Dramma Giocoso

Dramma Giocoso

Author: Julian Rushton

Publisher: Leuven University Press

Published: 2012

Total Pages: 145

ISBN-13: 9058678458

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The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.


The Signifier and the Signified

The Signifier and the Signified

Author: F. Noske

Publisher: Springer Science & Business Media

Published: 2012-12-06

Total Pages: 428

ISBN-13: 9401010870

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The studies collected in this volume deal with the interpretation of opera. In most cases the results are based on structural analysis, a concept which may require some clarification in this context. During the past de cade 'structure' and 'structural' have become particularly fashionable terms lacking exact denotation and used for the most divergent purposes. As employed here, structural analysis is concerned with such concepts as 'relationship', 'coherence' and 'continuity', more or less in contrast to formal analysis which deals with measurable material. In other words, I have analysed the structure of an opera by seeking and examining factors in the musico-dramatic process, whereas analysts of form are generally preoccupied with the study of elements contained in the musical object. Though admittedly artificial, the dichotomy of form and structure may elucidate the present situation with regard to the study of opera. Today, nearly one hundred years after the death of Wagner, the proclaimed anti thesis of Oper und Drama is generally taken for what it really was: a means to propagate the philosophy of its inventor. The conception of opera (whether 'continuous' or composed of 'numbers') as a special form of drama is no longer contested. Nevertheless musical scholarship has failed to draw the consequences from this view and few scholars realize the need to study general theory of drama and more specifically the dramatic experience.


The Concise Oxford Dictionary of Opera

The Concise Oxford Dictionary of Opera

Author: John Warrack

Publisher: Oxford Paperbacks

Published: 1996-03-07

Total Pages: 594

ISBN-13: 0192800280

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Derived from the full Oxford Dictionary of Opera, this is the most authoritative and up-to-date dictionary of opera available in paperback. Fully revised for this new edition, with over 3,500 entries, it is designed to be accessible to all those who enjoy opera, whether at the opera-house oron record. * Composers and their works * Singers and their notable performances * Plot summaries and separate entries for well-known roles, arias, and choruses * Leading conductors, producers, and designers * Opera companies and festivals


The Philosopher's Stone

The Philosopher's Stone

Author: Barbara R. Barry

Publisher: Pendragon Press

Published: 2000

Total Pages: 250

ISBN-13: 9781576470107

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The Philosopher's Stone is a collection of case studies in compositional process; not so much about how the music was arrived at through its sketch stages, but more are construction of issues of form as the defining features of a genre, and structure as the individual realization in a particular work. Great musical movements and works are seen as highly creative solutions to problem-solving. The contexts of the works differ considerably. Some were written against the background of a specific precedent or model, as with Mozart's Haydn quartets via Haydn's Op. 33 set. In other cases, as with Beethoven's middle period style, the composer reconsiders a comprehensive range of implications about style and construction, of how, after earlier successes now outworn, to make a new and significant contribution to the genre without duplicating earlier solutions. The essays are grouped into three sections: on Beethoven studies, Mozart in retrospect, and nineteenth-century music. All the movements and works in these chapters pose in their different ways these issues of structural reinterpretation and re-formation, where the reworking of the form leads to a distinctive and higher level transformation


Dramma Per Musica

Dramma Per Musica

Author: Reinhard Strohm

Publisher: Yale University Press

Published: 1997-01-01

Total Pages: 350

ISBN-13: 9780300064544

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'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.


The Crisis of the Officer Class

The Crisis of the Officer Class

Author: Philip Rieff

Publisher: University of Virginia Press

Published: 2007

Total Pages: 228

ISBN-13: 9780813926766

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"In this volume, Rieff advances his thesis that the third culture of disenchantment, which is now more widely and deeply entrenched than ever before as 'our' culture, is distinguished by its rejection of any and all visions of sacred order inherited from either first world cultures of fate or second world culture of faith." --introd.


Italian Opera in the Age of the American Revolution

Italian Opera in the Age of the American Revolution

Author: Pierpaolo Polzonetti

Publisher: Cambridge University Press

Published: 2011-03-17

Total Pages: 397

ISBN-13: 0521897084

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Polzonetti reveals how revolutionary America inspired eighteenth-century European audiences, and how it can still inspire and entertain us.


The Life of Haydn

The Life of Haydn

Author: David Wyn Jones

Publisher: Cambridge University Press

Published: 2009-04-16

Total Pages: 265

ISBN-13: 052189574X

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Presenting a fresh perspective on the life and work of Joseph Haydn, this biography probes the darker side of Haydn's personality, his commercial opportunism and double dealing, his penny-pinching and his troubled marriage.


Opera in Portugal in the Eighteenth Century

Opera in Portugal in the Eighteenth Century

Author: Manuel Carlos de Brito

Publisher: Cambridge University Press

Published: 2007-05-31

Total Pages: 276

ISBN-13: 9780521036436

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A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793.