Displacing Female Bodies on the Eighteenth-Century Stage

Displacing Female Bodies on the Eighteenth-Century Stage

Author: John Robbins

Publisher: Cambridge Scholars Publishing

Published: 2024-02-08

Total Pages: 169

ISBN-13: 1527581721

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Displacing Female Bodies on the Eighteenth-Century Stage is driven by a central question: why were women playwrights in the Romantic period obsessed with silencing their female characters, pushing them off the stage, and announcing the removal of their own texts to the closet? These playwrights were some of the most well-known and commercially successful writers of their era, but were paradoxically also among its most marginalized figures: they were mocked by largely conservative audiences, suffered intense criticism for placing their works on display before the public eye, and frequently found their plays rejected by theater managers in favor of works by established male playwrights. This book argues that these writers did not simply craft plays that would please the crowd, but that they deftly incorporated the suppressions and subjugations to which they were subject into their works. It demonstrates that within their plays, gaps in discourse and representation contain a productive capacity, denoting spaces of imaginative potential or drawing into focus the conditions by which such silencing and erasure takes place, and argues that the long-standing critical misapprehension of these works stems from precisely these strategies of resistance, which of necessity took non-traditional forms and thus have not been readily recognizable to audiences, then or now.


Displacing Female Bodies on the Eighteenth-Century Stage

Displacing Female Bodies on the Eighteenth-Century Stage

Author: JOHN. ROBBINS

Publisher:

Published: 2024-04

Total Pages: 0

ISBN-13: 9781527580954

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Displacing Female Bodies on the Eighteenth-Century Stage is driven by a central question: why were women playwrights in the Romantic period obsessed with silencing their female characters, pushing them off the stage, and announcing the removal of their own texts to the closet? These playwrights were some of the most well-known and commercially successful writers of their era, but were paradoxically also among its most marginalized figures: they were mocked by largely conservative audiences, suffered intense criticism for placing their works on display before the public eye, and frequently found their plays rejected by theater managers in favor of works by established male playwrights. This book argues that these writers did not simply craft plays that would please the crowd, but that they deftly incorporated the suppressions and subjugations to which they were subject into their works. It demonstrates that within their plays, gaps in discourse and representation contain a productive capacity, denoting spaces of imaginative potential or drawing into focus the conditions by which such silencing and erasure takes place, and argues that the long-standing critical misapprehension of these works stems from precisely these strategies of resistance, which of necessity took non-traditional forms and thus have not been readily recognizable to audiences, then or now.


Female Playwrights and Eighteenth-Century Comedy

Female Playwrights and Eighteenth-Century Comedy

Author: M. Anderson

Publisher: Springer

Published: 2002-02-22

Total Pages: 266

ISBN-13: 0312292759

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Aphra Behn, Susannah Centlivre, Hannah Cowley, and Elizabeth Inchbald were the only four female playwrights in England with multiple comic successes from 1670-1800. Behn's interest in the body, Centlivre's fascination with written contracts, Cowley's nationalism, and Inchbald's discussion of divorce emerge in the comic events that are animated by the psychological mechanisms of humor. Attending to the dialogue between these comic events and the plays' more predictable comic endings illuminates the philosophical, political, and legal arguments about women and marriage that fascinated both female playwrights and the theatergoing public.


Women, Nationalism, and the Romantic Stage

Women, Nationalism, and the Romantic Stage

Author: Betsy Bolton

Publisher: Cambridge University Press

Published: 2001-04-19

Total Pages: 298

ISBN-13: 9780521771160

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This 2001 book examines how Romantic women performers and playwrights used theatrical conventions to intervene in politics.


Castration, Impotence, and Emasculation in the Long Eighteenth Century

Castration, Impotence, and Emasculation in the Long Eighteenth Century

Author: Anne Leah Greenfield

Publisher: Routledge

Published: 2019-11-20

Total Pages: 353

ISBN-13: 1000760669

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This essay collection examines one of the most fearsome, fascinating, and hotly-discussed topics of the long eighteenth century: masculinity compromised. During this timespan, there was hardly a literary or artistic genre that did not feature unmanning regularly and prominently: from harrowing tales of castrations in medical treatises, to emasculated husbands in stage comedies, to sympathetic and powerful eunuchs in prose fiction, to glorious operatic performances by castrati in Italy, to humorous depictions in caricature and satirical paintings, to fearsome descriptions of Eastern eunuchs in travel narratives, to foolish and impotent old men who became a mainstay in drama. Not only does this unprecedented study of unmanning (in all of its varied forms) illustrate the sheer prevalence of a trope that featured prominently across literary and artistic genres, but it also demonstrates the ways diminished masculinity reflected some of the most strongly-held anxieties, interests, and values of eighteenth-century Britons.


