This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
This innovative book looks beyond the traditional history of European expansion—which highlights European conquests, empire building, and hegemony—in order to explore the more human and realistic dimensions of European experiences abroad. David Ringrose argues that Early Modern Europe was relatively poor and that its industrial and military technology, while distinctive in some ways, was not obviously superior to that of Africa or Asia. As a result, the interaction between Europeans abroad and the peoples they met was vastly different from the relationship created by the economic and military imperialism of the post-1750 Industrial Revolution. Instead, the author depicts it as a process of cultural interaction, collaboration, and assimilation, masked by narratives of European conquest or assertion of control. Ringrose convincingly shows that Europeans who went abroad before 1700 engaged in an exchange of cross-cultural contact and has framed the process in its own time rather than as the precursor of what came later. Then, as now, historical actors knew nothing of the unexpected consequences of their actions.
Heda's Banquet Piece, Frans Hals' Willem Coymans, and Rembrandt's Lucretia. Paintings by these and other masters attracted the American collectors P. A. B. Widener, his son Joseph, and Andrew W. Mellon, whose bequests form the heart of the National Gallery's distinguished and remarkably cohesive collection of ninety-one Dutch paintings.
De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.
If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!