Distinguished Discord

Distinguished Discord

Author: Robin P. Hoople

Publisher:

Published: 1997

Total Pages: 336

ISBN-13:

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"The contention of this book - that the development of the critical tradition of Henry James's The Turn of the Screw (1898) is forwardly progressive - challenges recent theoretical dogmas that proclaim that criticism does not develop and that texts contain only the random meanings assigned to them by the vagaries of the reading process." "Further, the contention that aspects of the text of James's ghost tale remain unread a century after its publication proposes that the enterprise of practical criticism is ongoing. Scholars simply know more than earlier readers about all aspects of the tale - its structure, the relation of its parts, the significance of its broken frame, its narrative complications, its language, its cultural roots, its critique of society - in short, its total meaning. Modern critical theory must have credit for demonstrating that much of the critical act amounts to a mere translation from one critical vocabulary to another, and for attacking the New Critical premise that criticism solves the text in authoritative and definitive ways. But it must yield - as far as James's tale is concerned - to the overwhelming evidence that the critical enterprise learns from its past and builds on what it learns." "The Turn of the Screw makes a good ground for exploring the questions attendant on a thesis of forwardly progressive criticism because James himself, as the first major critic of the work (in his New York preface, 1908) provoked the controversies that focused the issues for which the critical tradition of the work is noted. Proclaiming that the first readers had imperfectly understood both the author's intentions and the tale's working methods, James challenged the reader to discover the provenience of the tale's authority."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Reading, Writing, and Race

Reading, Writing, and Race

Author: Davison M. Douglas

Publisher: UNC Press Books

Published: 2012-01-01

Total Pages: 374

ISBN-13: 1469606488

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Using Charlotte, North Carolina, as a case study of the dynamics of racial change in the 'moderate' South, Davison Douglas analyzes the desegregation of the city's public schools from the Supreme Court's 1954 Brown v. Board of Education decision through the early 1970s, when the city embarked upon the most ambitious school busing plan in the nation. In charting the path of racial change, Douglas considers the relative efficacy of the black community's use of public demonstrations and litigation to force desegregation. He also evaluates the role of the city's white business community, which was concerned with preserving Charlotte's image as a racially moderate city, in facilitating racial gains. Charlotte's white leadership, anxious to avoid economically damaging racial conflict, engaged in early but decidedly token integration in the late 1950s and early 1960s in response to the black community's public protest and litigation efforts. The insistence in the late 1960s on widespread busing, however, posed integration demands of an entirely different magnitude. As Douglas shows, the city's white leaders initially resisted the call for busing but eventually relented because they recognized the importance of a stable school system to the city's continued prosperity.


Nothing that is

Nothing that is

Author: Sarah Lynn Higley

Publisher: Wayne State University Press

Published: 2004

Total Pages: 268

ISBN-13: 9780814330647

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Daniel Myrick and Eduardo Sanchez's The Blair Witch Project seemingly appeared from nowhere to become one of 1999's highest grossing films. While generating revenue as a low budget movie backed by a media blitz, The Blair Witch Project also generated controversy and made a mockery of the Hollywood industry, billing itself as "real" footage of a supernatural event. Critics were divided over some of the most basic questions: whether the film was an artistic success or the product of its hype, for example, and whether it challenged Hollywood conventions or succumbed to them in the end. Nothing That Is: The Blair Witch Controversies examines these and other debates, and initiates some of its own about American taste for horror, hoax, independent films, the Internet, and the direction of cinema in the twenty-first century. The book explores the modest origins and rapid demise of this independent film- while also analyzing the sensational results of its broad media discourses--a Web site developing the back story of The Blair Witch Project was one of the most-accessed sites on the entire Internet at the time of the movie's release. These essays, from many diverse perspectives, also look at The Blair Witch Project's manipulation of cinematic codes, its view on technology and the occult, its film progenitors, and even its effects on the film's setting of Burkittsville, Maryland. Nothing That Is will interest both film scholars and fans of this unexpected blockbuster that emerged from, if not "nothing," a complex brew of culture, technology, and ingenuity.


In Darkest James

In Darkest James

Author: Robin P. Hoople

Publisher: Bucknell University Press

Published: 2000

Total Pages: 314

ISBN-13: 9780838754535

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"In July of 1906 Archibald Henderson could pronounce with perfect confidence that Henry James was "a master impressionist." But as short a time as six years earlier, James's critics lacked this term in their vocabulary, and struggled with the sophisticated art of James's developing impressionistic literary technique. In Darkest James discusses the reviewer's frustrated, often irritated, and even anguished attempts to render a satisfactory account of the sequence of artifacts in which James moved toward the perfection of his craft."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


States and Firms

States and Firms

Author: Razeen Sally

Publisher: Routledge

Published: 2013-08-21

Total Pages: 267

ISBN-13: 1134682506

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States and Firms is a study in the political economy of the multinational enterprise. It looks at the internationalisation in the 1980s of the twelve leading French and German-owned multinational enterprises in chemicals and electronics, who form part of a European Challenge in international competition in technology- intensive sectors. The book examines how and why the internationalisation of these MNEs has interacted with their embeddedness in the domestic structures of their home countries (France and Germany) particularly in terms of their power relationships with home governments and financial institutions. The primary themes are the MNEs' roles as political actors; domestic government policy vis-a-vis the MNEs; MNEs' financial relationships with banks in France and Germany; MNE political activity at the level of the European Union, especially evident in technology policy. The primary contribution of this book is an inclusion of a firm-level approach to put the spotlight on fundamental questions of political economy and international business.