The Doom Patrol homeless! When Cliff, Larry and Rita are evicted from Oolong Island, they discover the rest of the super hero community is less than welcoming.
One of the most innovative comics ever, Doom Patrol - a super-team comprised of freaks, misfits, and madmen - took the superhero world into a new age of strangeness! Meet Robotman, trapped inside his robot body; Negative Man, possessed by an alien energy being; monkey-faced Dorothy Spinner, who can bring her imaginary friends to life, and Crazy Jane, with over forty different super-powered split personalities. Triumph and tragedy await them as they take on the fearsome, reality-altering Scissormen... but how do you fight against fictional enemies? The astonishing US debut of writer Grant Morrison (Final Crisis), with artists including Richard Case (Shade), Doom Patrol is an comics classic! Warning: Adults Only!
They were outcast heroes, bound together by fate, led by their mysterious, wheelchair-bound Chief: Robotman, Elasti-Girl, Negative Man and Beast Boy.Their strange powers made them the objects of fear instead of hero worship. In the 1960s, they were the most unusual super-team comics readers had ever seen. In this fourth volume of their Archive series, the Doom Patrol faces such bizarre menaces as Mr. 103, Ultimax, and the Brotherhood of Evil, including the duo of the Braina disembodied, super-intelligent brainand Monsieur Mallah, an evil, talking ape who speaks with a French accent.
These new adventures find the Doom Patrol facing off against a pan-dimensional wrecking crew who have come to Oolong Island looking for something specific - and the Doom Patrol had better find it while there's still an island left
Oolong Island is picking up the pieces after the Black Lanterns' devastating attack. Former Patrol member Crazy Jane finds the island first, bearing terrifying news of what's to come!
It is a time of great upheaval as Cliff transforms, Larry gives birth, Casey babysits—and the Doom Patrol becomes embroiled in the divorce proceedings of feuding cosmic entities.
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.