Drawing, 1400-1600

Drawing, 1400-1600

Author: Stuart Currie

Publisher: Routledge

Published: 2018-10-26

Total Pages: 235

ISBN-13: 0429858701

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First published in 1998, this volume twelve scholars explore ways in which drawings were employed and appreciated in various European Cities form late medieval times, through the Renaissance and Reformation periods and into the early seventeenth century. The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types, such as studies from different kinds of model and student copies from a master’s exemplar. They also investigate how drawings and their mechanically- reproduced equivalents- engravings, etchings and other forms of print – came to be collected for both practical and connoisseurial purposes, and how iconographical and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. Through diverse approaches to the study of artists’ attitudes and ambitions, the essays in Drawing 1400-1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realized in some of the greatest artistic statements of all time.


The Wrightsman Pictures

The Wrightsman Pictures

Author: Jayne Wrightsman

Publisher: Metropolitan Museum of Art

Published: 2005

Total Pages: 454

ISBN-13: 1588391442

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This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.


Peter Paul Rubens

Peter Paul Rubens

Author: Anne-Marie S. Logan

Publisher: Metropolitan Museum of Art

Published: 2005

Total Pages: 346

ISBN-13: 0300104944

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Catalogue of an exhibition held at the Metropolitan Museum of Art, New York, Jan. 15-Apr. 3, 2005.


Art Treasures of England

Art Treasures of England

Author: Jane Martineau

Publisher:

Published: 1998

Total Pages: 496

ISBN-13:

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This major publication, containing 450 color illustrations, reveals the greatest art treasures of English regional collections, built up from the foundation in the 17th century of the first university collections, through the purchases of Victorian paintings by municipal art galleries and philanthropic patrons in 19th-century industrial towns and cities, to the collecting of Old Master paintings and drawings and modern British art in this century.


Private Collecting, Exhibitions, and the Shaping of Art History in London

Private Collecting, Exhibitions, and the Shaping of Art History in London

Author: Stacey J. Pierson

Publisher: Routledge

Published: 2017-01-12

Total Pages: 204

ISBN-13: 1315311917

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The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized, and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members’ social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be presented and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship, and art world practice that is surprisingly diverse and interconnected.


Van Dyck

Van Dyck

Author: Stijn Alsteens

Publisher: Yale University Press

Published: 2016-01-01

Total Pages: 321

ISBN-13: 0300212054

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The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.


A Touch of the Divine

A Touch of the Divine

Author: Federigo Barocci

Publisher:

Published: 2006

Total Pages: 252

ISBN-13:

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This volume is devoted to the work of Federico Barocci in Britain. It concentrates on his graphic art and sets him in his place in the tradition of drawing in Italy in the late 16th century. Examples of the draughtmanship of his predecessors, Raphael and Correggio amongst them, and of those whom he influenced are included.