Hung, Drawn, and Quartered takes an informative, no-holds-barred look at the history of execution, from Ancient Rome to the modern day. It is divided into eleven broadly chronological chapters, each exploring a different form of execution and is packed with gory details, eyewitness accounts, and little-known facts.
This book belongs on the reference shelf of anyone interested in the interplay between cartoons, politics, and public opinion. It provides the reader a historic framework in which to understand the cartoons' meaning and significance.
It is time to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked in this new world. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice. In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life—for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world’s most exotic and remote places, she savors the pleasures of being unseen. Discovering and dramatizing a wonderful range of ways of disappearing, from virtual reality goggles that trick the wearer into believing her body has disappeared to the way Virginia Woolf’s Mrs. Dalloway finds a sense of affiliation with the world around her as she ages, Busch deliberates on subjects new and old with equal sensitivity and incisiveness. How to Disappear is a unique and exhilarating accomplishment, overturning the dangerous modern assumption that somehow fame and visibility equate to success and happiness. Busch presents a field guide to invisibility, reacquainting us with the merits of remaining inconspicuous, and finding genuine alternatives to a life of perpetual exposure. Accessing timeless truths in order to speak to our most urgent contemporary problems, she inspires us to develop a deeper appreciation for personal privacy in a vast and intrusive world.
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
Take a gruesome trip through time with this grisly compendium of death! From the best way to shrink a head to making a mummy in eight simple steps, and with fascinating facts about botched beheadings, greedy royals and the plague, Hung, Drawn and Quartered looks at the most gruesome facts from the past.
Graham Humphreys' career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. It's easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With more than 40 years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings, and color studies.
Thomas Harrison is today perhaps best remembered for the manner of his death. As a leading member of the republican regime and signatory to Charles I’s death warrant, he was hanged, drawn and quartered by the Restoration government in 1660; a spectacle witnessed by Samuel Pepys who recorded him ’looking as cheerful as any man could do in that condition’. Beginning with this grisly event, this book employs a thematic, rather than chronological approach, to illustrate the role of millenarianism and providence in the English Revolution, religion within the new model army, literature, image and reputation, and Harrison’s relationship with key individuals like Ireton and Cromwell as well as groups, most notably the Fifth Monarchists. Divided in three parts, the study starts with an analysis of Harrison’s last year of life, the nature of his response to the political collapse of the Interregnum regimes, and his apparent acceptance of the Restoration without overt resistance. Part two considers Harrison’s years of ’power’, analysing his political activities and influence in the New Model, especially with regard to the regicide. The final part ties Harrison’s political retreat to his initial emergence from obscurity; arguing that Harrison’s relative political quietism during the later 1650s was a reflection of the development of his millenarianism. Unlike the only two previous full length studies of Harrison the present work makes use of a full range of manuscript, primary and secondary sources, including the huge range of new material that has fundamentally changed how the early modern period is now understood. Fully footnoted and referenced, this study provides the first modern academic study of Harrison, and through him illuminates the key themes of this contested period.
Professor Bellamy places the theory of treason in its political setting and analyses the part it played in the development of legal and political thought in this period. He pays particular attention to the Statute of Treason of 1352, an act with a notable effect on later constitutional history and which, in the opinion of Edward Coke, had a legal importance second only to that of Magna Carta. He traces the English law of treason to Roman and Germanic origins, and discusses the development of royal attitudes towards rebellion, the judicial procedures used to try and condemn suspected traitors, and the interaction of the law of treason and constitutional ideas.
This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.