Documentary Film Classics

Documentary Film Classics

Author: William Rothman

Publisher: Cambridge University Press

Published: 1997-01-28

Total Pages: 242

ISBN-13: 9780521456814

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A study of classic documentary film.


The Documentary Film Book

The Documentary Film Book

Author: Brian Winston

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 893

ISBN-13: 1838718745

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Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.


Paris Is Burning

Paris Is Burning

Author: Lucas Hilderbrand

Publisher: arsenal pulp press

Published: 2013-11-25

Total Pages: 133

ISBN-13: 1551525208

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Paris Is Burning (Jennie Livingston, 1991) captures the energy, ambition, wit, and struggle of African-American and Latino participants in the 1980s New York drag ball scene. This book contextualizes the film within the longer history of drag balls, the practices of documentary, the fervor of the culture wars, and the development of queer theory and critical race studies.


Making Documentary Films and Videos

Making Documentary Films and Videos

Author: Barry Hampe

Publisher: Macmillan

Published: 2007-12-10

Total Pages: 468

ISBN-13: 9780805081817

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Outlines each step in creating documentaries, from conception to final film, and offers advice on capturing human behavior and recreating past events, with advice on how to get started in the field, a section on researching and developing a project, and current resources.


Marriage Story

Marriage Story

Author:

Publisher:

Published: 2019-12

Total Pages: 0

ISBN-13: 9781614289043

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Each volume contains film stills, set photography, quotes from the cast and the filmmakers, Introductions, copies of handwritten notes by Adam Driver (Charlie) and Scarlett Johansson (pink) giving their perspectives on who the other character is. In envelopes adhered to front paste-downs of each other's volumes.


The British Documentary Film Movement, 1926-1946

The British Documentary Film Movement, 1926-1946

Author: Paul Swann

Publisher: Cambridge University Press

Published: 1989-07-28

Total Pages: 232

ISBN-13: 9780521334792

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Paul Swann's study is a political and social history of the documentary film movement led by John Grierson in the 1930s and 1940s.


Three Documentary Filmmakers

Three Documentary Filmmakers

Author: William Rothman

Publisher: SUNY Press

Published: 2009-03-05

Total Pages: 256

ISBN-13: 9781438425023

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Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.


Shoah

Shoah

Author: Sue Vice

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 126

ISBN-13: 1838718168

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Claude Lanzmann's epic 1985 film 'Shoah' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann's central role in the film and the issue of representing the unrepresentable.


Recycled Culture in Contemporary Art and Film

Recycled Culture in Contemporary Art and Film

Author: Vera Dika

Publisher: Cambridge University Press

Published: 2003-06-09

Total Pages: 258

ISBN-13: 9780521016315

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The reuse of images, plots and genres from film history has become prominent in contemporary culture. In this study, Vera Dika explores this phenomenon from a broad range of critical perspectives, examining works of art and film that resist the pull of the past. Dika provides an in-depth analysis of works in several media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Proclaiming the renewed importance of the image and of genre, she investigates works as diverse as Cindy Sherman's Untitled Film Stills, Amos Poe's The Foreigner, Terence Malick's Badlands, and Francis Ford Coppola's One from the Heart. Her study positions avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.