Crescent and Dove looks at the relationship between contemporary Islam and peacemaking by tackling the diverse interpretations, concepts, and problems in the field of Islamic peacemaking. It addresses both theory and practice by delving into the intellectual heritage of Islam to discuss historical examples of addressing conflict in Islam and exploring the practical challenges of contemporary peacemaking in Arab countries, Turkey, Iran, Pakistan, and Indonesia.
Best-selling author/illustrator of The Wonderful Things You Will Be, Emily Winfield Martin, shares her "Imaginaries": paintings from over the last ten years, captioned with one enigmatic sentence, designed to inspire. From mermaids and giant flowers to magical robes and mysterious characters, this full-color collection of old and new art from Emily Winfield Martin will inspire the artist and writer in you! Each glorious image is given a mysterious or magical one-line caption--the beginning of a story, or maybe the middle--you imagine the rest. The captions are hand-written on vintage scraps of paper, envelopes, postcards and more. Akin to the Chris van Allsburg book The Mysteries of Harris Burdick, The Imaginairies is destined to become a cult classic in its own right. The book is unjacketed with foil and a matte finish on the cover; a treasure to keep and display and pore over for years.
Most histories of World War I revolve around gruesome battles, ribboned generals and feats of military heroism. All too often the acts of those who tried to stop the fighting by word or deed have been drowned out by the roar of cannons. Yet even in the heat of battle individuals of courage stepped forward and attempted to bring the better part of humanity out of darkness and to revive the phoenix of peace. This book tells in detail the stories of these people and their organizations, in Asia, North and South America and Europe. Henry Ford's "peace ship" of December 1915, the famous Christmas truce of 1914, secret diplomatic missions by Austro-Hungarian Prince Sixtus, and myriad other efforts are described, showing that the desire for peace was widespread and fervent.
There are 10,500 species of bird worldwide and wherever they occur people marvel at their glorious colours and their beautiful songs. We also trap and consume birds of every kind. Yet birds have not just been good to eat. Their feathers, which keep us warm or adorn our costumes, give birds unique mastery over the heavens. Throughout history their flight has inspired the human imagination so that birds are embedded in our religions, folklore, music and arts. Vast in both scope and scale, Birds and People explores and celebrates this relationship and draws upon Mark Cocker’s 40 years of observing and thinking about birds. Part natural history and part cultural study, it describes and maps the entire spectrum of our engagements with birds, drawing in themes of history, literature, art, cuisine, language, lore, politics and the environment. In the end, this is a book as much about us as it is about birds. Birds and People has been stunningly illustrated by one of Europe’s best wildlife photographers, David Tipling, who has travelled in 39 countries on seven continents to produce a breathtaking and unique collection of photographs. The book is as important for its visual riches as it is for its groundbreaking content. Birds and People is also exceptional in that the author has solicited contributions from people worldwide. Personal anecdotes and stories have come from more than 650 individuals in 81 different countries. They range from university academics to Mongolian eagle hunters, and from Amerindian shamans to some of the most celebrated writers of our age. The sheer multitude of voices in this global chorus means that Birds and People is both a source book on why we cherish birds and a powerful testament to their importance for all humanity.
This text presents an in-depth examination of Picasso as a politically and socially engaged artist, from the 1940s, when he defiantly remained in Paris during the Nazi occupation, throughout the subsequent Cold War period.
"From the artist and international YouTube sensation Leonardo Pereznieto, his first-ever book teaching how to draw the highly realistic surfaces and textures that earned him millions of YouTube views"--
Zachary C. Shirkey argues that the United States is overly reliant on the active use of force and should employ more peaceful foreign policy tools. Force often fails to achieve its desired ends for both tactical and strategic reasons and is relatively infungible, making it an inappropriate tool for many US foreign policy goals. Rather than relying on loose analogies or common sense as many books on US grand strategy do, American Dove bases its argument directly on an eclectic mix of academic literature, including realist, liberal, and constructivist theory as well as psychology. Shirkey also argues against retrenchment strategies, such as offshore balancing and strategic restraint as lacking a moral component that leaves them vulnerable to hawkish policies that employ moral arguments in favor of action. US withdrawal would weaken the existing liberal international security, economic, and legal orders—orders that benefit the United States. Rather, the book argues the United States needs an energetic foreign policy that employs passive uses of force such as deterrence and nonmilitary tools such as economic statecraft, international institutions, international law, and soft power. Such a policy leaves room for a moral component, which is necessary for mobilizing the American public and would uphold the existing international order. Last, Shirkey argues that to be successful, doves must frame their arguments in terms of strategy rather than in terms of costs and must show that dovish policies are consistent with national honor and a broad range of American values. American Dove offers a framework for US grand strategy and a plan for persuading the public to adopt it.
Picasso's artistic genius was clear from childhood. This outstanding book begins with the doves young Pablo painted with his father when he was only seven, then shows us his later passions for harlequins and street people, bulls and minotaurs, new ways of seeing and new ways of rendering life.
