The Emperor's Regret are a collection of stories based on Chinese themes. I have experimented with fiction. In the first story, The Emperor's regret I experiment with combining fiction story form with non-fiction use of footnotes. In the second story I experiment with western and eastern story forms. In the third story I experiment with contemporary reality with ancient fantasy.
'A garden should be just a little too big to keep the whole cultivated. Then it gives it a chance to go a little wild in spots Edna Walling, landscape designer Waratah or wattle? Chrysanthemum or rose? Planting Dreams celebrates the artistry and imagination that have shaped Australian gardens. Respected garden historian Richard Aitken explores the environmental and social influences that have helped produce our unique gardening culture."
A look at Fortune Telling and Divination from the author of Buckland's Complete Book of Witchcraft Best-selling Wiccan seer and gypsy mystic Raymond Buckland focused his attention on the intuitive art of prognostication in this tome. A master of his art, the late Buckland designed fortune-telling decks, read cards, and did other types of fortune telling for over fifty years. A comprehensive A-to-Z exploration of all that peers into tomorrow, The Fortune-Telling Book: The Encyclopedia of Divination and Soothsaying divines the meanings of 400 key topics relating to this oft-misunderstood, oft-consulted-upon science. Written in clear, concise language, it discusses everything from aeromancy (seeing by observing atmospheric phenomena) to zoomancy (divination by the appearance or behavior of animals) and the 398 others in between. This fascinating encyclopedia is illustrated with 100 pictures and includes a detailed index and additional reading recommendations. Packed with colorful histories, people, and significant events, The Fortune-Telling Book shows readers how to foretell their own fates. It’s sure to please fortune-telling enthusiasts, whatever their powers.
Robert Penn Warren's reputation as a poet, though always considerable, has soared in the last decade, as indicated by his recent selection as America's first poet laureate. The Braided Dream is one of the first book-length studies of the poetry that has led to Warren's recent rise to eminence and the first to consider his final collection, Altitudes and Extensions. In a communicable, jargon-free style that will appeal to the nonacademic reader as well as the serious scholar, Randolph Paul Runyon provides a detailed and illuminating guide to a body of poetry that, despite its greatness, has until now seemed resistant to full understanding. Every poem of Warren's last four sequences—Now and Then, Being Here, Rumor Verified, and Altitudes and Extensions—is given a close reading, with a precise laying-out of words, phrases, and recurring images that not only enrich the texture of the poetry but are themselves the texture. Runyon demonstrates the relevance of Freud's concept of the dream work of the unconscious to a reading of this tightly interwoven poetry. He shows how Warren's poems assume additional meanings by the poet's very arrangement of them, deepening his thesis by arguing that "poems eat poems" as each reuses and reconceptualizes the imagery of its predecessor, frequently with ironic or parodic effect.
Wang Yun (1749-1819) was a famous playwright in imperial China, and her A Dream of Glory is a significant, full length chaunqi about female dreams and desires. This volume provides a complete English translation with detailed annotations, an extensive introduction to traditional Chinese women's drama, and a foreword by Owen Aldridge.
Surprisingly little has been written in Western languages about the eighteenth- century Chinese novel Dream of the Red Chamber, perhaps the supreme masterpiece of its entire tradition. In this study, Andrew H. Plaks has used the conceptual tools of comparative literature to focus on the novel's allegorical elements and narrative structure. He thereby succeeds in accounting for the work's greatness in terms that do justice to its own narrative tradition and as well to recent advances in general literary theory. A close textual reading of the novel leads to discussion of a wide range of topics: ancient Chinese mythology, Chinese garden aesthetics, and the logic of alternation and recurrence. The detailed study of European allegorical texts clarifies the directions taken by comparable works of Chinese literature, and the critical tool of the literary archetype helps to locate the novel within the Chinese narrative tradition from ancient mythology to the more recent "novel" form. Professor Plaks' innovative use of traditional criticism suggests the levels of meaning the eighteenth-century author might have expected to convey to his immediate audience. This book provides not only an illuminating analysis of this important novel, but also a significant demonstration that critical concepts derived primarily from Western literary models may be fruitfully applied to Chinese narrative works. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In the first essay in Garden Musings, this gardening writer states, "The evidence keeps racking up that I, the Hoosier-born offspring of several generations of farmers, chose through ignorance to garden in a delightful area combining the world's worst soil and an exasperating climate, all augmented by various man-made and natural catastrophes such as tornadoes, droughts, prairie fires, hail, drenching rains, ice-storms, late freezes, boiling summers, and seventy mile per hour winds. " Gardening, with all the pressures of struggle between the environment, wild animals, and the gardener, and particularly in the harsh Kansas weather, is not for the faint-hearted as demonstrated by the many essays in the book including Sweet (Corn) Pain, Weather-Weary, Midden Misery, and Soil Sorrows. While the essays are full of useful personal observations about gardening style, plant information, and garden practices, the author also turns his wry eye on tumbling a number of gardening tenets and institutions as he turns his attentions on composting, lawn maintenance, and landscape designers who work primarily in junipers, Japanese barberry and Stella de Oro daylilies. The timing and content of programming of the Home and Garden Television Network and the lack of availability of G-rated gardening statues are other topics that don't escape this garden curmudgeon. Gardeners searching for practical advice or simply for winter-reading pleasure will all find fulfillment within these pages.