Documenting the Early Modern Book World

Documenting the Early Modern Book World

Author: Malcolm Walsby

Publisher: BRILL

Published: 2013-10-14

Total Pages: 432

ISBN-13: 9004258906

DOWNLOAD EBOOK

Scholars of pre-modern literary culture rely almost exclusively on texts that have survived: mostly those that have reached the comparative safety of modern library collections. But the urge to record, catalogue and advertise the wealth of new publications in the age of print created an additional and valuable resource: book lists. Printers made lists of their available stock; owners catalogued their libraries; religious authorities drew up indexes of banned books; assessors inventoried collections and stock as part of the settlement of estates, or legal proceedings. This volume examines an array of such lists taken from a variety of European countries during the fifteenth, sixteenth and seventeenth centuries. The result is a wide-ranging re-evaluation of one of the most interesting and underused resources for early modern book history. Contributors include: Jürgen Beyer, Flavia Bruni, Gina Dahl, Cristina Dondi, Shanti Graheli, Neil Harris, Justyna Kiliańczyk-Zięba, Alexander Marr, Kasper van Ommen, Andrea Ottone, Leigh T.I. Penman, Benito Rial Costas, John Sibbald, Kevin M. Stevens and Malcolm Walsby.


Documenting the Early Modern Book World

Documenting the Early Modern Book World

Author: Malcolm Walsby

Publisher: Brill Academic Pub

Published: 2013

Total Pages: 416

ISBN-13: 9789004258891

DOWNLOAD EBOOK

This volume examines a number of different book lists from a variety of European countries during the fifteenth, sixteenth, and seventeenth centuries. It offers a wide-ranging re-evaluation of one of the most interesting and underused resources for early modern book history.


Documents of Performance in Early Modern England

Documents of Performance in Early Modern England

Author: Tiffany Stern

Publisher: Cambridge University Press

Published: 2009-09-17

Total Pages: 377

ISBN-13: 1139482971

DOWNLOAD EBOOK

As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.


Early Modern Europe, 1450-1789

Early Modern Europe, 1450-1789

Author: Merry E. Wiesner

Publisher: Cambridge University Press

Published: 2013-02-21

Total Pages: 565

ISBN-13: 1107031060

DOWNLOAD EBOOK

Thoroughly updated best-selling textbook with new learning features. This acclaimed textbook has unmatched breadth of coverage and a global perspective.


The Early Modern Grotesque

The Early Modern Grotesque

Author: Liam Semler

Publisher: Routledge

Published: 2018-10-26

Total Pages: 325

ISBN-13: 0429684789

DOWNLOAD EBOOK

The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.


Images, Texts, and Marginalia in a "Vows of the Peacock" Manuscript (New York, Pierpont Morgan Library MS G24)

Images, Texts, and Marginalia in a

Author: Domenic Leo

Publisher: BRILL

Published: 2013-08-16

Total Pages: 445

ISBN-13: 9004250832

DOWNLOAD EBOOK

The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.


Who are You?

Who are You?

Author: Valentin Groebner

Publisher: Mit Press

Published: 2007

Total Pages: 0

ISBN-13: 9781890951726

DOWNLOAD EBOOK

The prehistory of modern passport and identification technologies: the documents, seals, and stamps, that could document and transform their owner's identity. Who are you? And how can you prove it? How were individuals described and identified in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In Who are You?, Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were--and are--powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers' illusory fantasies as they did about their bearers' actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one's identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. Ironically, these papers and practices gave birth to two uncanny doppelg ngers of administrative identity procedures: the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so desired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner's identity--whether carried by Renaissance vagrants and gypsies or the illegal immigrants of today who remain "sans papier," without papers.


Translation and the Book Trade in Early Modern Europe

Translation and the Book Trade in Early Modern Europe

Author: José María Pérez Fernández

Publisher: Cambridge University Press

Published: 2014-12-29

Total Pages: 285

ISBN-13: 1107080045

DOWNLOAD EBOOK

This collection underscores the role played by translated books in the early modern period. Individual essays aim to highlight the international nature of Renaissance culture and the way in which translators were fundamental agents in the formation of literary canons. This volume introduces readers to a pan-European story while considering various aspects of the book trade, from typesetting and bookselling to editing and censorship. The result is a multifaceted survey of transnational phenomena.


Archives & Information in the Early Modern World

Archives & Information in the Early Modern World

Author: Liesbeth Corens

Publisher: Oxford University Press, USA

Published: 2018

Total Pages: 326

ISBN-13: 9780197266250

DOWNLOAD EBOOK

Includes revised version of papers from a conference entitled "Transforming Information: Record Keeping in the Early Modern World" held at the British Academy in April 2014, together with three additional essays.


Early Modern Catalogues of Imaginary Books

Early Modern Catalogues of Imaginary Books

Author: Anne-Pascale Pouey-Mounou

Publisher: BRILL

Published: 2019-11-26

Total Pages: 374

ISBN-13: 9004413650

DOWNLOAD EBOOK

For this bilingual (English-French) anthology of early modern fictitious catalogues, selections were made from a multitude of texts, from the genre’s beginnings (Rabelais’s satirical catalogue of the Library of St.-Victor (1532)) to its French and Dutch specimens from around 1700. In thirteen chapters, written by specialists in the field, diverse texts containing fictitious booklists are presented and contextualized. Several of these texts are well known (by authors such as Fischart, Doni, and Le Noble), others – undeservedly – are less known, or even unrecorded. The anthology is preceded by a literary historical and theoretical introduction addressing the parodic and satirical aspects of the genre, and its relationship to other genres: theatre, novel, and pamphlet. Contributors: Helwi Blom, Tobias Bulang, Raphaël Cappellen, Ronnie Ferguson, Dirk Geirnaert, Jelle Koopmans, Marijke Meijer Drees, Claudine Nédelec, Patrizia Pellizzari, Anne-Pascale Pouey-Mounou, Paul J. Smith, and Dirk Werle.