The final confessions of the senior Kray brother. Only one man knew everything about Ronnie and Reggie Kray and that was their brother Charlie. Until now nobody has ever revealed the truth about the Firm.• Gossip and rumor have been rife, fact has blended into fiction and the unwritten law of the street meant that the real story was buried. But before his death, the eldest Kray brother, Charlie, decided to set the record straight once and for all. Revealing everything to Colin Fry, his co-author, he finally told his incredible story. By the man who knew them best, this is the ultimate history of the twins who ruled the East End with their peculiar blend of seductive glamour and terrifying violence.
A true crime travel guide to the haunts and hangouts of the most notorious gangsters of London’s East End. There are many conflicting stories about who Ronnie and Reggie Kray were. Films depicting their lives have made the public vilify them, adore them and even admire them. This guidebook will dig a little deeper into the places they spent their time. Many of the places are renowned as the stomping grounds of the devious duo, but there are one or two exclusives that are not yet covered anywhere else, including the untold story of their lifelong hairdresser. Chapter by chapter, a map of their lives will reveal itself, making this the perfect read for anybody around the world interested in London’s gangster scene. “I remember going home from a cinema visit to London in the early 1960s with police sirens all over the place as we went through the East End. I remember the newspaper reports of the time, and wondering how the police could allow such people to control the East End to such an extent, and to apparently countenance the horrors this evil gang inflicted on their own and their enemies. It was a horrendous time to be alive in the East End of London, and Caroline’s superb book brings it all back to life.” —Books Monthly
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
Part sex comedy, part historical what-if, Chameleon on Plaid is a racy joyride through the diverse neighbourhoods of Toronto in the late 1980s. It follows a group of bohemian young white men and women in their twenties from various social backgrounds as they take what the city has to offer and attempt to come to grips with their differing roles in an increasingly multicultural and multiracial city. With their lives part intimate play and part exploration of identity, when one among them declares his intention to assassinate a member of the British royal family in the name of Celtic nationalism, the inner group must decide just where its loyalties lie- to the law as it stands or to their friend. With sly and sometimes wild humour, Chameleon on Plaid takes the assassination plot to old-town Quebec City and back to Toronto in a rich tapestry of language and ideas that pulls the reader from one placid scene into chaos the next and through an aftermath which unfolds in often unexpected ways. Kerjunel’s narrative is both global and local, pulling the reader between the complexities of love and lust, and where we may fit into history or just opt out and create our own. Sometimes in life and in love, realities entwine and sometimes they collide- sometimes they are subject to softsell or hardnosed negotiation and sometimes not so much or not at all.
The name Reggie Kray remains synonymous with London's East End to this day, and yet although much is known about Reg and his brother Ronnie's life of crime in the '50s and '60s, to date precious little has been revealed about their formative years. Reggie wrote his EAST END STORIES in the early 1990s, but they haven't seen the light of day until now. In the book, he recalls the close-knit East End community in which he and his brother grew up, the characters in his family and neighbourhood, and of course, the many villains he worked with. Filled with anecdotes about the area's most outlandish personalities and notorious criminals, and offering a fascinating journey around the Krays' 'manor' including their favourite haunts and business enterprises, the book paints a vivid portrait of a London that has long since disappeared.
An entertaining, deeply informative explanation of how high-level financial crimes work, written by an industry insider who’s an expert in the field. The way most white-collar crime works is by manipulating institutional psychology. That means creating something that looks as much as possible like a normal set of transactions. The drama comes later, when it all unwinds. Financial crime seems horribly complicated, but there are only so many ways you can con someone out of what’s theirs. In Lying for Money, veteran regulatory economist and market analyst Dan Davies tells the story of fraud through a genealogy of financial malfeasance, including: the Great Salad Oil swindle, the Pigeon King International fraud, the fictional British colony of Poyais in South America, the Boston Ladies’ Deposit Company, the Portuguese Banknote Affair, Theranos, and the Bre-X scam. Davies brings new insights into these schemes and shows how all frauds, current and historical, belong to one of four categories (“long firm,” counterfeiting, control fraud, and market crimes) and operate on the same basic principles. The only elements that change are the victims, the scammers, and the terminology. Davies has years of experience picking the bones out of some of the most famous frauds of the modern age. Now he reveals the big picture that emerges from their labyrinths of deceit and explains how fraud has shaped the entire development of the modern world economy.
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
For the first time, a Mafia boss--Anthony Gaspipe Casso--reveals the shocking details behind his family's headline-making crimes to the "New York Times"-bestselling author of "The Night Stalker" and "The Ice Man." 8-page b&w photo insert.
This is the last great story of the Krays, the infamous UK crime organization led by three brothers. Now, the oldest, Charlie Kray, reveals the the truth about a transatlantic criminal empire.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time
