A new translation of the best and most provocative work by France's infamous rebel poet, in a bilingual edition Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti offers authoritative and inspired new versions of Rimbaud’s major poems and letters, including generous selection of Illuminations and the entirety of his lacerating confession A Season in Hell—capturing as never before not only the meaning but also the daredevil attitudes and incantatory rhythms that make Rimbaud’s works among the most perpetually modern of his or any other generation.
Revolutionary Romanticism draws on almost two centuries of intertwined traditions of cultural and political subversion. In this rich collection of writings by artists, scholars, and revolutionaries, the transgressions of the past are recaptured and transvalued for the benefit of the struggles of today and tomorrow. Along the way, new light is shed on the radical sensibilities of Novalis, Friedrich Holderlin, and Friedrich Schlegel while the poetics of Percy Bysshe Shelley, John Keats, Lord Byron, and William Blake are revealed to be profoundly oppositional to the reigning culture. The social romanticism of Jules Michelet, the nineteenth-century historian of the French Revolution, is acclaimed for its visionary, quasi-religious breadth. The Paris Commune is figured by the arch-Romantics Karl Marx, Jules Valles, and Arthur Rimbaud. The all-but-forgotten Bavarian Council Republic of 1919 is recalled, a milieu steeped in Expressionism and anarchism, the matrix out of which B. Traven, author of The Treasure of the Sierra Madre, emerged-by the skin of his teeth. The romantic outlook of Walter Benjamin and Herbert Marcuse, both strongly influenced by Surrealism ("the prehensile tail of Romanticism") is relocated in their absolute negation of the social order. And, at the end of the twentieth century, there's Guy Debord and the Situationist International, the passionate detournement of the Romantic project. Max Blechman writes, "When today aesthetic life is increasingly defined by advertising and corporate culture, and democracy has more to do with the power of private interests than the power of the public imagination, the romantic insistence on the liberatory dimension of aesthetics and on radical democracy may yet prove crucial to contemporary efforts to envision a new political freedom." Revolutionary Romanticism includes Blechman's investigation of the German idealist roots of European Romanticism, Annie Le Brun on the possibility of "romantic women," Peter Marshall on William Blake, Maurice Hindle on the political language of the early English Romantics, Arthur Mitzman on Jules Michelet, Christopher Winks on the Paris Commune, Miguel Abensour on William Morris, Peter Lamborn Wilson on the 1919 Bavarian Workers Council, Michael Lowy on Walter Benjamin and Herbert Marcuse, Marie-Dominque Massoni on Surrealism, and Daniel Blanchard on his youthful friendship with Guy Debord.
"The cahier comprises an introductory preface by Alan Jenkins, and his new translation of "Le Bateau Ivre" by Arthur Rimbaud (reproduced in French original with translation facing), along with two poems of his own which take their bearings from Rimbaud's as well as from images by the painter William Pownall. Two of Pownall's works are reproduced, as well as one drawing by Rimbaud and two by Paul Verlaine."
As I floated downstream on indifferent Rivers, I sensed that my tuggers had all disappeared: Yelling Redskins had shot one by one from their quivers, and nailed them to colorful stakes, I feared.
Arthur Rimbaud-- poet, rebel and revolutionary, explorer and gunrunner. The Drunken Boat tells the story of his tumultuous life, from a small bourgeois town in northern France, to Paris and life-changing encounter with Paul Verlaine, to the wild deserts of northern Africa.
A new translation of the best and most provocative work by France's infamous rebel poet. Poet, prodigy, precursor, punk: the short, precocious, uncompromisingly rebellious career of the poet Arthur Rimbaud is one of the legends of modern literature. By the time he was twenty, Rimbaud had written a series of poems that are not only masterpieces in themselves but that forever transformed the idea of what poetry is. Without him, surrealism is inconceivable, and his influence is palpable in artists as diverse as Henry Miller, John Ashbery, Bob Dylan, and Patti Smith. In this essential volume, renowned translator Mark Polizzotti offers authoritative and inspired new versions of Rimbaud’s major poems and letters, including generous selection of Illuminations and the entirety of his lacerating confession A Season in Hell—capturing as never before not only the meaning but also the daredevil attitudes and incantatory rhythms that make Rimbaud’s works among the most perpetually modern of his or any other generation.
What would you do if your ex got abducted?Remember, they're an ex for a reason. So let's assume you hate them from the depths of your soul. Line up the tequila shots, right? Not your problem? Now stay with me for a second. What if you were the ONLY person who could save their life? Then would you save them? We are talking about another human being's life, after all. Now, imagine you have seven million dollars in your bank account. Sweet, right? It's seven million dollars or your ex's life. This is a judgment-free zone. Be honest. You'd keep the seven million dollars. Am I right? Yeah, me too. So, I'm Drunk. I hate my ex. And I have seven million dollars in my bank account. You do the math. My buddy Al and I are back once again for another Caribbean flavored misadventure. There's more action, more adventure, more profanity, and more ass-kicking. Rated R for language, crude humor, and sexual innuendos. Rated A+ for entertainment value. **Word to the wise...while this story can stand on its own two feet, it'll make more sense if you start with my first story, Drunk on a Plane.
