The true crime author of Body of Proof investigates the case of an Iowa woman charged with murder for killing her abusive husband. Scott and Dixie Shanahan lived in a gray ranch along Third Avenue in the sleepy Midwestern town of Defiance, Iowa. With a population of less than 400, everyone in Defiance knew the home for its recurring episodes of screaming, mayhem, and horrific domestic violence. Then one day, Scott Shanahan was gone. Some thought the abusive husband had packed his bags and left town. After months went by with still no sign of the volatile wife beater, people began to ask questions. But what really happened to him was so shocking that even long-time law enforcement officials were aghast by the sight and awful smell. When Dixie was arrested for Scott’s murder, she made a credible claim of self-defense. But how did she manage to live with her husband’s rotting body inside her master bedroom for fourteen months? In Dixie’s Last Stand, investigative journalist John Ferak explores a tragic tale of marital abuse to ask: did Dixie Shanahan deserve to be convicted of murder?
On December 6, 1969, the Texas Longhorns and Arkansas Razorbacks met in what many consider the Game of the Century. In the centennial season of college football, both teams were undefeated; both featured devastating and innovative offenses; both boasted cerebral, stingy defenses; and both were coached by superior tacticians and stirring motivators, Texas's Darrell Royal and Arkansas's Frank Broyles. On that day in Fayetteville, the poll-leading Horns and second-ranked Hogs battled for the Southwest Conference title -- and President Nixon was coming to present his own national championship plaque to the winners. Even if it had been just a game, it would still have been memorable today. The bitter rivals played a game for the ages before a frenzied, hog-callin' crowd that included not only an enthralled President Nixon -- a noted football fan -- but also Texas congressman George Bush. And the game turned, improbably, on an outrageously daring fourth-down pass. But it wasn't just a game, because nothing was so simple in December 1969. In Horns, Hogs, & Nixon Coming, Terry Frei deftly weaves the social, political, and athletic trends together for an unforgettable look at one of the landmark college sporting events of all time. The week leading up to the showdown saw black student groups at Arkansas, still marginalized and targets of virulent abuse, protesting and seeking to end the use of the song "Dixie" to celebrate Razorback touchdowns; students were determined to rush the field during the game if the band struck up the tune. As the United States remained mired in the Vietnam War, sign-wielding demonstrators (including war veterans) took up their positions outside the stadium -- in full view of the president. That same week, Rhodes Scholar Bill Clinton penned a letter to the head of the ROTC program at the University of Arkansas, thanking the colonel for shielding him from induction into the military earlier in the year. Finally, this game was the last major sporting event that featured two exclusively white teams. Slowly, inevitably, integration would come to the end zones and hash marks of the South, and though no one knew it at the time, the Texas vs. Arkansas clash truly was Dixie's Last Stand. Drawing from comprehensive research and interviews with coaches, players, protesters, professors, and politicians, Frei stitches together an intimate, electric narrative about two great teams -- including one player who, it would become clear only later, was displaying monumental courage just to make it onto the field -- facing off in the waning days of the era they defined. Gripping, nimble, and clear-eyed, Horns, Hogs, & Nixon Coming is the final word on the last of how it was.
The extraordinary story of how Coach Paul "Bear" Bryant and Joe Namath, his star quarterback at the University of Alabama, led the Crimson Tide to victory and transformed football into a truly national pastime. During the bloodiest years of the civil rights movement, Bear Bryant and Joe Namath-two of the most iconic and controversial figures in American sports-changed the game of college football forever. Brilliantly and urgently drawn, this is the gripping account of how these two very different men-Bryant a legendary coach in the South who was facing a pair of ethics scandals that threatened his career, and Namath a cocky Northerner from a steel mill town in Pennsylvania-led the Crimson Tide to a national championship. To Bryant and Namath, the game was everything. But no one could ignore the changes sweeping the nation between 1961 and 1965-from the Freedom Rides to the integration of colleges across the South and the assassination of President Kennedy. Against this explosive backdrop, Bryant and Namath changed the meaning of football. Their final contest together, the 1965 Orange Bowl, was the first football game broadcast nationally, in color, during prime time, signaling a new era for the sport and the nation. Award-winning biographer Randy Roberts and sports historian Ed Krzemienski showcase the moment when two thoroughly American traditions-football and Dixie-collided. A compelling story of race and politics, honor and the will to win, Rising Tide captures a singular time in America. More than a history of college football, this is the story of the struggle and triumph of a nation in transition and the legacy of two of the greatest heroes the sport has ever seen.
The blues were born out of pride, anger, and need. Murder comes from those same dark places. One of Memphis' most seductive and notorious socialites has disappeared. She's either off on another of her drunken escapades or the disappearance is something much more frightening. What begins as an ordinary day's work for Detective Billy Able of the Memphis P.D. quickly grows into a high-level spider's web of tragedy, mystery, suspicion, passion, and sordid secrets--including a few of Billy's own. Along with Mercy Snow, the estranged sister of the missing socialite, Billy follows a twisted path of human frailty and corruption to disturbing truths that undermine everything he thought he knew about himself and the people he loves.
Presents a collection of short stories that captures the lives of such characters as a boy whose reputation is ruined forever after he stars in a documentary on diagnosing head lice and a lovelorn father who woos his child's third-grade teacher.
