"In Laura Resnick's Doppelgangster, the New York actress is 'resting' between roles by working as a singing waitress at a Manhattan mob restaurant because wiseguys tip well. Then duplicated gangsters appear, bullets start flying, and it's up to Esther and her friend Max the Magician to fight Evil by stopping the gang war before it starts killing the wrong people. And if she has time, maybe Esther can actually keep a hot date with her hunky detective friend Lopez, who doesn't believe in magic. Yet. Unplug the phone and settle down for a fast and funny read." —New York Times bestselling author Mary Jo Putney Doppelgangster is the exciting second novel of the Esther Diamond series.
Girls of your dreams. Or nightmares. Maybe both? The acclaimed Jonathan Evan Hudson launches five new adult paranormal short stories of fast-paced paranormal fantasy and earns his place among the best storytellers of our time.
Mathews uses a limited definition of paranormal, and examines works set, for the most part, in a relatively realistic modern world inhabited by both humans and paranormal beings.
Masters of Science Fiction and Fantasy Art profiles and celebrates the work of today’s leading practitioners of art of the fantastic, as well as a handful of gifted newcomers from around the globe. The range and impact of their work is both inspiring and far-reaching. These 28 masters have created images for television, movies, gaming, museum exhibits, theme park rides, and every area of publishing.Some of the artists featured only employ traditional painting techniques, while others use only digital methods, and many more blend the mediums to create their fantastical images. Each artist discusses his/her influences and techniques as well as offering tips to beginning artists. Science Fiction Grandmaster and Hugo Award–winning author Joe Haldeman contributes a foreword. Artists, science fiction fans, and art collectors will appreciate the outstanding artwork featured here. Featured artists include: —Brom —Jim Burns —Kinuko Y. Craft —Dan Dos Santos —Bob Eggleton —Donato Giancola —Rebecca Guay —James Gurney —Gregory Manchess —Stephan Martiniere —Terese Nielsen —John Picacio —Greg Spalenka —Shaun Tan —Charles Vess
Paranormal crime stories by bestselling fiction writers like Kelley Armstrong, Anne Perry, Simon R. Green, Patricia Briggs, and more. A massive, monumental volume of paranormal crime fiction by bestselling authors. Gripping tales of mayhem include both novellas and short stories like “Stalked by,” by Kelley Armstrong, “The Judgment” by worldwide bestselling author Anne Perry, “Appetite for Murder” by Simon R. Green, “, “Road Dogs” by Norman Partridge, “The Hex Is In” by Mike Resnick, “Doppelgangster” by Laura Resnick, the chilling “If Vanity Doesn’t Kill Me” by Michael A. Stackpole, and many, many, more. Compiled and edited by the world’s most prolific anthologist—the award-winning Martin H. Greenberg—this is the biggest paranormal crime book on the market and the ultimate collection for crime lovers, ghost hunters, and thrill seekers everywhere. Also included are multiple stories by New York Times bestselling authors. The Best Paranormal Crime Stories Ever Told is a new book in the series, which includes The Best Hunting Stories Ever Told and The Best Fishing Stories Ever Told.
Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world’s iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies.
This special guest-edited issue extends the current discussions of art (inclusive of interior/ spatial design and architecture) as a process of social cognition and to address the gap between descriptions of embodied cognition and the co-construction of lived experience. Papers and exhibitions presented at the 2019 Bodies of Knowledge Conference have been advanced significantly as research articles and visual essays to focus on interdisciplinary connections across research practices that involve art and theories of cognition. These contributions emphasise how spatial art and design research approaches have enabled the articulation of a complex understanding of environments, spaces and experiences, including the spatial distribution of cultural, organizational and conceptual structures and relationships, as well as surrounding design features. Contributions address the following questions: • How do art and spatial practices increase the potential for knowledge transfer and celebrate diverse forms of embodied expertise? • How the examination of cultures of practice, Indigenous knowledges and cultural practices offer perspectives on inclusion, diversity, neurodiversity, disability and social justice issues? • How the art and spatial practices may contribute to research perspectives from contemporary cognitive neuroscience and the philosophy of mind? • The dynamic between an organism and its surroundings for example: How does art and design shift the way knowledge and thinking processes are acquired, extended and distributed? • How do art and design practices demonstrate the ways different forms of acquiring and producing knowledge intersect?
