This 1,008-page sourcebook answers many questions to quench the soul's thirst for God and Self-knowledge. Every spiritually-inclined human being will be enriched by the path revealed in this extraordinary book. India's tolerant and diverse vision of the Divine is all here: meditative, devotional, philosophical, scriptural and yogic. In question-and-answer style, Dancing with Siva guides the aspirant deep into the Hindu heart. Lavishly illustrated with 165 black and white reproductions of paintings from India. Resources include a Hindu timeline, comparisons of 12 world religions, a children's primer and more.
One of the first things that strike the Western viewer of Indian art is the multiplicity of heads, arms and eyes. This convention grows out of imagery conceived by Vedic sages to explain creation. This book for the first time investigates into the meaning of this convention. The author concentrates on its origins in Hindu art and on preceding textual references to the phenomenon of multiplicity. The first part establishes a general definition for the convention. Examination of all Brahmanical literature up to, and sometimes beyond, the 1st - 3rd century A.D., adds more information to this basic definition. The second part applies this literary information mainly to icons of the Yaksa, Śiva, Vāsudeva-Kṛsṇa and the Goddess, and indicates how Brahmanical cultural norms, exemplified in Mathurā, can transmit textual symbols. Both Part I and Part II provide iconic modules and a methodology to generate interpretations for icons with this remarkable feature through the Gupta age.
A study of the impact of caste and class on conceptions of gender, this book focuses on the lower castes/classes of South India. Examining the lives and work of "untouchable" women in a village in Tamil Nadu, the author explores the recently articulated critique of feminism that race, caste, and class may be more important factors than gender in a person's consciousness. She finds that in South India, caste and class construct gender, at the same time that gender constructs class and caste.
An illustrated A to Z reference containing more than 700 entries providing information on the theology, people, historical events, institutions and movements related to Hinduism.
The development and use of genetically modified organisms (GMOs) has been a contentious topic for the last three decades. While there have been a number of social science analyses of the issues, this is the first book to assess the role of Non-Governmental Organizations (NGOs) in the debate at such a wide geographic scale. The various positions, for and against GMOs, particularly with regard to transgenic crops, articulated by NGOs in the debate are dissected, classified and juxtaposed to corresponding campaigns. These are discussed in the context of key conceptual paradigms, including nature fundamentalism and the organic movement, post-colonialism, food sovereignty, anti-globalisation, sustainability and feminism. The book also analyses how NGOs interpret the debate and the persuasive communication tactics they use. This provides greater understanding of the complexity of negotiations in the debate and explains its specific features such as its global scope and difficulty in finding compromises. The author assesses the long-term interests of various participants and changes in perceptions of science and in public communication as a result. Examples of major NGOs such as Greenpeace, Oxfam and WWF are included, but the author also provides new research into the role of NGOs in Russia.
The traditional understanding of Shiva told through stories and teachings from the Shiva Mahapurana • Explains Shiva’s contradictory forms, such as destroyer or benefactor, and how his form depends on the needs of the devotee • Reveals how Shiva’s teachings allow one to see through the illusions at the root of all grief and alienation in human life • Explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya Shiva, the most ancient and complex deity of the Hindu pantheon, has been portrayed in many contrasting lights: destroyer and benefactor, ascetic and householder, wild demon slayer and calm yogi atop Mount Kailash. Drawing from the Hindu sacred text the Shiva Mahapurana--said to be written by Shiva himself--Vanamali selects the essential stories of Shiva, both those from his dark wild side and those from his benevolent peaceful side. Vanamali discusses Shiva’s many avatars such as Shambunatha and Bhola, as well as Dakshinamurti who taught the shastras and tantras to the rishis. She explores Shiva’s relationships with Durga, Shakti, Sati, and Parvati and with his sons Ganesha and Kartikeya. Examining Shiva’s acceptance of outsiders, Vanamali explains why ghosts and ghouls are his attendants and why his greatest devotees are demon kings, like Ravana. She includes famous Shiva stories such as the Descent of the River Ganga and Churning the Milky Ocean as well as those that reveal the origin of the festival of lights, Diwali; his creation of the cosmic couple, or hierogamos; and how Shiva and Parvati taught the world the secrets of Kundalini Shakti. The author also draws upon Shaivite teachings to illustrate the differences between Western science and Vedic science and their explanations for the origins of consciousness. Integrating Shiva’s two sides, the fierce and the peaceful, Vanamali reveals that Shiva’s form depends on the needs of the devotee. Understanding his teachings allows one to see through the illusions at the root of all grief and alienation in human life, for Shiva is the wielder of maya who does not fall under its spell. While Ganesha is known as the remover of obstacles, Shiva is the remover of tears.
The present book Transformation of Shiva from Myth to Man is an effort to decode the symbols related to the Shiva of Devdutt Pattanaik and Amish Tripathi in the light of mythological stance and present the most humane side of him. He is studied as a myth, as a man, a family man and God of transformation. His blue throat, Somras as Evil, Number Three, God of Destruction and Ash Bearer, Snake or Nagas, Aum, Ardhnarishwar, snow-clad mountain, all these core symbols that enwrap persona of Shiva are elucidated. Its an effort to demystify the myth of this ancient lord and awake young generation about enriched and the most valued Indian culture.