Tin Pan Alley, once New York City’s songwriting and recording mecca, issued more than a thousand songs about the American South in the first half of the twentieth century. In Reinventing Dixie, John Bush Jones explores the broad impact of these songs in creating and disseminating the imaginary view of the South as a land of southern belles, gallant gentlemen, and racial harmony. In profiles of Tin Pan Alley’s lyricists and composers, Jones explains how a group of undereducated and untraveled writers—the vast majority of whom were urban northerners or European immigrants— constructed the specific and detailed images of the South used in their song lyrics. In the process of evaluating the origins of Tin Pan Alley’s songbook, Jones analyzes these songwriters’ attitudes about North-South reconciliation, ideals of honor and hospitality, and the recurring theme of the yearning for home. Though a few of the songs employed parody or satire to undercut the vision of a peaceful, romantic South, the majority ignored the realities of racism and poverty in the region. By the end of Tin Pan Alley’s era of cultural prominence in the mid-twentieth century, Jones contends that the work of its writers had cemented the “moonlight and magnolias” myth in the minds of millions of Americans. Reinventing Dixie sheds light on the role of songwriters in forming an idyllic vision of the South that continues to influence the American imagination.
"Unlike many of his fellows, [James Newton] was knowledgeable, intuitive, and literate; like many of his fellows he was cast into the role of soldier at only eighteen years of age. He was polished enough to write drumhead and firelight letters of fine literary style. It did not take long for this farm boy turned private to discover the grand design of the conflict in which he was engaged, something which many of the officers leading the armies never did discover."--Victor Hicken, Journal of the Illinois State Historical Society "When I wrote to you last I was at Madison with no prospect of leaving very soon, but I got away sooner than I expected to." So wrote James Newton upon leaving Camp Randall for Vicksburg in 1863 with the Fourteenth Wisconsin Volunteer Infantry. Newton, who had been a rural schoolteacher before he joined the Union army in 1861, wrote to his parents of his experiences at Shiloh, Corinth, Vicksburg, on the Red River, in Missouri, at Nashville, at Mobile, and as a prisoner of war. His letters, selected and edited by noted historian Stephen E. Ambrose, reveal Newton as a young man who matured in the war, rising in rank from private to lieutenant. A Wisconsin Boy in Dixie reveals Newton as a young man who grew to maturity through his Civil War experience, rising in rank from private to lieutenant. Writing soberly about the less attractive aspects of army life, Newton's comments on fraternizing with the Rebs, on officers, and on discipline are touched with a sense of humor--"a soldier's best friend," he claimed. He also became sensitive to the importance of political choices. After giving Lincoln the first vote he had ever cast, Newton wrote: "In doing so I felt that I was doing my country as much service as I have ever done on the field of battle."
Although the Civil War reconfigured Dixie, in the half century since the end of World War II the American South has been massively changed again. It is still an improbable mix of tradition and transition, but the stereotype of a region with one party politics, one crop agriculture, white supremacy, cultural insularity, grinding poverty , somnolent cotton towns, and languorous rural landscapes has largely passed into history. Possum Trot and Tobacco Road have been suburbanized and how have Walmarts. As the regions's boosters insist, the "nations's number0one economic problem" has joined the great, booming sunbelt. For good or for ill, a new sense has been visited upon nearly every southern place. What elements caused such striking change to the face of Dixie? In this volume, nine widely known specialists in the history and literature of the American South search for the origins of this sweeping regional transformation in the period of the Second World War. These original essays address a cluster of related problems of enduring fascination for all those who wish to understand the ever-changing, ever-abiding South. Offering new answers to important questions, they address the Second World War as a major watershed in southern history. Did it drive old Dixie down? Did it set in motion forces that ultimately shaped a Newer South? Did it further Americanize the South by eroding traditional patterns of though and deed that once were fiercely defended by white southerners as "our way of life"? Was the postwar South less different, less peculiar and distinctive?
Documents governmental and political corruption in the Deep South through the story of a daughter who seeks justice when her parents are slain in Mississippi.
Whistlin' Dixie in a Nor'Easter is the story of a sweet Southern belle who leaves her beloved Memphis, Tennessee to follow her husband's dream of becoming the proprietor of a quaint Vermont inn. Leelee Satterfield seemed to have it all: a gorgeous husband, two adorable daughters, and roots in the sunny city of Memphis, Tennessee. So when her husband gets the idea to uproot the family to run a quaint Vermont inn, Leelee is devastated...and her three best friends are outraged. But she's loved Baker Satterfield since the tenth grade, how can she not indulge his dream? Plus, the glossy photos of bright autumn trees and smiling children in ski suits push her over the edge...after all, how much trouble can it really be? But Leelee discovers pretty fast that there's a truckload of things nobody tells you about Vermont until you live there: such as mud season, vampire flies, and the danger of ice sheets careening off roofs. Not to mention when her beloved Yorkie decides to pick New Year's Eve to go to doggie heaven-she encounters one more New England oddity: frozen ground means you can't bury your dead in the winter. And that Yankee idiosyncrasy just won't do. The inn they've bought also has its host of problems: an odor that no amount of potpourri can erase, tacky décor, and a staff of peculiar Vermonters whose personalities are as unique as the hippopotamus collection gracing the fireplace mantle. The whole operation is managed by Helga, a stern German woman who takes special delight in bullying Leelee for her southern gentility. Needless to say, it doesn't take long for Leelee to start wondering when to drag out the moving boxes again. But when an unexpected hardship takes Leelee by surprise, she finds herself left alone with an inn to run, a mortgage to pay, and two daughters to raise. But this Southern belle won't be run out of town so easily. Drawing on the Southern grit and inner strength she didn't know she had, Leelee decides to turn around the Inn, her attitude and her life. In doing so, she makes friends with her neighbors, finds a little romance, and realizes there's a lot more in common with Vermont than she first thought. In this moving and comedic debut, Lisa Patton paints a hilarious portrait of life in Vermont as seen through the eyes of a southern belle readers won't soon forget. A charming fish-out-of-water tale of one woman who learns to stand up for herself-in sandals and snow boots-against the odds.
