The road trip from hell continues, Bobby Ray and Dahlia cause enough mayhem to reach the ears of Heaven itself! A certain archangel wants his trumpet back, and he doesn't care if he has to turn a hundred hellbound cars into scrap to get it! But what about that car? Does it really deserve an eternity chauffeuring demons across Earth? Or is there another road out of this mess, with Bobby Ray at the wheel?
Wanting desperately to be behind the wheel, Luke Fulmer counts down the days to his sixteenth birthday, when he can finally get his license. Unfortunately, the first thing he does with it is "borrow" his neighbor's car. When he is pulled over and found in possession of an air pistol, a ski mask, a stolen TV, and a bag of pot, the unforgiving local magistrate takes scissors to his license and vows to lock him up if he ever stands in front of her again. So with an absent father and a mother descending into alcoholism, he moves in with his older brother, Nick, an easygoing ex-con who wants to steer Luke onto the straight and narrow. In the summer that follows, Luke contends with a kleptomaniac girlfriend, a duffel bag full of cocaine, and the realization that he must save his family from themselves, even as he plots to beat a path out of town. In his hilarious, unforgettable debut -- with everything from stock car racing to drug dealing -- Dallas Hudgens brilliantly evokes Southern culture in a tale that is raucous and wrenching, funny and wise.
Bobby Ray and Dahlia planned the perfect bank heist, and even stole the perfect getaway car. There’s just one little problem – it belongs to the devil himself, and he wants it back. Bad. When the job goes wrong, Bobby Ray and Dahlia find themselves embroiled in a high-octane chase across the highways, on the run from demonic cops, satanic bikers, and psychotic religious freaks, all of them after the car, and the mysterious artifact in its trunk. With all the forces of evil on their trail, there’s only one thing Bobby Ray and Dahlia can do—Drive Like Hell. Collecting Drive Like Hell #1–#4, with all series covers and a sketchbook section!
Second in the all-new trilogy from the New York Times bestselling author of Gorgeous as Sin If his mistress is missing, then who's the woman in the baron's bed? When Baron Lenox's assignation with his mistress goes awry, he finds himself in bed with the wrong lady. The potential scandal leaves him with one option: marry the innocent mystery woman. But Isolde Perceval has no intention of marrying Lenox. In fact, she orchestrated the compromising situation herself-for reasons that are unpredictable, riotously romantic, and sexy as hell.
Al-'Arabiyya is the annual journal of the American Association of Teachers of Arabic and serves scholars in the United States and abroad. Al-'Arabiyya includes scholarly articles and reviews that advance the study, research, and teaching of Arabic language, linguistics, literature, and pedagogy.
Alina Sherwin has had to fight for every victory in her life. Raised in Poland, she moves to Australia with her family as a young girl. There, in the early 1970s, she becomes the first woman in her state to graduate with an engineering degree and quickly finds that her new industry won't employ her. Undaunted by rejection from the Australian scientific community and encouraged by her new American husband, Wayne, Alina decides to move again, in hopes of finding what she desires in his homeland. To her distress, Wayne's unconditional love is marred by his desire for an open marriage. She is shocked and intrigued. Convinced that Wayne would make a great father, she resolves to have a baby with him, as long as his yearning is limited to words. On a return visit to Poland, Alina regains confidence in her abilities and finds peace in leaving her childhood behind. The American society that spawned a secular constitution and a vibrant feminist movement, promises to be an inspiring new home. Alina is ready to seek fulfillment once again.
“This is a fresh take on the American road story, filled with people and ideas we rarely get to see onstage…It offers two seriously rich roles for women, each with important things worth singing about…Miss You Like Hell is a powerful example of what musicals do best: explore the unprotected border where individual needs and social issues intermix.” —Jesse Green, New York Times A troubled teenager and her estranged mother—an undocumented Mexican immigrant on the verge of deportation—embark on a road trip and strive to mend their frayed relationship along the way. Combined with the musical talent of Erin McKeown, Hudes artfully crafts a story of the barriers and the bonds of family, while also addressing the complexities of immigration in today’s America.
By the early 1960s, the Ford Motor Company, built to bring automobile transportation to the masses, was falling behind. Young Henry Ford II, who had taken the reins of his grandfather's company with little business experience to speak of, knew he had to do something to shake things up. Baby boomers were taking to the road in droves, looking for speed not safety, style not comfort. Meanwhile, Enzo Ferrari, whose cars epitomized style, lorded it over the European racing scene. He crafted beautiful sports cars, "science fiction on wheels," but was also called "the Assassin" because so many drivers perished while racing them.Go Like Helltells the remarkable story of how Henry Ford II, with the help of a young visionary named Lee Iacocca and a former racing champion turned engineer, Carroll Shelby, concocted a scheme to reinvent the Ford company. They would enter the high-stakes world of European car racing, where an adventurous few threw safety and sanity to the wind. They would design, build, and race a car that could beat Ferrari at his own game at the most prestigious and brutal race in the world, something no American car had ever done.Go Like Helltransports readers to a risk-filled, glorious time in this brilliant portrait of a rivalry between two industrialists, the cars they built, and the "pilots" who would drive them to victory, or doom.
For more than two thousand years Christian expansion and proselytizing was couched in terms of 'defending the faith'. Until recently in the United States, much of that defense came in the form of reactions against the 'liberal' influences channeled through big-corporate media such as popular music, Hollywood movies, and network and cable television. But the election of Ronald Reagan as a Hollywood President introduced Christian America to the tools of advertising and multimedia appeals to children and youth to win new believers to God's armies. Christotainment examines how Christian fundamentalism has realigned its armies to combat threats against it by employing the forces it once considered its chief enemies: the entertainment media, including movies, television, music, cartoons, theme parks, video games, and books. Invited contributors discuss the critical theoretical frameworks of top-selling devices within Christian pop culture and the appeal to masses of American souls through the blessed marriage of corporatism and the quest for pleasure.
