crime fiction authors and LGBT heroines.
Through the mists of Alaska's rain forest, totem poles have stood watch for untold generations. Imbued with mystery to outsider eyes, the fierce, carved symbols silently spoke of territories, legends, memorials, and paid debts. Today many of these cultural icons are preserved for the public to enjoy in heritage parks and historical centers through southeast Alaska. And, after nearly a century of repression, totem carving among Alaska's Tlingit, Haida, Tsimshian peoples is flourishing again. In this newly revised edition of Alaska's Totem Poles, readers learn about the history and use of totems, clan crests, symbolism, and much more. A special section describes where to go to view totems. Author Pat Kramer traveled throughout the homelands of the Totem People—along Alaska's Panhandle, the coast of British Columbia, and into the Northwest—meeting the people, learning their stores, and researching and photographing totem poles. Foreword writer David A. Boxley also offers the unique perspective of a Native Alaskan carver who has been a leader in the renaissance. This is a handy guide for travelers in Southeast Alaska who want to learn more about Alaska's totems. There's even a guide of where to view totems in the state. Ravens, killer whales (Orca) and bears... they're all represented in the totem.
NEW YORK TIMES BEST SELLER • #1 INTERNATIONAL BEST SELLER • Lisbeth Salander returns, in a trailblazing new installment to the best-selling Girl with the Dragon Tattoo series • Also known as the Millennium series “Lisbeth Salander is back—and maybe better than ever. Karin Smirnoff’s take is both respectful of the past and ready for the future—altogether remarkable.” —Lee Child, author of No Plan B “An absolutely brilliant continuation of the series: exciting plot, plenty of action, and a sensitive portrayal of complicated relationships—where the new character Svala is one of the highlights.” —Femina Change is coming to Sweden’s far north: its untapped natural resources are sparking a gold rush, with the criminal underworld leading the charge. But it’s not the prospect of riches that brings Lisbeth Salander to the small town of Gasskas. She has been named guardian to her niece Svala, whose mother has disappeared. Two things soon become clear: Svala is a remarkably gifted teenager—and she’s being watched. Mikael Blomkvist is also heading north. He has seen better days. Millennium magazine is in its final print issue, and relations with his daughter are strained. Worse still, there are troubling rumors surrounding the man she’s about to marry. When the truth behind the whispers explodes into violence, Salander emerges as Blomkvist’s last hope. A pulse-pounding thriller, The Girl in the Eagle’s Talons sees Salander and Blomkvist navigating a world of conspiracy and betrayal, old enemies and new friends, ice-bound wilderness and the global corporations that threaten to tear it apart.