The Mind Has No Sex?

The Mind Has No Sex?

Author: Londa Schiebinger

Publisher: Harvard University Press

Published: 1991-03-01

Total Pages: 372

ISBN-13: 067425600X

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As part of his attempt to secure a place for women in scientific culture, the Cartesian François Poullain de la Barre asserted as long ago as 1673 that “the mind has no sex.” In this rich and comprehensive history of women’s contributions to the development of early modern science, Londa Schiebinger examines the shifting fortunes of male and female equality in the sphere of the intellect. Schiebinger counters the “great women” mode of history and calls attention to broader developments in scientific culture that have been obscured by time and changing circumstance. She also elucidates a larger issue: how gender structures knowledge and power. It is often assumed that women were automatically excluded from participation in the scientific revolution of early modern Europe, but in fact powerful trends encouraged their involvement. Aristocratic women participated in the learned discourse of the Renaissance court and dominated the informal salons that proliferated in seventeenth-century Paris. In Germany, women of the artisan class pursued research in fields such as astronomy and entomology. These and other women fought to renegotiate gender boundaries within the newly established scientific academies in order to secure their place among the men of science. But for women the promises of the Enlightenment were not to be fulfilled. Scientific and social upheavals not only left women on the sidelines but also brought about what the author calls the “scientific revolution in views of sexual difference.” While many aspects of the scientific revolution are well understood, what has not generally been recognized is that revolution came also from another quarter—the scientific understanding of biological sex and sexual temperament (what we today call gender). Illustrations of female skeletons of the ideal woman—with small skulls and large pelvises—portrayed female nature as a virtue in the private realm of hearth and home, but as a handicap in the world of science. At the same time, seventeenth- and eighteenth-century women witnessed the erosion of their own spheres of influence. Midwifery and medical cookery were gradually subsumed into the newly profess ionalized medical sciences. Scientia, the ancient female personification of science, lost ground to a newer image of the male researcher, efficient and solitary—a development that reflected a deeper intellectual shift. By the late eighteenth century, a self-reinforcing system had emerged that rendered invisible the inequalities women suffered. In reexamining the origins of modern science, Schiebinger unearths a forgotten heritage of women scientists and probes the cultural and historical forces that continue to shape the course of scientific scholarship and knowledge.


Entertaining Children

Entertaining Children

Author: G. Arrighi

Publisher: Springer

Published: 2014-05-07

Total Pages: 253

ISBN-13: 1137305460

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Children have been exploited as performers and wooed energetically as consumers throughout history. These essays offer scholarly investigations into the employment and participation of children in the entertainment industry with examples drawn from historical and contemporary contexts.


Child Labor in the British Victorian Entertainment Industry

Child Labor in the British Victorian Entertainment Industry

Author: Dyan Colclough

Publisher: Springer

Published: 2016-01-26

Total Pages: 238

ISBN-13: 1137496037

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Child labor greatly contributed to the cultural and economic success of the British Victorian theatrical industry. This book highlights the complexities of the battle for child labor laws, the arguments for the needs of the theatre industry, and the weight of opposition that confronted any attempt to control employers.


Performance Reconstruction and Spanish Golden Age Drama

Performance Reconstruction and Spanish Golden Age Drama

Author: L. Vidler

Publisher: Springer

Published: 2016-11-09

Total Pages: 198

ISBN-13: 1137437073

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Spanish Golden Age drama has resurfaced in recent years, however scholarly analysis has not kept pace with its popularity. This book problematizes and analyzes the approaches to staging reconstruction taken over the past few decades, including historical, semiotic, anthropological, cultural, structural, cognitive and phenomenological methods.


The New Humor in the Progressive Era

The New Humor in the Progressive Era

Author: R. DesRochers

Publisher: Springer

Published: 2014-07-24

Total Pages: 204

ISBN-13: 1137357185

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By tracing the effects of unprecedented immigration, the advent of the new woman, and the little-known vaudeville careers of performers like the Elinore Sisters, Buster Keaton, and the Marx Brothers, DesRochers examines the relation between comedic vaudeville acts and progressive reformers as they fought over the new definition of "Americanness."