Cliff Steele's going up against the toughest foe he's ever faced...himself, as his disembodied brain and new robot body engage in a most unusual dialogue. Also, the Brain and Monsieur Mallah return!
The groundbreaking series from Grant Morrison that led American comics in a wholly unexpected direction. Originally conceived in the 1960s by the visionary team of writer Arnold Drake and artist Bruno Premiani, the Doom Patrol was reborn a generation later through Grant Morrison’s singular imagination. Though they are super-powered beings, and though their foes are bent on world domination, convention ends there. Shunned as freaks and outcasts, and tempered by loss and insanity, this band of misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them-but it’s still all in a day’s work for the Doom Patrol. Written by Grant Morrison and featuring art by Richard Case, John Nyberg, Doug Braithwaite, Scott Hanna and Carlos Garzón, DOOM PATROL BOOK ONE collects issues #19-34 and includes introductions by Morrison and editor Tom Peyer.
For the world's strangest heroes, staving off the annihilation of free will or the reformatting of the universe into an artistic statement is all in a day's work -- not to mention the everyday assassination attempts and visits from Satan.
The Doom Patrol tracks down the Unwritten Book and its owner in Barcelona. They split up, leaving Crazy Jane with the boy and the book. But can she protect him from the Sisters of Our Lady of the Razor?
The new Doom Patrol puts itself back together after nearly being destroyed, and things start to get a lot weirder for everybody. The Chief leads Robotman, the recently formed Rebis and new member Crazy Jane against the Scissormen, part of a dangerous philosophical location that has escaped into our world and is threatening to engulf reality itself. Collecting Grant Morrison's definitive run, which launched his career as one of the comic industry's most innovative and creative writers! Collects Doom Patrol #19-63 and Doom Force Special #1.
The original Teen Titans always stood in the shadows of their larger-than-life mentors — young heroes like Robin, Wonder Girl and Kid Flash saw plenty of action, but it was Batman, Wonder Woman and the Flash who ultimately called the shots. All that changed, however, with the arrival of THE NEW TEEN TITANS in 1980 — and the lives of DC’s adolescent adventurers would never be the same! Crafted by comics legends Marv Wolfman and George Pérez, this all-new super-team featured greater dangers, fiercer emotions and more tangled relationships than any that had come before. The Titans’ celebrated stories have ensured that the names of Starfire, Cyborg, Raven and the Changeling will be passed down through history alongside those famous aliases employed by Dick Grayson, Donna Troy and Wally West. Now, for the first time, all of Wolfman and Pérez’s NEW TEEN TITANS tales are available in a comprehensive series of trade paperback editions. THE NEW TEEN TITANS VOLUME TWO collects the issues #9-16 of the classic title, and includes an enlightening introduction from Wolfman on the crafting of these acclaimed stories.
The spirit of Grant Morrison's groundbreaking DOOM PATROL is captured in this debut series starring the cult-favorite misfits as a part of Gerard Way's new Young Animal imprint. Flex Mentallo, Robotman, Rebis, Crazy Jane, and more are back to twist minds and take control. This new take on a classic embraces and reimagines the Morrison run's signature surrealism and irreverence. Incorporating bold, experimental art and a brash tone to match a new generation of readers, Gerard Way's DOOM PATROL establishes radical new beginnings, breaks new ground, and honors the warped team dynamic of the world's strangest heroes. This abstract and unexpected ensemble series nods at the Doom Patrol's roots by continuing to break the barriers of the traditional superhero genre. Collects issues #1-6. DOOM PATROL is the flagship title of Young Animal--a four-book grassroots mature reader imprint, creatively spearheaded by Gerard Way, bridging the gap between the DCU and Vertigo, and focusing on the juxtaposition between visual and thematic storytelling.
Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters—such as Echo, Omega the Unknown, and the Silver Scorpion—as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O’Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.
Based on the author's real-world experience, this book provides a comprehensive guide on how to develop a professional career and client base as a unit stills photographer in the entertainment industry. Industry veteran Jace Downs takes readers behind the scenes as he explores production from the perspective of a unit stills photographer. Honest and entertaining, chapters cover the production environment, set etiquette, equipment, dealing with difficult talent, shooting on set, developing a client base, joining the union and much more. Accessible to those within and outside of the entertainment industry, this book is ideal for intermediate level photographers looking to expand their skillset and client base, as well as for aspiring photographers who would like more insight into photography work in entertainment production.
Describes and lists the values of popular collectible comics and graphic novels issued from the 1950s to today, providing tips on buying, collecting, selling, grading, and caring for comics and including a section on related toys and rings.